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"Wright fell in love with the desert quickly and profoundly," writes Lawrence W. Cheek. "It was a vast, blank canvas ... it was an open-air warehouse of natural forms, colors, and textures that both delighted and inspired him." Frank Lloyd Wright first came to Arizona in 1928. In this spectacular desert landscape he built his winter headquarters, Taliesin West, and found a passion that drove him for the next 31 years of his life. In the first book to focus solely on Wright's work in Arizona, Lawrence W. Cheek explores the twelve breathtaking buildings that Wright contributed to the state. Cheek also delves into the audacious, mischievous, egocentric, and often outrageous life of Frank Lloyd Wright and examines today's Taliesin West, still a center of vigilant devotion to the man often called the greatest architect of the twentieth century. 50 color photos.
Between 1898 and 1909, Frank Lloyd Wright’s residential studio in the idyllic Chicago suburb of Oak Park served as a nontraditional work setting as he matured into a leader in his field and formulized his iconic design ideology. Here, architectural historian Lisa D. Schrenk breaks the myth of Wright as the lone genius and reveals new insights into his early career. With a rich narrative voice and meticulous detail, Schrenk tracks the practice’s evolution: addressing how the studio fit into the Chicago-area design scene; identifying other architects working there and their contributions; and exploring how the suburban setting and the nearby presence of Wright’s family influenced office life. Built as an addition to his 1889 shingle-style home, Wright’s studio was a core site for the ideological development of the prairie house, one of the first truly American forms of residential architecture. Schrenk documents the educational atmosphere of Wright’s office in the context of his developing design ideology, revealing three phases as he transitioned from colleague to leader. This heavily illustrated book includes a detailed discussion of the physical changes Wright made to the building and how they informed his architectural thinking and educational practices. Schrenk also addresses the later transformations of the building, including into an art center in the 1930s, its restoration in the 1970s and 80s, and its current use as a historic house museum. Based on significant original and archival research, including interviews with Wright’s family and others involved in the studio and 180 images, The Oak Park Studio of Frank Lloyd Wright offers the first comprehensive look at the early independent office of one of the world’s most influential architects.
On April 11, 1943, in the desert hills of Phoenix, Arizona, Frank Lloyd Wright’s Pauson House burned to the ground. The fire had erupted just one year after the building’s completion. But the complete obliteration of this remarkable structure was avoided by way of an astounding archive of letters between Wright (American, 1867–1959) and his client, artist Rose Pauson.In Building the Pauson House, more than fifty previously unpublished letters written between 1938 and 1943—alongside rare site photographs and Wright’s architectural drawings—chronicle the design and construction of one of Wright’s most creative houses. While his commitment to integrating architecture into the natural environment was tested by the undeveloped site, these letters provide a rare glimpse into another important challenge for the architect: pleasing the client. In note after note, Pauson’s and Wright’s headstrong personalities shine through, with jabfilled exchanges regarding bills and design changes exposing frustrations on both sides. In one letter, Wright quipped, “For the time and trouble I have taken in writing this to you, I could have turned in to my publisher material for which I would receive twice the sum in dispute.” But despite their differences, Pauson and Wright remained true to their underlying appreciation of each other, and it is Wright’s words that remind us of his main inspiration: “If the house doesn’t fit you from the soles of your feet to the top of your head it wouldn’t be one of our houses.”Edited and introduced by Allan Wright Green, the great-nephew of Rose Pauson, and with a Foreword by Bruce Brooks Pfeiffer of the Frank Lloyd Wright Foundation, these collected letters offer a remarkable view of the personality and working methods of one of the world’s greatest architects.
Published in conjunction with a major exhibition at The Museum of Modern Art, this catalogue reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives, the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has "unpacked"-interpreting and contextualizing it, tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. The publication aims to open up Wright's work to questions, interrogations, and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.
"The mid-twentieth century was one of the most productive and inventive periods in Frank Lloyd Wright's career, producing such masterworks as the Guggenheim Museum, Price Tower, Fallingwater, the Usonian Houses, and the Lovness House, as well as a vast array of innovative furniture and object design. With a wide variety of shapes and forms-ranging from honeycombs to spirals-this period defies simplistic definition. Simplicity, democratic designs, and organic forms characterize Mid-Century Modern, and, mentoring such mid-century talents as Richard Neutra and Rudolph Schindler among others, Wright was one of its most influential proponents. Frank Lloyd Wright: Mid-Century Modern is a comprehensive examination of an under-explored period in Wright's career, a time dating from roughly 1935 to 1958, during which this master architect was at his most daring and innovative."--Jacket
Frank Lloyd Wright’s winter home and desert laboratory is a National Historic Landmark and has been named a UNESCO World Heritage Site. This book, the first of its kind in decades, celebrates that recognition and offers a new look at this world treasure. An extraordinary compound of buildings that complements the cactus-studded environs and mountain backdrop of the Scottsdale desert in Arizona, Taliesin West is Wright’s ode to desert living and one of his greatest and most visited venues. Here, amidst palo verde trees and coyotes, the visitor finds an oasis of sparkling pools and low-slung modern buildings that are uniquely suited to the site—indeed a veritable paradise that seems to have emerged from the wilderness. The expression of profound vision and the product of determination, artistry, and imagination, here Wright brought forth an organic masterpiece from the elements of the earth. Begun in 1937, the compound served as a place of exploration, a place of work, a place of camaraderie and culture, and a place of living for Wright, for his family, and for the apprentices of the Taliesin Fellowship, who had joined the architect to learn and to work with him side-by-side. A most unusual place and community, Wright’s legacy lives on even today. Taliesin West: At Home with Frank Lloyd Wright explores the life within structures that make up Wright’s desert masterpiece, from Garden Room to Cabaret Theatre, and delves into the many stories that have made the place at once a crucible for creation and a home.