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This encyclopedic book is the first complete monograph of Furness's work. More than 670 projects are presented through 700 photographs and drawings.
A sweeping assessment of the entire career of Frank Furness that features more than one hundred illustrations, George E. Thomas's book argues that modern American architecture, in design and genealogy, is rooted in the industrial culture of Philadelphia and the office of Frank Furness.
Frank Furness' energy, confidence, brashness, vulgarity, and full-throated love of life vibrate in his architecture.
"Price, a disciple of Frank Furness who practiced in Philadelphia from 1883 to 1916, established the character of two of the nation's greatest resorts, Atlantic City and Miami, thus shaping the architecture of the Roaring Twenties.
Evolving Transcendentalism in Literature and Architecture: Frank Furness, Louis Sullivan, and Frank Lloyd Wright demonstrates how American architects read literature and transformed abstract philosophy and literary form into physical substance. Furness, Sullivan, and Wright were inspired by such Transcendentalists as Ralph Waldo Emerson, Henry David Thoreau, and Walt Whitman, and attempted to embody the concepts of nature, American identity, and Universalism in their architecture. Notably, this book is the first attempt to concentrate on analyzing these architects’ works from the perspective of Transcendentalism. This is also the first time that reproductions of Wright’s copy of Leaves of Grass and several tape records of Wright’s Sunday morning talks, both held in the Frank Lloyd Wright Archive, have been published. Importantly, these Transcendentalist architects’ philosophy has been influential in the development of contemporary environmental architects all over the world, including Paolo Soleri (an Italian-American) and Glenn Murcutt (an Australian), both of whom are discussed in the final chapter of this book.
This volume describes buildings in an area central to the development of the US. It shows the diverse styles of the Commonwealth State that has its hybrid regional architectural roots in both Britain and the new experiment in democracy. Following an overview of Pennsylvania's historical and cultural geography, sections organized by region, then county, present descriptions of the homes, commercial buildings, and public spaces of Philadelphia to the resort country of the Pocono Mountains.
Among architects and preservationists, the writings of Viollet-le-Duc (1814-1879) have long been considered major resources. They inspired a generation of American architects, including Frank Furness, John Wellborn Root, Louis Sullivan, and Frank Lloyd Wright. In 1894, the critic Montgomery Schuyler observed that Viollet-le-Duc's books "have had the strongest influence on this generation of readers." But for the past century, all but one of his works have been out of print in English. These readings carefully selected from the entire range of Viollet-le-Duc's work make available the historical insights and practical principles of one of the most imaginative, and inspiring architectural theorists of the modern era. M.F. Hearn has culled from Viollet-le-Duc's books on architecture the passages in which his major ideas about the theory of architecture are most cogently expressed.Hearn has arranged and interplated the readings in a sequence of topics covering Viollet-le-Duc's views on the architecture of the past, his convictions about the education of architects, his philosophy of method, principles of design, and his guidelines for restoration. The selections are introduced by a biographical essay connected by interpretive commentaries, and followed by a biographical note.
A sweeping assessment of the entire career of Frank Furness that features more than one hundred illustrations, George E. Thomas's book argues that modern American architecture, in design and genealogy, is rooted in the industrial culture of Philadelphia and the office of Frank Furness.
PHILADELPHIA ARCHITECTURE; a comprehensive guide to 300 years of architectural history describes 253 BUILDINGS with 174 corresponding PHOTOGRAPHS including each building's location, date(s), architect, client, use & its fit into the social & economic history of Philadelphia & its relationship to the evolution of architectural styles. This book is for layperson or architect, resident or visitor. 'A museum of architecture', Philadelphia, more than any American city, represents the history of architecture in the U. S. with its outstanding examples of every important architectural style & period in the country's history. Contains NINE WALKING & DRIVING TOURS, an illustrated GLOSSARY of architectural terms & BIOGRAPHIES of important Philadelphia architects. The companion volume to PHILADELPHIA ARCHITECTURE: PHILADELPHIA'S BEST BUILDINGS: IN (OR NEAR) CENTER CITY. 39-PAGES ($7.95) ISBN (0-9622908-2-3) published by Foundation for Architecture, editor: John Gallery. Highlights 48 significant buildings; colorful MAPS for WALKING TOURS of four areas representing different architectural periods, & PHOTOGRAPHS of each building. Special feature--a list of outstanding buildings of interest to CHILDREN. Guidebook is perfect for the visitor restricted by time who wishes to view a select group of buildings. Call: FFA 215-569-3187; One Penn Center at Suburban Station, Suite 1165, Philadelphia, PA 19103, or Koen Book Distributors.
From the Crystal Palace to the skyscraper and on to the functional aesthetic of the German Bauhaus, the development of modern architecture required less than seven decades. Philadelphia's Pennsylvania Academy of the Fine Arts warrants a central place in this narrative. Unlike the earlier buildings that made fragmentary and disconnected use of the latest industrial materials and systems, the Academy project combined the critical elements of modern logistical planning--steel and iron construction and modern plumbing, heating, and ventilation systems designed to serve a workplace and a school--with the architectural expression of the age. Moreover, rather than seeking to reify the past, architects Furness & Hewitt had chosen the most dynamic of modern forces, the machine, as both inspiration and ornament. Instead of being based on the rearview mirror, the new Academy, opened in 1876, looked to the present and the future. This created a civic museum and school building whose expressive style referenced both its updated purpose and a novel attitude toward history. The Academy's machine for making art can rightly be termed the first modern building.