Download Free Francis Jenkinson Fellow Of Trinity College Cambridge And University Librarian Book in PDF and EPUB Free Download. You can read online Francis Jenkinson Fellow Of Trinity College Cambridge And University Librarian and write the review.

Originally published in 1926, this book contains the biography of Francis Jenkinson, a fellow of Trinity College, Cambridge, and the University Librarian for the University of Cambridge from 1889 until his death in 1923. The memoir was written by his friend H. F. Stewart, who was also a fellow at Trinity with Jenkinson. Jenkinson was a well-respected figure in University circles and was responsible for collecting the large amount of material relating to WWI now in the University Library's collection. This book will be of value to anyone with an interest in Jenkinson's life and his legacy.
"Brief table of contents of vols. I-XX" in v. 21, p. [502]-618.
The first book devoted to the composer Charles Villiers Stanford (1852-1924) since 1935, this survey provides the fullest account of his life and the most detailed appraisal of his music to date. Renowned in his own lifetime for the rapid rate at which he produced new works, Stanford was also an important conductor and teacher. Paul Rodmell assesses these different roles and considers what Stanford's legacy to British music has been. Born and brought up in Dublin, Stanford studied at Cambridge and was later appointed Professor of Music there. His Irish lineage remained significant to him throughout his life, and this little-studied aspect of his character is examined here in detail for the first time. A man about whom no-one who met him could feel indifferent, Stanford made friends and enemies in equal numbers. Rodmell charts these relationships with people and institutions such as Richter, Parry and the Royal College of Music, and discusses how they influenced Stanford's career. Perhaps not the most popular of teachers, Stanford nevertheless coached a generation of composers who were to revitalize British music, amongst them Coleridge-Taylor, Ireland, Vaughan-Williams, Holst, Bridge and Howells. While their musical styles may not be obviously indebted to Stanford's, it is clear that, without him, British music of the first half of the twentieth century might have taken a very different course.
Across the twentieth century, the families of people who died in war and disaster were left to make sense of their sudden loss and navigate newfound grief. This book focuses the families of people who died in the First World War and in mining disasters in the early twentieth-century. These bereaved families were often denied access to bodies and choice over burial rights, all while dealing with the increased bureaucracy of death.Families created domestic memorials, which took on additional meaning because of this lack of memorial agency elsewhere. Although the ways that these families were bereaved each took place in different circumstances, the ways that families grieved were recognizable to one another: they drew on common memorial practices, augmented to take on special meaning after sudden death.This memorial material provided a vehicle for families to navigate their loss, but also to communicate the memory of the dead both externally, through donation to museums, and linearly, through ancestral lines. Drawing on a nuanced reading of a wide range of sources - from ephemera to administrative museum paperwork - this book explores family reactions to mass death events in early twentieth-century Britain. The result is a comparative and domestic perspective on mourning at the turn of the century that makes important contributions to the growing field of death studies, and will be of interest to those working on the First World War, interwar Britain, the history of work, the social history of the family, and the history of memorialization. 6 b&w illustrations
For some five hundred years, Hebrew books have been counted among the treasures of the University of Cambridge, and Cambridge University Library's current holdings of Hebrew manuscripts (excluding most of the 140,000 fragments in its Genizah collections) are in excess of a thousand items. A wide range of Hebrew literature is represented, with substantial numbers in Bible, Bible Versions and Commentaries, Talmud, Halakhah, Liturgy, Science, Poetry, Philosophy and Kabbalah. The bulk of the material is late mediaeval but there are also earlier items, among them the famous Nash Papyrus from the second pre-Christian century. Although this collection is among the world's most important, attempts, beginning in the mid-Victorian period, to describe it in detail, and to publish the results, have never met with success. In this volume, Stefan Reif, assisted by Shulamit Reif, has attempted to set the situation right by providing careful descriptions that will guide researchers in codicologial matters and will alert them to data of special scholarly significance, without overwhelming them with the kind of prolix treatment that characterised manuscript study in the nineteenth century. The volume has benefited not only from local Cambridge expertise but also from world-wide scholarly co-operation and includes many references to recent publications, as well as a representative selection of photographed folios. There are essays on the history of Hebraists and Hebraic at Cambridge that will interest historians, as well as extensive indexes that will provide easy access to the rich and varied contents of the descriptions.