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This well-illustrated (mainly in bandw) volume was produced in conjunction with the opening of the newly refurbished galleries in the museum. The initial chapters discuss the history of collecting of early medieval objects, with two chapters on J.P. Morgan. The remaining scholarly studies discuss the small luxury and everyday metal objects that make up the exceptional collection at the Met; consideration of the archaeological context is prominent. Individual papers discuss jewelry from various locations, the Vermand treasure, the Domagnano treasure, the Vrap treasure, and an analysis of the Lindau book cover. The contributors are affiliated with academic and museum institutions in the US and Europe. Annotation copyrighted by Book News Inc., Portland, OR
This book highlights pieces of jewellery from ancient and modern cultures in every part of the globe. Of special interest are the objects that appear in paintings and other works of art: jewel-studded gowns, glittering Renaissance brooches and an Egyptian beaded collar are among the featured works from the "Metropolitan Museum"'s collection. Necklaces, earrings, rings and bracelets fill this book and also included are objects of religious significance, military honours and other kinds of personal decoration. The captions relate anecdotes concerning the artists and wearers and describe the history and style of the jewellery pictured.
This pioneering study explores early medieval Frankish identity as a window into the formation of a distinct Western conception of ethnicity. Focusing on the turbulent and varied history of Frankish identity in Merovingian and Carolingian historiography, it offers a new basis for comparing the history of collective and ethnic identity in the Christian West with other contexts, especially the Islamic and Byzantine worlds. The tremendous political success of the Frankish kingdoms provided the medieval West with fundamental political, religious and social structures, including a change from the Roman perspective on ethnicity as the quality of the 'Other' to the Carolingian perception that a variety of Christian peoples were chosen by God to reign over the former Roman provinces. Interpreting identity as an open-ended process, Helmut Reimitz explores the role of Frankish identity in the multiple efforts through which societies tried to find order in the rapidly changing post-Roman world.
First Published in 1993.This book is a user-friendly introduction to the interface between archaeology and the natural sciences. It is intended as a secondary textbook for undergraduates in interdisciplinary courses in anthropology, archaeological science, museum studies, or materials science. This title will also be useful to graduate students taking a course outside their major field, and to archaeologists, curators, and scientists in a variety of settings who are engaged in interdisciplinary research. Each chapter includes references and suggested readings; a glossary of technical terms concludes the volume.
This educational resource packet covers more than 1200 years of medieval art from western Europe and Byzantium, as represented by objects in the collection of The Metropolitan Museum of Art. Among the contents of this resource are: an overview of medieval art and the period; a collection of aspects of medieval life, including knighthood, monasticism, pilgrimage, and pleasures and pastimes; information on materials and techniques medieval artists used; maps; a timeline; a bibliography; and a selection of useful resources, including a list of significant collections of medieval art in the U.S. and Canada and a guide to relevant Web sites. Tote box includes a binder book containing background information, lesson plans, timeline, glossary, bibliography, suggested additional resources, and 35 slides, as well as two posters and a 2 CD-ROMs.
Grab/Gräberfeld - Donauraum - Schmuckstein.
The extraordinary array of images included in this volume reveals the full and rich history of the Middle Ages. Exploring material objects from the European, Byzantine and Islamic worlds, the book casts a new light on the cultures that formed them, each culture illuminated by its treasures. The objects are divided among four topics: The Holy and the Faithful; The Sinful and the Spectral; Daily Life and Its Fictions, and Death and Its Aftermath. Each section is organized chronologically, and every object is accompanied by a penetrating essay that focuses on its visual and cultural significance within the wider context in which the object was made and used. Spot maps add yet another way to visualize and consider the significance of the objects and the history that they reveal. Lavishly illustrated, this is an appealing and original guide to the cultural history of the Middle Ages.