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The most comprehensive monograph of the world-famous architect Frank Gehry (b.1929) Revised and expanded to include his most recent projects including the New York residential tower (2011) Detailed presentation of approximately 250 buildings and projects from North America and Europe Features all Gehry's best-known projects including the Bilbao Guggenheim Museum (1997), the Walt Disney Concert Hall in Los Angeles (2003) and the Experience Music Project in Seattle (2000) Includes essays by renowned critics Francesco Dal Co and Kurt W Forster
No building was more anticipated than Frank Gehry's stunning new museum in Bilbao, an industrial city in the Basque Country of northern Spain. Philip Johnson, the dean of American architects, declared it "the greatest building of our time," while Sverre Fehn, winner of the 1997 Pritzker Architecture Prize, called the building "fantastic." Gehry's use of nontraditional materials and his sensitivity to the environments of his buildings is legendary; his method of envisioning a building through semiautomatic drawings and handmade models is little known, but provides an immediate entry into his creative process. This book celebrates the Guggenheim Museum Bilbao and details its design process, bringing to life one of Gehry's greatest achievements. Coosje van Bruggen, who has collaborated with Gehry on various architectural and art projects, documents the history of the Guggenheim Bilbao from conception through design and construction. With unique access to the architect and his studio, she uncovers scores of fascinating drawings and working photographs, published here for the first time.
Here, from Pulitzer Prize–winning critic Paul Goldberger, is the first full-fledged critical biography of Frank Gehry, undoubtedly the most famous architect of our time. Goldberger follows Gehry from his humble origins—the son of working-class Jewish immigrants in Toronto—to the heights of his extraordinary career. He explores Gehry’s relationship to Los Angeles, a city that welcomed outsider artists and profoundly shaped him in his formative years. He surveys the full range of his work, from the Bilbao Guggenheim to the Walt Disney Concert Hall in L.A. to the architect’s own home in Santa Monica, which galvanized his neighbors and astonished the world. He analyzes his carefully crafted persona, in which an amiable surface masks a driving ambition. And he discusses his use of technology, not just to change the way a building looks, but to revolutionize the very practice of the field. Comprehensive and incisive, Building Art is a sweeping view of a singular artist—and an essential story of architecture’s modern era.
The evolution of a Frank Gehry building, from planning and design and architect-client interaction to construction; with color illustrations throughout.
For the first time, a book looks at internationally famed architect Frank Gehry as an artist. This intimate portrait of Gehry's creative process reveals the details not only of how he works, but also of his total staff and office environment. Among 10 featured projects - realized and unrealized - are models and drawings for the Walt Disney Concert Hall, Ray and Maria Stata Center at MIT, Jerusalem Museum of Tolerance, Corcoran Gallery and School of Art, Venice Gateway and Puente de Vida Museo. There has never been an architectural monograph like this.
Most recently, Gehry's work has experimented with complex forms and sculptural geometries and includes a group of significant cultural projects, including the Vitra Design Museum in Germany, the American Center in Paris, and the Frederick R. Weisman Museum at the University of Minnesota.
Edited by J. Fiona Ragheb. Essays by Beatriz Colomina, William Mitchell, Jean-Louis Cohen and Mildred Friedman.
Examines the life and work of Frank O. Gehry, an innovative architect who tests the boundaries of new materials and new ideas.
This critique of Gehry's architecture contains edited proceedings from a symposium held at the Royal Academy of Arts, London, in June 1994. In addition, this book features commentaries by three architectural critics - Charles Jencks, Jeffrey Kipnis and Robert Maxwell.