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The Southern Highland Craft Guild is the oldest craft guild in the United States and the only guild to be defined by a geographical area. First conceived by Olive Dame Campbell in the 1920s, the craft guild was launched in 1930 with an exhibition of regional arts. Frances Louisa Goodrich contributed her Allanstand Shop so that families living in an already depressed region would have a sales venue for their work throughout the Great Depression and the years of World War II. From that early start, the Southern Highland Craft Guild has grown to nearly a thousand members and has established a worldwide reputation for fine workmanship. The guild is governed by the artist membership, which is made up of a wide range of craftspeople from institute-trained artists to local makers trained by parents and friends.
A collection of traditional eighteenth and nineteenth century weaving drafts, written sequences of the threading order on the loom used to create specific patterns. They are presented here in their original form as gathered by Frances L. Goodrich and illustrated in over 160 color photos. This volume also contains over 200 valuable modern translations of the same drafts for use by today's weavers. In 1890, Frances L. Goodrich came to the southern mountains in North Carolina from a life of culture to live and work among people who had little opportunity for education or social enrichment. Through her work for the Presbyterian Home Mission Board, she grew to love and respect these neighbors who worked so hard and had so little. She established schools, a small hospital, and the Allanstand Cottage Industries. As she traveled the mountain roads and trails on horseback, Miss Goodrich collected these precious weaving drafts from the women who wove for Allanstand Cottage Industries. In your hands is the heart of that collection.
This collection of nineteenth- and early twentieth-century weaving drafts from the Southern Highlands region of Appalachia includes 112 overshot drafts and drawdowns, and 31 drafts and drawdowns for the all-white summertime cotton bedspreads called counterpanes. Color photos of the original samples are shown side by side with valuable modern translations of the drafts, which enable today's weavers to make them. A vibrant example of our weaving heritage, these drafts were originally gathered in the nine states of the Southern Highlands region between 1892 and 1918 by the legendary Frances L. Goodrich. Handwoven counterpanes and coverlets were important possessions, and often were the only item of beauty in the women's otherwise impoverished living conditions. These are drafts Goodrich carefully collected but did not include in her classic Brown Book. Dozens of vintage photographs of Goodrich, the communities she served, and the women who invented the drafts help bring this part of our American craft heritage to life.
Dave Ross (1871-1943) and George Ade (1866-1944) were trustees, distinguished alumni and benefactors of Purdue University. Their friendship began in 1922 and led to their giving land and money for the 1924 construction of Ross-Ade Stadium, now a 70,000 seat athletic landmark on the West Lafayette campus. Their life stories date to 1883 Purdue and involve their separate student experiences and eventual fame. Their lives crossed paths with U.S. First Lady Eleanor Roosevelt, Henry Ford, Amelia Earhart, and Will Rogers among others. Gifts or ideas from Ross or Ade led to creation of the Purdue Research Foundation, Purdue Airport, Ross Hills Park, and Ross Engineering Camp. They helped Purdue Theater, the Harlequin Club and more. Ade, renowned author and playwright, did butt heads with Purdue administrators at times long ago, but remains a revered figure. Ross's ingenious mechanical inventions of gears still steer millions of motorized vehicles, boats, tractors, even golf carts the world over.
Everybody is a somebody. Giles is a countryman who relishes solitude. His wife Mary thrives in company and enjoys frequent escapes to London. After thirty years in a marriage of opposites, Giles and Mary have adapted to a life of domestic misunderstandings within comical misadventures. In The Diary of Two Nobodies, you will have the unique opportunity to discover, first hand, what occurs when a man who sees himself as a cross between Mr Bean and Basil Fawlty shares his life with a woman who identifies closely with the Queen. Featuring original illustrations by the artist Giles, himself.
In 2012, weavers Marty Benson and Laura Redford undertook a project to fully document each coverlet and associated weavings in the Shiloh Museum of Ozark History collection. Benson and Redford spent more than two years on the study, deciphering the physical, technical, and historic aspects of the coverlets (including homemade and professionally woven) as well as quilts and blankets with handwoven elements in the museum collection. Their work resulted in a meticulously researched body of information for the museum, but why stop there? Benson and Redford believed the stories of the Shiloh Museum coverlets needed to be told, and the museum agreed. Ozark Coverlets explores the techniques and skills of each weaver. It documents weaving patterns and structures and supplies modern weavers with drafts from which to create their own versions of these historic patterns. Finally, it is a record of the lives of the people who made and used these textiles in their homes. Read altogether, the details of each weaver's life--marriage, childbirth, farm and home management--begin to paint a picture of the lives of these "everyday" Ozark women and their families. One can begin to understand their roles in the settlement of northwest Arkansas in the 1800s, their trials during the Civil War, and the ultimate survival of these pioneering families. ­--From the foreword by Carolyn Reno, collections manager of the Shiloh Museum of Ozark History