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Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.
Provides a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to American classics such as Arthur Miller's Death of a Salesman and Thornton Wilder's Our Town to the groundbreaking works of today's best writers.
Collected from theaters across America, this new ten-minute collection of 23 plays reveals the power and pleasures of this tightly knit form. Plays for 3 Actors:Shot Americans (3W) by Kayla CaganLarry Gets the Call (2W, 1M) by Matt CasarinoShades (1W, 2M) by Mark Harvey LevineEvery Man (2W, 1M) by Michael NiedermanMolly Whuppie (2W, 1M) by Don NigroIt's Called Development (3W) by Anne PhelanAn Ongoing Examination of the True Meaning of Life (2W, 1M or 1W, 2M) by S. W. SenekPistachio Stories (2W, 1M) by Laura ShamasThe Searcher (1W, 2M) by Frederick StroppelMore (1W, 2M) by Jeff TabnickWeird Water (1W, 2M) by Robert Lewis VaughanDead Boy (2W, 1M) by Craig WrightPlays for 4 Actors:Vinny's Vision (4M) by Jim GordonBetting the Karmic House (1W, 3M or 2W, 2M) by Bill JohnsonInfant Morality (3W, 1M) by Craig PospisilHow to Speak Man (4M) by Sharyn RothsteinRemind Me Again (3W, 1M) by Sharyn RothsteinHell Hath Three Furies (3W, 1M) by Aoise StratfordA Moment of Your Undivided Attention (3W, 1M) by Alina TrowbridgePlays for 5 Actors:Tina at the Times or Below the Fold (2W, 3M) by Wendy MacLeodPlays for 6 or More ActorsToys in Babeland (1W, 8M) by Delilah GomezAt the time (5W, 3M) by Winter MillerSmall World (3W, 3M) by Tracey Scott WilsonD. L. LEPIDUS is a freelance critic and editor who has covered the New York theater scene for more than twenty-five years. Since 1993, his work has appeared in theater columns for Chelsea Clinton News and the Westsider.
These plays were either produced during the 2003 theatrical season or written expressly for these volumes. Some are by well-known playwrights, but most are from "new voices" in the theater. Also, most of these plays feature characters who are 35 or younger to help acting students looking for plays to work on in class and young actors looking for plays to do in showcases.
The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).
Collected from theaters across America, this new ten-minute collection of 26 plays reveals the power and pleasures of this tightly knit form. Plays for One Man and One WomanThe First Time Out of Bounds by P. Seth BauerBethlehem, PA. by Suzanne BradbeerThe Ghost of Red Roses by David CironeStrange Attractions by David EpsteinCloudy by Michael Griffo5G/10B by Michael GriffoThe Record by Deborah Zoe LauferBoxes by Wendy MacLeodDecoding Fruit by Molly Smith MetzlerThe Orphans by Allison MooreBedtime Stories by Brian MoriThe Morning After by Carey PerloffOn the Edge by Craig Pospisil2B (or Not 2B) Part One by Jacquelyn Reingold2B (or Not 2B) Part Two by Jacquelyn ReingoldAurolac Blues by Saviana StanescuA Medical Breakthrough by Frederick StroppelBrother/Bar by Jeff TabnickFoul Territory by Craig WrightI Think You Think I Love You by Kelly YoungerPlays for Two WomenHalasana by Kayla S. CaganWoman of the Theatre by Julie JensenCreatrix by Don NigroDifferent by Lisa SolandDance by Greg ZittelPlays for Two MenTennessee Ten Minute by Dan O?BrienD. L. LEPIDUS is a freelance critic and editor who has covered the New York theater scene for more than twenty-five years. Since 1993, his work has appeared in theater columns for Chelsea Clinton News and the Westsider.