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This is a story of Frankie, a red-eyed tree frog who lives in the jungles of Costa Rica along with his friends. The book tells how Frankie spends his days and of his trip to see his cousin and the many beautiful sights seen along the way. The action is lively and the pictures are beautiful.
"Why didn't they know? ... He could see the darkness of their souls, the void that drove them to huddle together at all times ... He saw the souls, too, of all the other swim clubs that he had joined or visited over the years, clubs filled with equal measures of hypocrisy, deceit, and meanness, each one seeming to its members, as primitive societies did to theirs, to be all that there is, the whole world." Saturated with what he has learned of Classics and history, a 16-year-old boy reflects upon the flow of recent events in his own history: his discovering his Irish heritage, his loss of a job, his receiving an Artistic vocation, his traumatic experiences of unrequited love. These events become psychic cataclysms that destroy his traditional worldview and force him to create a new one. They also teach him what it means to become an Artist and a man. Exploiting imagery ranging from Greek mythology to video games and employing conventional and experimental techniques, The World is a passionate, multi-layered, poetic depiction of an artistic soul's maturation. Twenty years in the writing, The World is a work that should be read again and again.
This edition brings together representative transcriptions of folk songs and ballads in the British-Irish-American oral tradition that have enjoyed widespread familiarity throughout twentieth-century America. Within are the one hundred folk songs that most frequently occurred in a methodical survey of Roud’s Folk Song Index, catalogues of commercial early country (or "hillbilly") recordings, and relevant archival collections. The editors selected sources for transcriptions in a broad range of singing styles and representing many regions of the United States. The selections attempt to avoid the biases of previous collections and provide a fresh group of examples, many heretofore unseen in print. The sources for the transcriptions are recordings of traditional musicians from the 1920s through the early 1940s drawn from (1) commercial recordings of "hillbilly" musicians, and (2) field recordings in the collection of the Library of Congress’s Archive of American Folk Song, now part of the Archive of Folk Culture. Each transcription is accompanied by a brief contextualizing essay discussing the song’s history and influence, recording and performance information (whenever available), and an examination of the tune. The edition begins with a substantive essay about the history of folk song recordings and folk song scholarship, and the nature of traditional vocal music in the United States.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Since its first edition, in 1964, Dixon and Godrich's Blues and Gospel Records has been dubbed 'the bible' for collectors of pre-war African-American music. It provides an exhaustive listing of all recordings made up to the end of 1943 in a distinctively African-American musical style,excluding those customarily classed as jazz (which are the subject of separate discographies). The book covers recordings made for the commercial market (whether issued at the time or not) and also recordings made for the Library of Congress Archive of Folk Song and similar bodies -- about 20,000titles in all, by more than 3,000 artists. For each recording session, full details are given of: artist credit, accompaniment, place and date of recording, titles, issuing company and catalogue numbers, matrix numbers and alternate takes. There are also short accounts of the major 'race labels',which recorded blues and gospel material, and a complete list of field trips to the south by travelling recording units. Howard Rye has joined the original compilers for this thoroughly revised fourth edition. The scope has been enlarged by the addition of about 150 new artists, in addition tonewly discovered recordings by other artists. Early cylinder recordings of gospel music, from the 1890s, are also included for the first time. Previous editions of this work were applauded for their completeness, accuracy, and reliability. This has now been enhanced by the addition of newinformation from record labels and from record company files, and by listening to a wide selection of titles, and detailed cross-checking.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Meet Doris the Gorilla and her blankie, Frankie. They do everything together, until one day a fellow jungle mate suggests that blankies are for babies! What will Doris do? She tries to give Frankie up, but life without Frankie just isn't the same. She tries to disguise him, but Frankie as a hankie is way too risky when she meets an elephant with the sniffles. How will Doris find a way to keep Frankie a part of her life? From the creator of beloved characters Chick 'n' Pug and Pig Kahuna, comes an adorable new duo who delightfully capture another quintessential childhood experience.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
The magical eighth installment in this New York Times and USA Today bestselling series! My brother, Jonah, and I just want to TALK to the magic mirror -- we're not planning on traveling into any fairytales today. Promise.Except we do wind up going through the mirror, this time into the story of The Frog Prince. The princess, who's supposed to transform the cute little frog back into a handsome prince, turns out to be super rude. Jonah and I decide we don't want -- or need -- her help. We can take matters into our own hands and turn the frog into a prince ourselves! Can't we?Now we just have to:- Climb out of a smelly well- Canoe over a waterfall- Sneak into a palace- Kiss a frog (ack)!And there's no time to waste -- let's hop to it!