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This book celebrates the 300th-year anniversary of Francesco Zahra's birth in 1710 and seeks to show the extraordinary range of the artist's output. Zahra was Malta's most important native painter of the mid-18th century and his style wonderfully captured the spirit of the Late Baroque. He was extremely prolific and could handle the brush with a fascinating ease, thus furnishing Maltese churches with hundreds of paintings, large and small. His extraordinary creative spirit also ensured that his pictures breathed the compositional freshness of mature artists. Francesco Zahra produced various designs for church furniture, marble altars, silver artefacts, liturgical vessels and other objets d'art that still survive scattered around the island. Zahra's output can be divided into a number of phases and this book seeks to trace such evolution and development. It also seeks to re-evaluate some of the most important works of his oeuvre. Zahra's early style is his weakest and was largely dependent on the works of his first tutor Gio Nicola Buhagiar (1698-1752). The 1730s were largely dominated by the artistic affinities of these two painters and there were instances when it was difficult to tell them apart. Zahra reached his early maturity by 1740 when his art started to depart from the manner of his tutor. By the mid-1740s, Zahra was the most important native painter on the island, only to be challenged by the arrival of the Frenchman Antoine Favray. Zahra's interest in proper disegno and in the work of Mattia Preti and Favray made him modify his style and - by the mid-1750s - adopt a more solid approach. His figurative forms changed and the general atmosphere of his works became more sophisticated. Francesco Zahra marked Maltese mid-18th century art with his timbre and distinctly shaped the character of religious painting. His decorative appeal and theatrical manner complemented the context of the period and made him one of the most fashionable of the Baroque painters active in Malta.
Malta Country Study Guide - Strategic Information and Developments Volume 1 Strategic Information and Developments
The presence and history of the Order of St John in various regions of the lands of Germany and East Europe has been researched in several aspects but a comphrensive work on the langue of Germany as such has never been written. This book presents an overview of the 800 years of the history of the Hospitallers in Germany and in the lands of the former 'Holy Roman Empire of the German Nation'. Because of the vastness of the subject, the book does not pretend to be an in-depth study of this subject but is a basic outline of the development of the institution and of the most important events connected with it. The book is aimed at the general reader as well as at the specialist, who will find indications for further reading on single aspects and events.
This publication is the first truly collective attempt to study the work of Melchiorre Cafa'. In a variety of studies, it discusses specific and synoptic issues related to his oeuvre. The book also presents a check-list of works by (or attributed to) the artist; this check-list aims at establishing a critical repertory of his oeuvre.
Houses and Domestic Space in Seventeenth and Eighteenth Century Hospitaller Malta is a study concerned with a wide spectrum of early modern dwellings in Malta, ranging from palazzi and affluent residences to peasant dwellings, troglodyte houses, and hovels. The multifaceted approach adopted in this book allows houses and domestic networks to be studied not only in terms of architecture and construction materials, but also as places of human habitation where house dwellers act, react and interact in different contexts and circumstances. Dwellings are places that permit different social and economic activities, whilst providing shelter and security to the household members. Through the available sources, the houses of Hospitaller Malta are analysed in terms of their spatial properties and how they generate privacy, interaction and communication, identity, accessibility, security, visibility, movement and encounters, and, equally important, how domestic space relates to gender roles, status, and class. This work, therefore, seeks to reach a deep and nuanced understanding of domestic space and how it relates to the islands’ history and the development of their society during the seventeenth and eighteenth centuries.
This book is a long-awaited comprehensive monograph on the artist, whose importance had already been established through numerous articles and past exhibitions. The two authors examined hundreds of works by Favray (and others attributed to him), both in Malta and overseas, and a vast number of these are reproduced in this book. The first four chapters of the book feature Favrays transition from Paris to Rome, his first Maltese stay, his Turkish Adventure, and his second Maltese sojourn respectively. Chapter 5 is devoted to his drawings, whilst in Chapter 6 his Followers and Discredits are discussed. The two authors join forces in bringing us this meticulously researched and excellently presented book, with Fiorentino being primarily responsible for the critical appraisal of Favrays oeuvre, and Degiorgio bringing to the fore his archival expertise and a large number of unpublished references. Stephen Degiorgio is a teacher and researcher, and for the last 25 years has researched the Archives of the Order of St. John held at the National Library of Malta. He has published monographs related to Maltese history in Monuments and The Malta Independent. Emmanuel Fiorentino is an art historian and critic. Since 1975 he has been the regular art critic for The Sunday Times of Malta, and has published numerous art related articles in local books and periodicals. In 1998 he organised the exhibition of drawings by Favray held at St. James Cavalier.
This book describes the life and work of three generations of the Busuttils, an eighteenth and nineteenth-century Maltese artistic dynasty. It begins with the life and career of Michele Busuttil, who founded an art school in Valetta after a studying at the Accademia di San Luca, one of the most prestigious art academies in Europe. It then traces the careers of his children Salvatore, Luigi, Vincenza and Clemente. Illustrated in full colour, this book is a fascinating guide to an illustrious family who contributed greatly to Malta's artistic heritage.
A collection of twenty essays by the author previously published between 1964 and 2007.