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The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
The book provides an empirically based analysis of changes on how various political and denominational actors seek to influence the Church and state relationship, as well as how we understand the idea of the secular state. A set of case studies shows how and why changes in the coverage of the secular state and Church-state relations have followed the dynamics of media logic. By establishing a grounded theory based on media content, legal regulations and political party programs in the years 1989-2015 as well as a current survey, the author throws new light on the theory of mediatization. The book demonstrates that the disseminated idea of the secular state is largely a result of the adaptation of both political and religious representatives to a dynamically changing media logic. "The book is the first study of this kind showing the Polish perspective. It is an interesting and important source of information for those who want to trace the media picture of relations between the Polish state and the institution of the Roman Catholic Church, representing the largest religious community in Poland." Professor Dorota Piontek, Adam Mickiewicz University in Poznań
The monograph by Michał Gałędek presents the process of rebuilding administrative structures on the eve of establishment of the Kingdom of Poland in 1815, in connection with the plans of tsar Alexander I to grant a liberal constitutional political system to the Kingdom.
ABSTRACT: Analysis is given of the Omega Point cosmology, an extensively peer-reviewed proof (i.e., mathematical theorem) published in leading physics journals by professor of physics and mathematics Frank J. Tipler, which demonstrates that in order for the known laws of physics to be mutually consistent, the universe must diverge to infinite computational power as it collapses into a final cosmological singularity, termed the Omega Point. The theorem is an intrinsic component of the Feynman–DeWitt–Weinberg quantum gravity/Standard Model Theory of Everything (TOE) describing and unifying all the forces in physics, of which itself is also required by the known physical laws. With infinite computational resources, the dead can be resurrected—never to die again—via perfect computer emulation of the multiverse from its start at the Big Bang. Miracles are also physically allowed via electroweak quantum tunneling controlled by the Omega Point cosmological singularity. The Omega Point is a different aspect of the Big Bang cosmological singularity—the first cause—and the Omega Point has all the haecceities claimed for God in the traditional religions. From this analysis, conclusions are drawn regarding the social, ethical, economic and political implications of the Omega Point cosmology.
This volume explores the complex and fascinating social, cultural and confessional relations in the Grand Duchy of Lithuania (+1795) through close readings of newly discovered or long neglected sources, emphasizing urban and rural spaces, families, communities, networks and travels.
A highly respected physicist demonstrates that the essential beliefs of Christianity are wholly consistent with the laws of physics. Frank Tipler takes an exciting new approach to the age-old dispute about the relationship between science and religion in The Physics of Christianity. In reviewing centuries of writings and discussions, Tipler realized that in all the debate about science versus religion, there was no serious scientific research into central Christian claims and beliefs. So Tipler embarked on just such a scientific inquiry. The Physics of Christianity presents the fascinating results of his pioneering study. Tipler begins by outlining the basic concepts of physics for the lay reader and brings to light the underlying connections between physics and theology. In a compelling example, he illustrates how the God depicted by Jews and Christians, the Uncaused First Cause, is completely consistent with the Cosmological Singularity, an entity whose existence is required by physical law. His discussion of the scientific possibility of miracles provides an impressive, credible scientific foundation for many of Christianity’s most astonishing claims, including the Virgin Birth, the Resurrection, and the Incarnation. He even includes specific outlines for practical experiments that can help prove the validity of the “miracles” at the heart of Christianity. Tipler’s thoroughly rational approach and fully accessible style sets The Physics of Christianity apart from other books dealing with conflicts between science and religion. It will appeal not only to Christian readers, but also to anyone interested in an issue that triggers heated and divisive intellectual and cultural debates.
Elisabeth Louise Vigée Le Brun (1755–1842) was one of the finest eighteenth-century french painters and among the most important women artists of all time. Celebrated for her expressive portraits of French royalty and aristocracy, and especially of her patron Marie Antoinette, Vigée Le Brun exemplified success and resourcefulness in an age when women were rarely allowed either. Because of her close association with the queen Vigée Le Brun was forced to flee France during the French Revolution. For twelve years she traveled throughout Europe, painting noble sitters in the courts of Naples, Russia, Austria, and Prussia. She returned to France in 1802, under the reign of Emperor Napoleon I, where her creativity continued unabated. This handsome volume details Vigée Le Brun's story, portraying a talented artist who nimbly negotiated a shifting political and geographic landscape. Essays by international scholars address the ease with which this self-taught artist worked with monarchs, the nobility, court officials and luminaries of arts and letters, many of whom attended her famous salons. The position of women artists in Europe and at the Salons of the period is also explored, as are the challenges faced by Vigée Le Brun during her exile. The ninety paintings and pastels included in this volume attest to Vigée Le Brun's superb sense of color and expression. They include exquisite depictions of counts and countesses, princes and princesses alongside mothers and children, including the artist herself and her beloved daughter, Julie. A chronology of the life of Vigée Le Brun and a map of her travels accompany the text, elucidating the peregrinations of this remarkable, independent painter.