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Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
A book about many of the world's most interesting wild animals, what they look like, where they live, how they hunt, what they eat, their intelligence and means of protection, why they behave in certain ways, and thier usefulness to man.
A unique look into young online memetic subcultures where gen Z teens explore radical politics such as: eco-extremism, neoreaction, anarcho-primitivism, transhumanism, anarcho-capitalism, alt-right, post-left, egoism and cyber-nihilism.
The extensive travels of J.M.W. Turner (1775-1851) through Britain and continental Europe provided an inexhaustible source of inspiration for his visionary color compositions, imaginative landscapes, and turbulent, often violent marine paintings. In Switzerland, he experienced both the beauty and the menace of the Alps, while by the sea, he observed the colorful harmonies of diffuse light. These experiences laid the groundwork for Turner to elevate landscape painting to an eminence that rivaled history painting. But how did he get there? Presenting this incomparably original artist on his route to autonomy in art, Turner traces the London artist's travels as he extended his search for motifs to Central Europe during the continent's temporary peace in 1802. He spent much time journeying through the mountains of Switzerland, constantly sketching his impressions of the scenes around him. Upon his return to London, he developed the unique imagery of his sublime landscape paintings. Through one hundred color illustrations that tell a story about the forces of nature of the sea and the Swiss mountain landscapes, the authors here examine the change Turner brought to the portrayal of the sublime and the subject of weather phenomena. Other essays explore Turner's role as the forerunner of modernism and reflect on the relationship between the artist and travel. Bringing together the symphony of colors that composed Turner's view of Switzerland's awe-inspiring landscapes, this book sheds new light on the artist's vision of the Alps and the sea.
Memory is as central to modern politics as politics is central to modern memory. We are so accustomed to living in a forest of monuments, to having the past represented to us through museums, historic sites, and public sculpture, that we easily lose sight of the recent origins and diverse meanings of these uniquely modern phenomena. In this volume, leading historians, anthropologists, and ethnographers explore the relationship between collective memory and national identity in diverse cultures throughout history. Placing commemorations in their historical settings, the contributors disclose the contested nature of these monuments by showing how groups and individuals struggle to shape the past to their own ends. The volume is introduced by John Gillis's broad overview of the development of public memory in relation to the history of the nation-state. Other contributions address the usefulness of identity as a cross-cultural concept (Richard Handler), the connection between identity, heritage, and history (David Lowenthal), national memory in early modern England (David Cressy), commemoration in Cleveland (John Bodnar), the museum and the politics of social control in modern Iraq (Eric Davis), invented tradition and collective memory in Israel (Yael Zerubavel), black emancipation and the civil war monument (Kirk Savage), memory and naming in the Great War (Thomas Laqueur), American commemoration of World War I (Kurt Piehler), art, commerce, and the production of memory in France after World War I (Daniel Sherman), historic preservation in twentieth-century Germany (Rudy Koshar), the struggle over French identity in the early twentieth century (Herman Lebovics), and the commemoration of concentration camps in the new Germany (Claudia Koonz).
Dotyczy m. in. Polski.
This collection of essays explores relics as religious and cultural phenomena. It considers the ways in which human remains and material objects have become the focus of worship, celebrity, curiosity, and conflict in a range of eras and cultures stretching from antiquity to the twenty-first century.