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A special highlight is the chapter on Wright's collection of Asian art, which was reputed at one time to be among the largest and finest in the United States, and today consists of screens, woodblock prints, sculpture, ceramics, rugs, and textiles.
An “immensely valuable” dual biography of the iconic American architect and the city that transformed his career in the early twentieth century (Francis Morrone, New Criterion). Frank Lloyd Wright took his first major trip to New York in 1909, fleeing a failed marriage and artistic stagnation. He returned a decade later, his personal life and architectural career again in crisis. Booming 1920s New York served as a refuge, but it also challenged him and resurrected his career. The city connected Wright with important clients and commissions that would harness his creative energy and define his role in modern architecture, even as the stock market crash took its toll on his benefactors. Anthony Alofsin has broken new ground by mining the Wright archives held by Columbia University and the Museum of Modern Art. His foundational research provides a crucial and innovative understanding of Wright’s life, his career, and the conditions that enabled his success. The result is at once a stunning biography and a glittering portrait of early twentieth-century Manhattan.
Frank Lloyd Wright’s winter home and desert laboratory is a National Historic Landmark and has been named a UNESCO World Heritage Site. This book, the first of its kind in decades, celebrates that recognition and offers a new look at this world treasure. An extraordinary compound of buildings that complements the cactus-studded environs and mountain backdrop of the Scottsdale desert in Arizona, Taliesin West is Wright’s ode to desert living and one of his greatest and most visited venues. Here, amidst palo verde trees and coyotes, the visitor finds an oasis of sparkling pools and low-slung modern buildings that are uniquely suited to the site—indeed a veritable paradise that seems to have emerged from the wilderness. The expression of profound vision and the product of determination, artistry, and imagination, here Wright brought forth an organic masterpiece from the elements of the earth. Begun in 1937, the compound served as a place of exploration, a place of work, a place of camaraderie and culture, and a place of living for Wright, for his family, and for the apprentices of the Taliesin Fellowship, who had joined the architect to learn and to work with him side-by-side. A most unusual place and community, Wright’s legacy lives on even today. Taliesin West: At Home with Frank Lloyd Wright explores the life within structures that make up Wright’s desert masterpiece, from Garden Room to Cabaret Theatre, and delves into the many stories that have made the place at once a crucible for creation and a home.
Collects newspaper columns written by Wright and his assistants on their work and their ideas.
For coloring book enthusiasts and architecture students — 44 finely detailed renderings of Wright home and studio, Unity Temple, Guggenheim Museum, Robie House, Imperial Hotel, more.
This is the first book devoted to Frank Lloyd Wright's designs for remaking the modern city. Stunningly comprehensive, The Urbanism of Frank Lloyd Wright presents a radically new interpretation of the architect’s work and offers new and important perspectives on the history of modernism. Neil Levine places Wright’s projects, produced over more than fifty years, within their historical, cultural, and physical contexts, while relating them to the theory and practice of urbanism as it evolved over the twentieth century. Levine overturns the conventional view of Wright as an architect who deplored the city and whose urban vision was limited to a utopian plan for a network of agrarian communities he called Broadacre City. Rather, Levine reveals Wright’s larger, more varied, interesting, and complex urbanism, demonstrated across the span of his lengthy career. Beginning with Wright’s plans from the late 1890s through the early 1910s for reforming residential urban neighborhoods, mainly in Chicago, and continuing through projects from the 1920s through the 1950s for commercial, mixed-use, civic, and cultural centers for Chicago, Madison, Washington, Pittsburgh, and Baghdad, Levine demonstrates Wright’s place among the leading contributors to the creation of the modern city. Wright’s often spectacular designs are shown to be those of an innovative precursor and creative participant in the world of ideas that shaped the modern metropolis. Lavishly illustrated with drawings, plans, maps, and photographs, this book features the first extensive new photography of materials from the Frank Lloyd Wright Foundation Archives. The Urbanism of Frank Lloyd Wright will serve as one of the most important books on the architect for years to come.
Published in conjunction with a major exhibition at The Museum of Modern Art, this catalogue reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives, the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has "unpacked"-interpreting and contextualizing it, tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. The publication aims to open up Wright's work to questions, interrogations, and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.
The Building Blocks series presents icons of modern architecture as interpreted by Ezra Stoller, whose photography has defined the way postwar architecture has been viewed by architects, historians, and the public at large. Taken just after the completion of each project, these photographs provide a unique historical record of the buildings in use, documenting people, fashions, and furnishings of the period.
"Wright fell in love with the desert quickly and profoundly," writes Lawrence W. Cheek. "It was a vast, blank canvas ... it was an open-air warehouse of natural forms, colors, and textures that both delighted and inspired him." Frank Lloyd Wright first came to Arizona in 1928. In this spectacular desert landscape he built his winter headquarters, Taliesin West, and found a passion that drove him for the next 31 years of his life. In the first book to focus solely on Wright's work in Arizona, Lawrence W. Cheek explores the twelve breathtaking buildings that Wright contributed to the state. Cheek also delves into the audacious, mischievous, egocentric, and often outrageous life of Frank Lloyd Wright and examines today's Taliesin West, still a center of vigilant devotion to the man often called the greatest architect of the twentieth century. 50 color photos.