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Irreverent but never irrelevant, Canada's satirical news magazine FRANK is on prominent display in this hilarious volume of "FRANK Pranks," during which FRANK operatives concoct a wildly implausible cover story, dial up their hapless victims, and set out to prove just how gullible certain Canadians really are. The results range from the deliciously predictable—Canadian Alliance stalwarts are apoplectic when told that Ottawa is secretly donating Zambonis to the fictitious African country of Chapati—to the surprisingly educational—FRANK canvasses the cronies and former cabinet ministers of deposed Prime Minister Brian Mulroney for an "Airbus" defense fund, and the total pledged is fifty dollars. Here at last are the unexpurgated, full-length renderings of some of FRANK's most audacious, revealing, and heartless phone pranks, featuring such notables as Pierre Berton, Her Excellency Adrienne Clarkson, Sheila Copps, Allan Fotheringham, Michael Moriarty, Farley Mowat, Rita McNeil, Lloyd Robertson, William Thorsell, Ken Whyte, Elwy Yost, and most of the membership of the Reform Party/Canadian Alliance.
The comic autobiography of 2014 A comedian's autobiography? I wonder if he's ever used humour to deflect from his insecurities? To avoid being bullied? Is there heartache behind the humour? I wonder if he's a manic-depressive? Tears of a clown? Yes, all of that. Discover the hilarious life-story of one of Britain's best-loved comedians in Kevin Bridges' brilliant memoir. 'First of all, I have never written a book before, you probably haven't either, so there we have it; a connection is established between reader and writer . . .' Aged just 17, Kevin Bridges walked on stage for the first time in a Glasgow comedy club and brought the house down. He only had a five-minute set but in that short time he discovered that he really could earn a living from making people laugh. Kevin began life as a shy, nerve-ridden school-boy, whose weekly highlights included a cake-bombing attack by the local youths. Reaching his teens, he followed his true calling as the class clown, and was soon after arrested for kidnapping Hugh Grant from his local cinema on a quiet Saturday night. This was a guy going somewhere - off the rails seeming most likely. Kevin's trademark social commentary, sharp one-liners and laugh-out-loud humour blend with his reflections on his Glaswegian childhood and the journey he's taken to become one of the most-loved comedians of our time. '. . . Hopefully now you'll take this over to the till and I can accompany you for the next wee while. That's the benefit of book shops, reading the little bit and then deciding if the author deserves to be part of your carefully selected 3 for 2 deal, or part of your plane journey, train journey, your next bath, your next shite.' Praise for Kevin Bridges: 'The Best Scottish Stand up of his Generation.' The Scotsman 'A wonderfully dry and deadpan Glaswegian comic . . . one the most exciting talents to have emerged from Scotland since Billy Connolly' Guardian 'Kevin Bridges might just become the best stand-up in the land . . . he will go and deliver a one-liner that you want to jot down and frame' The Times 'Wonderfully sharp, assured stand-up from the preternaturally gifted young comic' Independent Kevin Bridges, Scotland's 'young comedy prodigy' (Guardian), has followed a meteoric path, from his first five-minute set in The Stand comedy club in Glasgow to selling out the SECC to a record-breaking 100,000 fans. He was born in Clydebank, and still lives in Glasgow. Now, at the tender age of just twenty-seven, Kevin puts pen to paper to tell his story so far in his brilliant memoir, We Need to Talk About . . . Kevin Bridges.
In The Labor Question in America: Economic Democracy in the Gilded Age, Rosanne Currarino traces the struggle to define the nature of democratic life in an era of industrial strife. As Americans confronted the glaring disparity between democracy's promises of independence and prosperity and the grim realities of economic want and wage labor, they asked, "What should constitute full participation in American society? What standard of living should citizens expect and demand?" Currarino traces the diverse efforts to answer to these questions, from the fledgling trade union movement to contests over immigration, from economic theory to popular literature, from legal debates to social reform. The contradictory answers that emerged--one stressing economic participation in a consumer society, the other emphasizing property ownership and self-reliance--remain pressing today as contemporary scholars, journalists, and social critics grapple with the meaning of democracy in post-industrial America.
THE PRANK is a novel about the tendency for any news story involving a cute child or a reprehensible parent to become a media feeding frenzy, about the incredible communicative power of the internet, about the speed at which a fabricated happening can cross the threshold into accepted truth. But it is also about us as consumers of narrative: about how the digital revolution has changed the way we process information. My hope is that as you are reading you will find yourself scanning, skipping, dismissing, and cherry-picking: pay attention to these moments. This is your brain doing something remarkable, something profoundly post-modern, something perhaps not altogether benign. - from the author's foreword Frank Nevis knows that there's more than one way to get famous in America. When massive flooding strikes his town, only Frank has the presence of mind to weave a fabricated story into the actual drama unfolding around him. After all: what better way to attract interest and funding for his now-defunct reality show career? Fueled by the blogosphere, Facebook, Twitter, and the echo chamber of the 24-hour news cycle Frank's fabrication is soon the biggest story breaking, but how long can he maintain his hastily-constructed lie? And where is the line, in the American audience's thirst for "reality entertainment," between the drama of Frank's unraveling plans and his and his family's fictional hardships? Written in a style intended to mimic the overwhelming cacophony that is news and culture in the 21st century, The Prank explores the question of reality in the digital age, where viral falsehoods and reported lies are par for the course. Written by Adam Black Cover Design by Tom Maven
It's Halloween night, and the kids of Puget Sound are dressed to kill. All they want is a little harmless fun--a little revenge against the uptight, solid citizens who look down on them. But as it grows darker, their pranks turn nastier, and soon they're on a rampage of death and destruction driven by mindless bloodlust.
