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Meet Francis Plug, a troubled and often drunk misfit who causes chaos and confusion wherever he goes. And where he most likes to go is to real author events, collecting signatures from the likes of Salman Rushdie, Hilary Mantel, and Eleanor Catton, all the while gleaning advice for a self-help book he is writing with the novice writer in mind. His timely manual promises to be full of sage wisdom and useful tidbits to help ease freshly published novelists into the demands of life in the public eye. Essential reading for anyone with an interest in the literary world - or, in fact, humanity in general. Because while it is a brilliant slapstick comedy, blurring fact, fiction, and absurdity to astonishing effect, How To Be A Public Author by Francis Plug is also a surprising and touching meditation on loneliness and finding a place in the world. Francis, it seems, just doesn't fit in. And as you read, you may wonder if he'll even make it to the end of his own book...
FRANCIS PLUG is back! Adjusting to life as a newly published author - interviews and publicity are coming his way, not to mention considerable acclaim. But Francis can't understand why people think he was writing fiction... He also has other problems - and very little money. Fortunately, he's handed a lifeline when he lands a job as Writer-in-Residence at the University of Greenwich. The urgent questions build and build - and Francis is in no state to answer them. Will he keep his job? Will he be able to secretly sleep in his office? Will anyone find out that he did a wee in the corridor?
FRANCIS PLUG is back. The lovable misfit is now adjusting to life as a newly published author. Interviews and publicity are coming his way, not to mention considerable acclaim. But Francis can't understand why people think he was writing fiction... He also has plenty of other problems – and very little money. Fortunately, he's handed a lifeline when he lands a job as Writer-in-Residence at the University of Greenwich. Unfortunately, this involves interacting with more new people, which isn't exactly Francis's strong suit. Try as he might, the staff and students at the university seem to have great difficulty knowing what to make of Francis. (Not to mention the trouble that he has making sense of himself...). Oh – and now he also needs to hook in some big-name authors for the Greenwich Book Festival, and has to write his own campus novel. The urgent questions build and build – and Francis is in no state to answer them Will he keep his job? Will he be able to secretly sleep inside a university office? Will anyone find out that he did a wee in the corridor? ... Find out as Francis embarks on a new adventure, more intoxicating and hilarious than ever.
We Are The End is a novel which gives a new voice to the Millennial Generation - exploring the difficulties of finding your place in the world, and having to navigate it, too, with few guides beyond computer game narratives and the useless advice of the older generation... With its Chilean setting, fresh themes and perspectives - and its willingness to play with form - We Are The End is both unique and universal. Tomas' loss and longing resonate deeply, as do his jokes. There is something of Tomas in all of us - even if he's someone who ends up sleeping in a tent in his own living room...
In this set of novellas, a few facts are constant. Sergio is a young intellectual, poor and proud of his new membership in the Communist Party. Maurizio is handsome, rich, successful with women, and morally ambiguous. Sergio’s young, sensual lover becomes collateral damage in the struggle between these two men. All three of these unfinished stories, found packed in a suitcase after Alberto Moravia’s death, share this narrative premise. But from there, each story unfolds in a unique way. The first patiently explores the slow unfurling of Sergio’s resentment toward Maurizio. The second reveals the calculated bargain Maurizio offers in exchange for his conversion to Sergio’s beloved Communism. And the third switches dramatically to the first person, laying bare Sergio’s conflicted soul. Anyone interested in literature will relish the opportunity to watch Moravia at work, tinkering with his story and working at it from three unique perspectives.
