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A comprehensive and interpretative biography of Franz Kafka that is both a monumental work of scholarship and a vivid, lively evocation of Kafka's world.
Franz Kafka met Felice Bauer in August 1912, at the home of his friend Max Brod. Energetic, down-to-earth, and life-affirming, the twenty-five-year-old secretary was everything Kafka was not, and he was instantly smitten. Because he was living in Prague and she in Berlin, his courtship was largely an epistolary one—passionate, self-deprecating, and anxious letters sent almost daily, sometimes even two or three times a day. But soon after their engagement was announced in 1914, Kafka began to worry that marriage would interfere with his writing and his need for solitude. The more than five hundred letters Kafka wrote to Felice—through their breakup, a second engagement in 1917, and their final parting in the fall of that year, when Kafka began to feel the effects of the tuberculosis that would eventually claim his life—reveal the full measure of his inner turmoil as he tried, in vain, to balance his desire for human connection with what he felt were the solitary demands of his craft.
Known for depicting alienation, frustration, and the victimization of the individual by impenetrable bureaucracies, Kafka's works have given rise to the term Kafkaesque. This encyclopedia details Kafka's life and writings. Included are more than 800 alphabetically arranged entries on his works, characters, family members and acquaintances, themes, and other topics. Most of the entries cite works for further reading, and the Encyclopedia closes with a selected, general bibliography.
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Franz Kafka is one of the most intriguing writers of the 20th century. In this text the author provides an up-to-date introduction to Kafka, beginning with an examination of his life and then discussing some of the major themes that emerge in Kafka's work.
Provides a biography of Franz Kafka along with critical views of his work.
Josef K., thirty, lives in a large town in an unspecified country when he is summoned to answer a charge and appear in the courtroom for his trial. Franz Kafka evokes all the realities of trial without any of the specifics in a society that seems to have degraded into chaos: a squalid environment, rats, and yellow liquid shooting out of a hole in the wall.
This is the first book about Kafka that uses the writer's medical records. Gillman explores the relation of the body to cultural myths, and brings a unique and fascinating perspective to Kafka's life and writings.
Adopting Kafka as a lens to examine modern concepts in architecture, this book pries open new interpretations in Kafka scholarship. Each of eight chapters takes up an architectural element with which to explore meanings central to both literature and architecture. Stairs function as vertical access but in Kafka's hands become an instrument of science, testing the merit of natural selection. Kafka's doors open and close less to allow passage than to reconcile one psychological interior with the next. Notions of plumbing and hygiene begin to acquire new meaning. The architecture of Mies van der Rohe begins to make more sense, especially his tabula rasa approach to design, signifying less a harsh disdain for site and more a response to a reality in which the ceremony of the stairs had died and was replaced by the pervasive flatness of the modern floor.