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In March 2003, the United States and Great Britain invaded Iraq to put an end to the regime of Saddam Hussein. The war was launched without a United Nations mandate and was based on the erroneous claim that Iraq had retained weapons of mass destruction. France, under President Jacques Chirac and Foreign Minister Dominique de Villepin, spectacularly opposed the United States and British invasion, leading a global coalition against the war that also included Germany and Russia. The diplomatic crisis leading up to the war shook both French and American perceptions of each other and revealed cracks in the transatlantic relationship that had been building since the end of the Cold War. Based on exclusive French archival sources and numerous interviews with former officials in both France and the United States, A History of the Iraq Crisis retraces the international exchange that culminated in the 2003 Iraq conflict. It shows how and why the Iraq crisis led to a confrontation between two longtime allies unprecedented since the time of Charles de Gaulle, and it exposes the deep and ongoing divisions within Europe, the Atlantic alliance, and the international community as a whole. The Franco-American narrative offers a unique prism through which the American road to war can be better understood.
"France's opposition to the Iraq war in 2003 was greeted with surprise and outrage by Anglo-American politicians. But as David Styan argues in his penetrating new book, Chirac's stance was consistent with a decades-long reorientation of French foreign policy. Styan dissects the processes by which a country notorious for its suppression of Algerian independence came to cast itself as the anti-imperialist champion of the Arab world. Styan charts France's divergence from the other Western powers in its relations with Iraq, uncovering the interplay between historical relationships, military industrial interests and geopolitics, which gave rise to it. Negotiating these currents are a range of vivid personalities from De Gaulle to Mitterrand."--Bloomsbury publishing.
This book examines the ways in which France's relations with the international community have evolved in a period of accelerating globalization. It considers the role of the nation state, and its capacity for political initiative, examining French strategies to reinforce French influence on the world stage.
A high-ranking general's gripping insider account of the U.S. wars in Iraq and Afghanistan, and how it all went wrong. Over a thirty-five-year career, Daniel Bolger rose through the army infantry to become a three-star general, commanding in both theaters of the U.S. campaigns in Iraq and Afghanistan. He participated in meetings with top-level military and civilian players, where strategy was made and managed. At the same time, he regularly carried a rifle alongside rank-and-file soldiers in combat actions, unusual for a general. Now, as a witness to all levels of military command, Bolger offers a unique assessment of these wars, from 9/11 to the final withdrawal from the region. Writing with hard-won experience and unflinching honesty, Bolger makes the firm case that in Iraq and in Afghanistan, we lost -- but we didn't have to. Intelligence was garbled. Key decision makers were blinded by spreadsheets or theories. And, at the root of our failure, we never really understood our enemy. Why We Lost is a timely, forceful, and compulsively readable account of these wars from a fresh and authoritative perspective.
How did Saddam Hussein become so powerful in Iraq? When did the Sunni Muslims begin to control the government and why was that significant? Why did the US go to war and why was war considered a bad idea? Who are the Shi'ites and why do they matter? Who are the Kurds and why do they matter? How important is Iraqi oil? You can quickly find answers to these questions and others in this easy-to-read book.
A thorough analysis of where U.S./European relations have gone wrong--and how to set them right ALLIES AT WAR is the first and most comprehensive assessment of what went wrong between America and Europe during the crisis over Iraq and is based on extensive interviews with policymakers in the United States and Europe. It puts the crisis over Iraq in historical context by examining US-Europe relations since World War II and shows how the alliance traditionally managed to overcome its many internal difficulties and crises. It describes how the deep strategic differences that emerged at the end of the Cold War and the disputes over the Balkans and the Middle East during the Clinton years already had some analysts questioning whether the Alliance could survive. It shows how the Bush administration’s unilateral diplomacy and world-view helped bring already simmering tensions to a boil, and describes in depth the events leading up to the Iraq crisis of 2003. Gordon and Shapiro explain how powerful forces such rising American power and the September 11 terrorist attacks have made relations between America and Europe increasingly difficult. But the authors argue that the split over Iraq was not inevitable: it was the result of misguided decisions and unnecessary provocations on both sides. Contrary to the conventional wisdom that claims that the Iraq war signaled the effective end of the Atlantic Alliance, the authors warn that assuming the end of the Alliance could quickly become a self-fulfilling prophesy: leaving the United States isolated, resented, and responsible for bearing the burdens of maintaining international security largely alone. In response to those who argue that the Atlantic Alliance is no longer viable or necessary, ALLIES AT WAR demonstrates that even after Iraq, the United States and Europe can work together, and indeed must if they wish to effectively address the most pressing problems of our age. The book makes concrete proposals for restoring transatlantic relations and updating the alliance to meet new challenges like global terrorism and the transformation of an unstable Middle East.
After the end of World War I, international pressures prevented the Allies from implementing direct colonial rule over the former Arab provinces of the Ottoman Empire. Instead, the Allies created a system of mandates for the governance of the Middle East. France was assigned Lebanon and Syria, and Britain was assigned Iraq, Palestine, and Transjordan. First published in 1976, Britain in Iraq has long been recognized as the definitive history of the mandate period, providing a meticulous and engaging account of Britain's political involvement in Iraq as well as rare insights into the motives behind the founding of the Iraqi state. Peter Sluglett presents a historical narrative of the development and implementation of the mandate in the face of considerable opposition in both Iraq and Britain and shows how the British maintained a "reliable" group of Iraqi clients in power to protect imperial interests. Sluglett explores the changing relationship between Britain and Iraq over the eighteen years of occupation and mandate, the interactions between Shi'ite and Sunni populations, the position of the Kurds, the boundary between Turkey and northern Iraq, and policies relating to defense, land tenure and the tribes, and education. A new conclusion attempts to analyze the legacy of the mandate and to offer some explanation for Iraq's continuing weakness as a state and the structural obstacles preventing the emergence of a plural political system.
A personal account of an Iraqi childhood Poppies of Iraq is Brigitte Findakly’s nuanced tender chronicle of her relationship with her homeland Iraq, co-written and drawn by her husband, the acclaimed cartoonist Lewis Trondheim. In spare and elegant detail, they share memories of her middle class childhood touching on cultural practices, the education system, Saddam Hussein’s state control, and her family’s history as Orthodox Christians in the arab world. Poppies of Iraq is intimate and wide-ranging; the story of how one can become separated from one’s homeland and still feel intimately connected yet ultimately estranged. Signs of an oppressive regime permeate a seemingly normal life: magazines arrive edited by customs; the color red is banned after the execution of General Kassim; Baathist militiamen are publicly hanged and school kids are bussed past them to bear witness. As conditions in Mosul worsen over her childhood, Brigitte’s father is always hopeful that life in Iraq will return to being secular and prosperous. The family eventually feels compelled to move to Paris, however, where Brigitte finds herself not quite belonging to either culture. Trondheim brings to life Findakly’s memories to create a poignant family portrait that covers loss, tragedy, love, and the loneliness of exile. Poppies of Iraq has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as the Aya series by Marguerite Abouet and Clément Oubrerie, Hostage by Guy Delisle, and Beautiful Darkness by Fabien Vehlmann and Kerascoët. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal.
In a provocative analysis written during the unfolding drama of 1992, Baudrillard draws on his concepts of simulation and the hyperreal to argue that the Gulf War did not take place but was a carefully scripted media event--a "virtual" war. Patton's introduction argues that Baudrillard, more than any other critic of the Gulf War, correctly identified the stakes involved in the gestation of the New World Order.