AN INSTANT NEW YORK TIMES BESTSELLER "Provocative and appealing . . . well worth your extremely limited time." —Barbara Spindel, The Wall Street Journal The average human lifespan is absurdly, insultingly brief. Assuming you live to be eighty, you have just over four thousand weeks. Nobody needs telling there isn’t enough time. We’re obsessed with our lengthening to-do lists, our overfilled inboxes, work-life balance, and the ceaseless battle against distraction; and we’re deluged with advice on becoming more productive and efficient, and “life hacks” to optimize our days. But such techniques often end up making things worse. The sense of anxious hurry grows more intense, and still the most meaningful parts of life seem to lie just beyond the horizon. Still, we rarely make the connection between our daily struggles with time and the ultimate time management problem: the challenge of how best to use our four thousand weeks. Drawing on the insights of both ancient and contemporary philosophers, psychologists, and spiritual teachers, Oliver Burkeman delivers an entertaining, humorous, practical, and ultimately profound guide to time and time management. Rejecting the futile modern fixation on “getting everything done,” Four Thousand Weeks introduces readers to tools for constructing a meaningful life by embracing finitude, showing how many of the unhelpful ways we’ve come to think about time aren’t inescapable, unchanging truths, but choices we’ve made as individuals and as a society—and that we could do things differently.
The Soviet T\-34 medium tank needs no introduction, being the most famous tank ever built especially as has seen service across the globe throughout the twentieth century’s most brutal wars. However, despite this fame, little has been written about its design changes. While most tank enthusiasts can differentiate between the ‘T\-34\/76’ and the ‘T\-34\-85’, identifying different factory production batches has proven more elusive. Until now. With nearly six hundred photographs, mostly taken by soldiers who both operated and fought against the T\-34, this book seeks to catalogue and contextualise even the subtlest details to create a true ‘T\-34 continuum’. The book begins with the antecedents of the T\-34, the ill\-fated BT ‘fast tank’ series and the influence of the traumatic Spanish Civil War before moving to an in\-depth look at the T\-34’s prototypes. After this, every factory production change is catalogued and contextualised, with never\-before\-seen photographs and stunning technical drawings. Furthermore, four battle stories are also integrated to explain the changing battle context when major production changes take place. The production story is completed with sections on the T\-34’s post\-war production (and modification) by Czechoslovakia, Poland, and the People’s Republic of China, as well as T\-34 variants.
A fun, practical guide that reveals the essentials of good fiction and memoir writing by exposing the most common mistakes literary writers make. All great works of fiction and memoir are unique-but most bad novels, stories, and memoirs have a lot in common. From clunky dialogue to poorly sketchedout characters, sagging pacing to exaggerated prose, these beginners' mistakes drive any agent or editor to their stock rejection letter, telling the aspiring writer "Thanks, but this isn't for us," and leaving many to wonder what exactly it is that they're doing wrong. Veteran writing coach, developmental editor, and writing instructor Jessica Page Morrell will fill in the gaps in every rejection letter you've ever received. In Thanks, But This Isn't for Us, Morrell uses her years of experience to isolate the specific errors beginners make, including the pitfalls of unrealistic dialogue, failing to "show, not tell," and over-the-top plot twists. These are just a few of the problems that keep writers from breaking through with their work. Sympathetic and humane, but pulling no punches, Thanks, But This Isn't for Us shows writers precisely where they've gone wrong and how to get on the right track. In sixteen to-the-point chapters, with checklists, exercises, takeaway tips, and a glossary, Morrell helps readers transcend these mistakes so that they don't have to learn the hard way: with another rejection letter.
For many Westerners, Eastern Europe is about as appealing as a deodorant-free French armpit. That didn't scare Francis Tapon because not only did he learn how to rough it by walking across America four times, but he is also half French, so he kind of smells too. Francis spent nearly 3 years travelling and backpacking in 25 Eastern European countries. It started with a 5-month trip in 2004. He returned in 2008 to spend 3 years exploring all the countries again. The Hidden Europe is Book Two of the WanderLearn Series.
During a visit to Trieste in Northern Italy to research his long lost great-grandfather, Jacob meets Charlotte and Jane, and the three are forced to confront their individual and shared histories. Their sense of themselves is challenged and they must piece together a future none of them saw coming.A Perfect Mother asks big questions: What do we inherit from the broken histories of our parents and our grandparents and how does this shape our own sense of identity? Can we ever escape the past? Are stories, the ones we are told and the ones we tell, integral to how we know each other and how we love? What does it mean to be a good parent, let alone the perfect mother?