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"Johnson pursued all phases of his music with unmatched skill and fervor, even to the detriment of his health. At the time of his untimely death in 1844, Johnson had become the most prolific and widely traveled American composer, bandmaster, and performer in our nation's first century."--Jacket.
Celebrates the lives and contributions of African-American leaders who played significant roles in colonial and Revolutionary War-era America, and includes over twenty related activities.
From the moment that Joseph Boulogne Saint-Georges poised his violin to play at the court of Louis XVI in eighteenth-century France, the Black presence has been felt in the world of classical music. Today, the names of Leontyne Price and Andre Watts are household words. These are only two of the hundreds of Blacks who have made important contributions to the concert and opera scene. For over a quarter of a century, the author's provocative and often witty review of musical events have appeared in the Black press. In this informal history, he uses some of these pieces as a point of departure for discussion of Blacks in classical music from the eighteenth century to the present day. Included are composers, singers, operas and opera companies, keyboard artists, instrumentalists, conductors, orchestras, choruses, and critics.