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Presents the complete works of French writer Francois Rabelais.
This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (1895-1975) examines popular humor and folk culture in the Middle Ages and the Renaissance. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.
"A Companion to François Rabelais offers the most comprehensive and up-to-date account of the works of François Rabelais, one of the most influential writers of the Western literary tradition. A monk, medical doctor, translator and editor, Rabelais embodies the ideals of Renaissance humanism. His genre-bending fiction combines vast erudition, comic verve, and critical observations of all spheres of contemporary life that are relevant to this day. Two sections of this volume situate Rabelais's work in the larger social, political, and literary context of his time. A third section gives concise interpretations of each of the five books of the Pantagrueline Chronicles. The contributors are eminent scholars of early modern literature, many of whom write in English for the first time"--
With his birth itself a monumental exploit in itself, it is clear that the giant Pantagruel is destined to great things, and the novel that bears his name chronicles his the remarkable life of the exuberant youth: from his voracious reading habits to his escapades with the knave Panurge and his prowess in battle. The second work in this volume deals with the history of his father Gargantua, whose biography is equally if not more outlandish and larger than life.But these bawdy and boisterous tales, with their fixation on food and faeces, are not just entertaining yarns, as Francois Rabelais, one of the foremost humanists of the sixteenth century, parodies medieval learning, lambasts the established church authority and develops his own ideal visions for the ordering of society.
Consisting of five books, this masterpiece is Rabelais' magnum opus. It chronicles different events in the life of Gargantua and his son Pantagruel. Using his learned wit and biting satire as a facade, Rabelais discusses several serious issues. The apparent humour and brilliant use of language offers pure reading pleasure. Entertaining and profound!
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Advertising the Self in Renaissance France explores how authors and readers are represented in printed editions of three major literary figures: Jean Lemaire de Belges, Clément Marot, and François Rabelais. Print culture is marked by an anxiety of reception that became much more pronounced with increasingly anonymous and unpredictable readerships in the sixteenth century. To allay this anxiety, authors, as well as editors and printers, turned to self-fashioning in order to sell not only their books but also particular ways of reading. They advertised correct modes of reading as transformative experiences offered by selfless authors that would help the actual reader attain the image of the ideal reader held up by the text and paratext. Thus, authorial personae were constructed around the self-fashioning offered to readers, creating an interdependent relationship that anticipated modern advertising. Distributed for the University of Delaware Press