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In a richly layered and beautifully illustrated narrative, Raymond Jonas tells the fascinating and surprisingly little-known story of the Sacr -Coeur, or Sacred Heart. The highest point in Paris and a celebrated tourist destination, the white-domed basilica of Sacr -Coeur on Montmartre is a key monument both to French Catholicism and to French national identity. Jonas masterfully reconstructs the history of the devotion responsible for the basilica, beginning with the apparition of the Sacred Heart to Marguerite Marie Alacoque in the seventeenth century, through the French Revolution and its aftermath, to the construction of the monumental church that has loomed over Paris since the end of the nineteenth century. Jonas focuses on key moments in the development of the cult: the founding apparition, its invocation during the plague of Marseilles, its adaptation as a royalist symbol during the French Revolution, and its elevation to a central position in Catholic devotional and political life in the crisis surrounding the Franco-Prussian War. He draws on a wealth of archival sources to produce a learned yet accessible narrative that encompasses a remarkable sweep of French politics, history, architecture, and art.
This is the moving and improbable story of Claire Ferchaud, a young French shepherdess who had visions of Jesus and gained national fame at the height of World War I as a modern-day Joan of Arc. The text illuminates broad issues of gender and ambition, belief and betrayal, mysticism and hysteria.
The story of the church of the Sacred Heart in Paris, a monument to French Catholicism and national identity, is told in this text, focusing on key moments in its development and drawing on archival sources encompassing French politics and history.
Holy Organ or Unholy Idol? focuses on the significance of the cult of the Sacred Heart of Jesus and its accompanying imagery in eighteenth-century New Spain. Lauren G. Kilroy-Ewbank considers paintings, prints, devotional texts, and archival sources within the Mexican context alongside issues and debates occurring in Europe to situate the New Spanish cult within local and global developments. She examines the iconography of these religious images and frames them within broader socio-political and religious discourses related to the Eucharist, the sun, the Jesuits, scientific and anatomical ideas, and mysticism. Images of the Heart helped to champion the cult’s validity as it was attacked by religious reformers.
In this masterful, stylish, and authoritative book, Michael Burleigh gives us an epic history of the battles over religion in modern Europe, examining the complex and often lethal ways in which politics and religion have interacted and influenced each other over the last two centuries. From the French Revolution to the totalitarian movements of the twentieth century, Earthly Powers is a uniquely powerful portrait of one of the great tensions of modern history—one that continues to be played out on the world stage today.
Christian ideas on family, religion, and the home in the nineteenth and twentieth centuries The cult of domesticity has often been linked to the privatization of religion and the idealisation of the motherly ideal of the ‘angel in the house’. This book revisits the Christian home of the nineteenth and twentieth centuries and sheds new light on the stereotypical distinction between the private and public spheres and their inhabitants. Emphasizing the importance of patriarchal domesticity during the period and the frequent blurring of boundaries between the Christian home and modern society, the case studies included in this volume call for a more nuanced understanding of nineteenth- and twentieth-century Christian ideas on family, religion, and the home.
From its origins in the mid-seventeenth century visions of the French nun Margaret Mary Alacoque (1647–90) to its continuing employment in worship today, the Devotion to the Sacred Heart of Jesus has been controversial. Vigorously promoted by Jesuit spiritual directors, embroiled in the controversies of Jansenist writers, closely associated with Royalist political causes in France, and taken around the world by Sister Sophie Barat in the nineteenth century, the Devotion’s practices took on the shape of its evolving visual culture and iconography. This volume traces the unfolding visual biography of the sacred heart and shows how imagery documents the Devotion’s remarkable evolution.
The occult sciences have attracted followers and fascinated observers since the middle ages. Beyond Enlightenment examines the social, political, and metaphysical doctrines of Martinism, a French occultist movement and offshoot of Freemasonry that flourished from the late eighteenth century to the dawn of the twentieth century. The French Revolution and the disorder that followed it convinced Martinists that modern society was on the wrong path. For guidance they looked back not to the corrupt Old Regime but rather to a lost golden age of mankind that existed only in their imagination. The Martinists were closely engaged in the political events of their times, and rightly or wrongly, they earned a reputation for secret intrigue and ubiquitous hidden influence. David Allen Harvey focuses on the Martinists themselves, recreating their own social and political views. He traces the birth of Martinism during the Enlightenment, its revival in the fin de siècle, and the late nineteenth-century formation of a distinctly Martinist project-the synarchy-aimed at the social and political renewal of France and the greater world. The Martinist doctrines formed a unique synthesis of Enlightenment and counter-Enlightenment thought. Harvey maintains that Martinists were a peaceful, esoteric society that rejected both secular materialism and dogmatic Catholicism, seeking to reveal the hand of Providence in history, discover divinely inspired laws of social and political organizations, and enact the kingdom of heaven on earth. Seeking to explore and analyze the "irrational" side of the "Age of Reason," Beyond Enlightenment is a welcome addition to recent studies of esoteric movements. Historians of culture, religion, and politics in post-Revolutionary France, as well as historians of esotericism and alternative religions will be interested in this engaging and revealing study.
Secrets the Jesuits don't want Christians to know Out of Europe, a voice is heard from the secular world that documents historically the same information told by ex-priests. The author exposes the Vatican's involvement in world politics, intrigues, and the fomenting of wars throughout history. It appears, beyond any doubt, that the Roman Catholic institution is not a Christian church and never was. The poor Roman Catholic people have been betrayed by her and are facing spiritual disaster. Paris shows that Rome is responsible for the two great world wars. Author Edmond Paris explains why he wrote this book... "The public is practically unaware of the overwhelming responsibility carried by the Vatican and its Jesuits in the start of the two world wars -- a situation which may be explained in part by the gigantic finances at the disposition of the Vatican and its Jesuits, giving them power in so many spheres, especially since the last conflict." "In fact, the part they took in those tragic events has hardly been mentioned until the present time, except by apologists eager to disguise it. It is with the aim of rectifying this and establishing the true facts that we present in this and other books the political activity of the Vatican during the contemporary -- activity which mutually concerns the Jesuits." "This study is based on irrefutable archive documents, publications from well-known political personalities, diplomats, ambassadors and eminent writers, most of whom are Catholics, even attested by the imprimatur."