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"New Method of Horsemanship: Including the Breaking and Training of Horses, with Instructions for Obtaining a Good Seat" by François Baucher| François Baucher was a French riding master whose methods are still debated by dressage enthusiasts today. His philosophy of training the horse changed dramatically over the course of his career. This book was written for natural horsemanship enthusiasts, learn where some of the methods came from. Precise descriptions are included to describe the methodology of classic dressage so the book can act as a sort of manual for learners.
A translation of Baucher's celebrated New Method of Horsemanship and the lesser-known Dialogues on Equitation, with a scholarly study of the controversies surrounding them.
DigiCat Publishing presents to you this special edition of "New Method of Horsemanship" (Including the Breaking and Training of Horses, with Instructions for Obtaining a Good Seat) by François Baucher. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
As commandant of the cavalry school Alexis-Francois L'Hotte (1825-1904) was obliged to use the methods of the Comte d'Aure, but with his own horses practised the teachings of Baucher. He became one of France's greatest riders.
Originally written and published in 1949, Academic Equitation was considered by dressage experts to be the most important contribution to classical training in the twentieth century. This book was intended as a preparation for international dressage competitions but is far more than this. It discusses the subjects of academic equitation, the riding master and the choice of horse before introducing the reader to the author's systematic program, covering the very early training right up to the most advanced movements. The appendix deals with lungeing, work in hand, long reins and pillar work. General Decarpentry was not only a distinguished scholar of artistic equitation but also equally versed in putting the theories into practice. He deals with the education of the young horse and the complications and details of advanced schooling with the hand of a master. Although he claims that nothing in the book is his—his training system is based on the methods of D'Aure, Baucher and L'Hotte—the General's wisdom and deep knowledge are manifest throughout. It was the General's great wish that traditional teachings on the art of equitation should not be lost to those who wished to study equitation. In this most important work he has succeeded in presenting these teachings in such a way that allows both layman and expert to obtain a deeper insight into this fascinating subject.
First published in the late 19th century, this book is truly a work of remarkable coherence, comprehensiveness and depth of understanding. Steinbrecht's reputation as a master in the art of dressage makes The Gymnasium of the Horse a cornerstone of equestrian literature. Originally published in German; this translation from the 10th German edition by Helen K. Gibble, into English. Sections are: Rider's Seat and Aids; Purpose of Dressage; Systematic Training of the Horse; School Movements; Epilogue. Scarce title and long awaited for the many dressage enthusiasts who are familiar with the thoroughness with which Steinbrecht first addressed this topic.
Francois Baucher (1796-1863) was the center of one of the most famous controversies in the development of modern equitation. Baucher introduced the one tempi flying changes at the canter, but in nineteenth century France his circus performances and methods of haute ecole training were attacked. Attempts to introduce his theories to the French Cavalry were blocked, although he is now recognized as an outstanding horseman and exponent of classical dressage. This important work combines a translation of two of Baucher's publications: New Method of Horsemanship and Dialogues on Equitation, with a scholarly study of the arguments which surrounded them. Professor Hilda Nelson produces a fascinating insight into an important theory of horsemanship."
Horses and horsemen played central roles in modern European warfare from the Renaissance to the Great War of 1914-1918, not only determining victory in battle, but also affecting the rise and fall of kingdoms and nations. When Shakespeare's Richard III cried, "A horse, a horse, my kingdom for a horse!" he attested to the importance of the warhorse in history and embedded the image of the warhorse in the cultural memory of the West. In Riding to Arms: A History of Horsemanship and Mounted Warfare, Charles Caramello examines the evolution of horsemanship—the training of horses and riders—and its relationship to the evolution of mounted warfare over four centuries. He explains how theories of horsemanship, navigating between art and utility, eventually settled on formal manège equitation merged with outdoor hunting equitation as the ideal combination for modern cavalry. He also addresses how the evolution of firepower and the advent of mechanized warfare eventually led to the end of horse cavalry. Riding to Arms tracks the history of horsemanship and cavalry through scores of primary texts ranging from Federico Grisone's Rules of Riding (1550) to Lt.-Colonel E.G. French's Good-Bye to Boot and Saddle (1951). It offers not only a history of horsemen, horse soldiers, and horses, but also a survey of the seminal texts that shaped that history.