Download Free Frank Stella Had Gadya After El Lissitzky Book in PDF and EPUB Free Download. You can read online Frank Stella Had Gadya After El Lissitzky and write the review.

These prints were originally exhibited at Waddington Graphics, London, 6 Feb.-2 March, 1985; they have been part of the permanent collection at the Tel Aviv Museum since April 21, 1986. This catalogue was produced for the opening of the latter exhibition.
Shows examples of Stella's large scale paintings, constructions, and reliefs created over the last seventeen years, and discusses the themes, style, and materials of his work.
This illustrated version of the popular Passover song "Had gadya" (חד גידא) was the wonderfully playful offspring of the avant-garde artist El Lissitzky (1890-1941). It dates to a little-known period early in his career when he immersed himself in the Jewish cultural renaissance that flourished in Russia from roughly 1912 to the early 1920s. Signed with his Hebrew given name, this volume-with its wraparound cover, colorful lithographic montages, and stylized use of Yiddish and Aramaic words-celebrates Lissitzky's interest in Jewish folk traditions while looking forward to the dynamic graphic and typographic designs for which he is best remembered. This near-scale facsimile-including the rarely seen cover-allows readers to experience Lissitzky's Had gadya as originally envisioned. It is accompanied here by Nancy Perloff's discussion of the work's cultural and artistic contexts, Arnold J. Band's English translation of Lissitzky's Yiddish version of the song, sections on Lissitzky's iconography and vocabulary, and lyrics set to music.
Focusing on the vital role of literature in the development of the artistic practice of Frank Stella (b. 1936), this insightful book looks at four transformative series of prints made between 1984 and 1999. Each of these series is named after a literary work--the Had Gadya (a playful song traditionally sung at the end of the Passover Seder), Italian Folktales, compiled by Italo Calvino, Moby-Dick by Herman Melville, and The Dictionary of Imaginary Places by Alberto Manguel and Gianni Guadalupi. This investigation offers a critical new perspective on Stella: an examination of his interdisciplinary process, literary approach, and interest in the lessons of art history as crucial factors for his artistic development as a printmaker. Mitra Abbaspour, Calvin Brown, and Erica Cooke examine how Stella's dynamic engagement with literature paralleled the artist's experimentation with unconventional printmaking techniques and engendered new ways of representing spatial depth to unleash the narrative potential of abstract forms.
Jim Dine - David Hockney - Jasper Johns - Roy Lichtenstein - Robert Rauschenberg - James Rosenquist - Frank Stella.
This volume presents the work of American artist Frank Stella (b. 1936). Stella is considered a significant figure in minimalism and post-painterly abstraction. This work is a companion volume to an exhibition held in 2000 of many of Stella's works that were created during the 1970s and 1980s. Originally a painter, his work became more three-dimensional to the point where he started producing large, free-standing metal pieces, which, although they are painted upon, might well be considered sculpture. Stella's sculptural forms derived from cones, pillars, French curves, waves, and decorative architectural elements. To create these works, he used collages or maquettes that were then enlarged and re-created with the aid of assistants, industrial metal cutters, and digital technologies.
An unprecedented study that reveals tapestry's role as a modernist medium and a model for the movement's discourse on both sides of the Atlantic in the decades following World War II
Catalog of an exhibition held at the Whitney Museum of American Art, New York, Oct. 30, 2015-Mar. 7, 2016; Modern Art Museum of Fort Worth, Apr. 17-Sept. 4, 2016; and the de Young, San Francisco, Nov. 5, 2016-Feb. 26, 2017.
A study of the extent to which the Holocaust - as a major historical event - influenced Western art. Pt. I (pp. 3-127), "Depiction, " discusses many artists and their works. Pt. II (pp. 131-366), "Interpretation, " analyzes primary Holocaust symbols, biblical imagery, "the crucified Jew, " myths, abstraction, and Jewish identity. Pp. 367-509 contain notes to the above chapters, and pp. 511-546 give an extensive selected bibliography. The plates contain reproductions of 560 paintings and drawings.