"An intimate, revealing portrait of Frank Sinatra-from the man closest to the famous singer during the last decade of his life. More than a hundred books have been written about legendary crooner and actor Frank Sinatra. Every detail of his life seems to captivate: his career, his romantic relationships, his personality, his businesses, his style. But a hard-to-pin-down quality has always clung to him-a certain elusiveness that emerges again and again in retrospective depictions. Until now. From Sinatra's closest confidant and an eventual member of his management team, Tony Oppedisano, comes an extraordinarily intimate look at the singing idol. Deep into the night, for more than two thousand nights, Frank and Tony would converse-about music, family, friends, great loves, achievements and successes, failures and disappointments, the lives they'd led, the lives they wished they'd led. In these full-disclosure conversations, Sinatra spoke of his close yet complex relationship with his father, his conflicts with record companies, his carousing in Vegas, his love affairs with some of the most beautiful women of his era, his triumphs on some of the world's biggest stages, his complicated relationships with his talented children, and, most important, his dedication to his craft. Toward the end, no one was closer to the singer than Oppedisano, who kept his own rooms at the Sinatra residences for many years, often brokered difficult conversations between family members, and held the superstar entertainer's hand when he drew his last breath. Featuring never-before-seen photos and offering startlingly fresh anecdotes and new revelations that center on some of the most famous people of the past fifty years-including Jackie Kennedy, Marilyn Monroe, Sam Giancana, Madonna, and Bono-Sinatra and Me pulls back the curtain to reveal a man whom history has, in many ways, gotten wrong"--
One of the Best Books of the Year The Washington Post • Los Angeles Times • Milwaukee Journal Sentinel The story of Frank Sinatra’s second act, Sinatra finds the Chairman on top of the world, riding high after an Oscar victory—and firmly reestablished as the top recording artist of his day. Following Sinatra from the mid-1950s to his death in 1998, Kaplan uncovers the man behind the myth, revealing by turns the peerless singer, the (sometimes) powerful actor, the business mogul, the tireless lover, and—of course—the close associate of the powerful and infamous. It was in these decades that the enduring legacy of Frank Sinatra was forged, and Kaplan vividly captures “Ol’ Blue Eyes” in his later years. The sequel to the New York Times best-selling Frank, here is the concluding volume of the definitive biography of "The Entertainer of the Century."
In one family, generation after generation relied on the magic of one Norse ring to lead them to their destined match. For those who heed its advice, only joy and health follow. But the ring has also been known to foreshadow impending doom. Ignore its truth at your peril…. For former boxing contender, Q’orian “Storm” Jones, running a gym might not have been his first choice, but with a partial vision loss, his career options are limited. His new goal is to train professional boxers and get kids off the streets. Bonus: focusing long hours training clients in his men-only gym means that any chance of getting involved with another back-stabber like his conniving ex-girlfriend are nil. Until the day Celeste Warner walks into his gym. She claims she needs his help. But he doesn’t turn her away because she’s a dark-haired version of the woman he once loved. No. He turns her away because she’s a woman. A woman messed up his past; he certainly isn’t going to let another one ruin his future. Growing up with the story of a magic ring, Celeste rebuffs the signs when her late mother’s ring appears before her. She doesn’t want a mate; she’s known nothing but pain from her last boyfriend. But that stupid ring leads her to Storm’s Corner, a gym where Celeste decides that maybe learning how to punch certain ex-boyfriends might be beneficial. But the self-righteous owner, Storm, wants nothing to do with her. When Celeste’s ex gets released from prison, she knows she must follow the ring back to Storm’s Corner and plead her case. But the bruise on her arm is all the proof Storm needs to realize he must help Celeste, regardless of his mixed emotions. His bottom line is failing, even though he’s succeeding in getting kids off the streets. And with a felon breaking Celeste’s restraining order, Storm doesn’t know if she will even survive until her court date. Storm knows he can’t let anything happen to Celeste. But protecting someone who feels no self-worth is probably the hardest battle he’s ever fought.
Telling tales explores the narrative construction of identity within organisations and how this is resisted and challenged by writing coming from other lifestyles. Since the early 1990s, US-inspired changes in workplace culture have radically altered the experience of UK workers. This book argues that the corporate communication supporting these changes, which seeks to align employee behaviour and attitudes with emerging organisational market values, is having a powerful and harmful effect on those whose identity rests in opposing qualitatively-based occupational standards. By focusing on accountability measures, introduced to the public sector post-1997 by New Labour as a means to raise productivity and lower cost, and with forensic attention to a supporting transformational identity discourse, author Angela Lait shows how workers struggle to achieve the satisfaction and fulfilment at work that was once the mainstay of their professional middle class identity. Reading these identity problems into and across business self-help manuals, fiction (Ian McEwan’s Saturday), the writing of celebrity chefs (Nigella Lawson, Jamie Oliver et al) and autobiography, the argument traces a sickness/recovery dialectic in which sufferers find resistance and solace through engagement with particular types of creative labour. These are, most notably, cookery, gardening and writing, which each employ alternative language and narrative forms that order experience according to more regulated rhythms and rituals, and more productive and stable relationships than are possible in paid employment. Telling tales is a highly-readable, engaging, broad-ranging and interdisciplinary story that will have strong appeal to academics, particularly in literature, sociology, organisational and cultural studies. It will also resonate with anyone trying to reconcile the conflicting work and personal needs of a hectic twenty-four/seven modern world.