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This book celebrates the 300th-year anniversary of Francesco Zahra's birth in 1710 and seeks to show the extraordinary range of the artist's output. Zahra was Malta's most important native painter of the mid-18th century and his style wonderfully captured the spirit of the Late Baroque. He was extremely prolific and could handle the brush with a fascinating ease, thus furnishing Maltese churches with hundreds of paintings, large and small. His extraordinary creative spirit also ensured that his pictures breathed the compositional freshness of mature artists. Francesco Zahra produced various designs for church furniture, marble altars, silver artefacts, liturgical vessels and other objets d'art that still survive scattered around the island. Zahra's output can be divided into a number of phases and this book seeks to trace such evolution and development. It also seeks to re-evaluate some of the most important works of his oeuvre. Zahra's early style is his weakest and was largely dependent on the works of his first tutor Gio Nicola Buhagiar (1698-1752). The 1730s were largely dominated by the artistic affinities of these two painters and there were instances when it was difficult to tell them apart. Zahra reached his early maturity by 1740 when his art started to depart from the manner of his tutor. By the mid-1740s, Zahra was the most important native painter on the island, only to be challenged by the arrival of the Frenchman Antoine Favray. Zahra's interest in proper disegno and in the work of Mattia Preti and Favray made him modify his style and - by the mid-1750s - adopt a more solid approach. His figurative forms changed and the general atmosphere of his works became more sophisticated. Francesco Zahra marked Maltese mid-18th century art with his timbre and distinctly shaped the character of religious painting. His decorative appeal and theatrical manner complemented the context of the period and made him one of the most fashionable of the Baroque painters active in Malta.
This publication is the first to delve in depth into the artistic and cultural achievements of different members of the Bellanti family. Michele Bellanti (1807-1883) was a major Maltese artist, active from the 1840s onwards and who has contributed most significantly to the post-Baroque Maltese artistic scene. While his paintings, sketches and lithographs have always been appreciated and greatly sought after for their artistic merits, no detailed study on the artist or on the significance of his work had as yet been undertaken. Michele's elder brother, Giuseppe (1787-1861), was also a cultured individual who was a keen collector of artistic works and of books. A significant part of Giuseppe's collection is now to be found in Malta's National Museum of Fine Arts. Between 1812 and 1838 Giuseppe was the librarian of the Biblioteca Pubblica. The National Library collection still comprises books previously owned by Giuseppe, notably a number of incunabula. Giuseppe was moreover the author of a manuscript work on Maltese orthography, which is the subject of a study featured in the present publication. As aptly described in Patricia Camilleri's contribution, Paul F. Bellanti (1852-1927) was a man of many talents. As an archaeologist, linguist and author, Paul Bellanti gave a significant contribution in all these fields during a time when the assertion of Maltese identity required individuals to do so. The studies contained in this publication not only constitute a detailed corpus describing the achievements of the Bellanti family, but should, moreover, serve to stimulate academic interest in other, as yet unstudied individuals and families, who gave a sterling contribution to various aspects of Maltese intellectual, cultural and artistic development during different periods.
A unique book which gives insights into aspects of European Baroque culture in the late seventeenth and early eighteenth centuries such as its interest in optics, theatre design and water engineering. The book is a manifestation of this engineers projects, whose architectural genius changed a fortified city in a modern baroque one.
Malta Country Study Guide - Strategic Information and Developments Volume 1 Strategic Information and Developments
This publication is the first truly collective attempt to study the work of Melchiorre Cafa'. In a variety of studies, it discusses specific and synoptic issues related to his oeuvre. The book also presents a check-list of works by (or attributed to) the artist; this check-list aims at establishing a critical repertory of his oeuvre.
Houses and Domestic Space in Seventeenth and Eighteenth Century Hospitaller Malta is a study concerned with a wide spectrum of early modern dwellings in Malta, ranging from palazzi and affluent residences to peasant dwellings, troglodyte houses, and hovels. The multifaceted approach adopted in this book allows houses and domestic networks to be studied not only in terms of architecture and construction materials, but also as places of human habitation where house dwellers act, react and interact in different contexts and circumstances. Dwellings are places that permit different social and economic activities, whilst providing shelter and security to the household members. Through the available sources, the houses of Hospitaller Malta are analysed in terms of their spatial properties and how they generate privacy, interaction and communication, identity, accessibility, security, visibility, movement and encounters, and, equally important, how domestic space relates to gender roles, status, and class. This work, therefore, seeks to reach a deep and nuanced understanding of domestic space and how it relates to the islands’ history and the development of their society during the seventeenth and eighteenth centuries.
This book describes the life and work of three generations of the Busuttils, an eighteenth and nineteenth-century Maltese artistic dynasty. It begins with the life and career of Michele Busuttil, who founded an art school in Valetta after a studying at the Accademia di San Luca, one of the most prestigious art academies in Europe. It then traces the careers of his children Salvatore, Luigi, Vincenza and Clemente. Illustrated in full colour, this book is a fascinating guide to an illustrious family who contributed greatly to Malta's artistic heritage.
This book is a long-awaited comprehensive monograph on the artist, whose importance had already been established through numerous articles and past exhibitions. The two authors examined hundreds of works by Favray (and others attributed to him), both in Malta and overseas, and a vast number of these are reproduced in this book. The first four chapters of the book feature Favrays transition from Paris to Rome, his first Maltese stay, his Turkish Adventure, and his second Maltese sojourn respectively. Chapter 5 is devoted to his drawings, whilst in Chapter 6 his Followers and Discredits are discussed. The two authors join forces in bringing us this meticulously researched and excellently presented book, with Fiorentino being primarily responsible for the critical appraisal of Favrays oeuvre, and Degiorgio bringing to the fore his archival expertise and a large number of unpublished references. Stephen Degiorgio is a teacher and researcher, and for the last 25 years has researched the Archives of the Order of St. John held at the National Library of Malta. He has published monographs related to Maltese history in Monuments and The Malta Independent. Emmanuel Fiorentino is an art historian and critic. Since 1975 he has been the regular art critic for The Sunday Times of Malta, and has published numerous art related articles in local books and periodicals. In 1998 he organised the exhibition of drawings by Favray held at St. James Cavalier.
This book marks the artistic life of Gianni Vella, one of the most prolific Maltese artists of the twentieth century. Vella certainly left an indelible mark on sacred art but equally important is the mark he left on political caricature, on landscape painting and on images recording a bygone, romanticized Malta.