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What the two great modern revolutions can teach us about democracy today. In 1790, the American diplomat and politician Gouverneur Morris compared the French and American Revolutions, saying that the French "have taken Genius instead of Reason for their guide, adopted Experiment instead of Experience, and wander in the Dark because they prefer Lightning to Light." Although both revolutions professed similar Enlightenment ideals of freedom, equality, and justice, there were dramatic differences. The Americans were content to preserve many aspects of their English heritage; the French sought a complete break with a thousand years of history. The Americans accepted nonviolent political conflict; the French valued unity above all. The Americans emphasized individual rights, while the French stressed public order and cohesion. Why did the two revolutions follow such different trajectories? What influence have the two different visions of democracy had on modern history? And what lessons do they offer us about democracy today? In a lucid narrative style, with particular emphasis on lively portraits of the major actors, Susan Dunn traces the legacies of the two great revolutions through modern history and up to the revolutionary movements of our own time. Her combination of history and political analysis will appeal to all who take an interest in the way democratic nations are governed.
This comprehensive three-volume work on the French Revolution and Napoleon's rule and campaigns covers a wide range of military, political, social, and cultural events and personalities during a time of dramatic change in Europe. In three extraordinarily rich volumes, The Encyclopedia of the French Revolutionary and Napoleonic Wars captures the full sweep and legacy of the transformation of Europe from 1792 to 1815. Its nearly 900 alphabetically organized, fully cross-referenced entries provide students and general readers with vivid biographies of politicians, sovereigns, and commanders; accounts of battles, weaponry, and diplomatic affairs; insights into the art, music, and culture of the times; and much more. Unlike other works on the subject, this encyclopedia combines coverage of Napoleon's rule with that of the crucial Revolutionary years in France that set the stage for his rise to power. It includes contributions from the most wide-ranging group of international experts ever assembled for a work on this era. Students will see the full continent-wide impact of France's evolution from aristocracy to democracy to military autocracy and explore the effects of nationalism, empire-building, industrialization, and international conflict, which resonate with more relevance today than ever.
This first book-length critical analysis of the full range of novels written between 1854 and today by American Indian authors takes as its theme the search for self-discovery and cultural recovery. In his introduction, Louis Owens places the novels in context by considering their relationships to traditional American Indian oral literature as well as their differences from mainstream Euroamerican literature. In the following chapters he looks at the novels of John Rollin Ridge, Mourning Dove, John Joseph Mathews, D'Arcy McNickle, N. Scott Momaday, James Welch, Leslie Marmon Silko, Louise Erdrich, Michael Dorris, and Gerald Vizenor. These authors are mixedbloods who, in their writing, try to come to terms with the marginalization both of mixed-bloods and fullbloods and of their cultures in American society. Their novels are complex and sophisticated narratives of cultural survival - and survival guides for fullbloods and mixedbloods in modern America. Rejecting the stereotypes and cliches long attached to the word Indian, they appropriate and adapt the colonizers language, English, to describe the Indian experience. These novels embody the American Indian point of view; the non-Indian is required to assume the role of "other". In his analysis Owens draws on a broad range of literary theory: myth and folklore, structuralism, modernism, poststructuralism, and, particularly, postmodernism. At the same time he argues that although recent American Indian fiction incorporates a number of significant elements often identified with postmodern writing, it contradicts the primary impulse of postmodernism. That is, instead of celebrating fragmentation, ephemerality, and chaos, these authors insistupon a cultural center that is intact and recoverable, upon immutable values and ecological truths. Other Destinies provides a new critical approach to novels by American Indians. It also offers a comprehensive introduction to the novels, helping teachers bring this important fiction to the classroom.
Drawing on remarkably frank, in-depth interviews with 160 successful men in the United States and France, Michèle Lamont provides a rare and revealing collective portrait of the upper-middle class—the managers, professionals, entrepreneurs, and experts at the center of power in society. Her book is a subtle, textured description of how these men define the values and attitudes they consider essential in separating themselves—and their class—from everyone else. Money, Morals, and Manners is an ambitious and sophisticated attempt to illuminate the nature of social class in modern society. For all those who downplay the importance of unequal social groups, it will be a revelation. "A powerful, cogent study that will provide an elevated basis for debates in the sociology of culture for years to come."—David Gartman, American Journal of Sociology "A major accomplishment! Combining cultural analysis and comparative approach with a splendid literary style, this book significantly broadens the understanding of stratification and inequality. . . . This book will provoke debate, inspire research, and serve as a model for many years to come."—R. Granfield, Choice "This is an exceptionally fine piece of work, a splendid example of the sociologist's craft."—Lewis Coser, Boston College
The Fear of French Negroes is an interdisciplinary study that explores how people of African descent responded to the collapse and reconsolidation of colonial life in the aftermath of the Haitian Revolution (1791-1845). Using visual culture, popular music and dance, periodical literature, historical memoirs, and state papers, Sara E. Johnson examines the migration of people, ideas, and practices across imperial boundaries. Building on previous scholarship on black internationalism, she traces expressions of both aesthetic and experiential transcolonial black politics across the Caribbean world, including Hispaniola, Louisiana and the Gulf South, Jamaica, and Cuba. Johnson examines the lives and work of figures as diverse as armed black soldiers and privateers, female performers, and newspaper editors to argue for the existence of "competing inter-Americanisms" as she uncovers the struggle for unity amidst the realities of class, territorial, and linguistic diversity. These stories move beyond a consideration of the well-documented anxiety insurgent blacks occasioned in slaveholding systems to refocus attention on the wide variety of strategic alliances they generated in their quests for freedom, equality and profit.
"A collection of essays that discuss representative eighteenth- and nineteenth-century French and English views of American democracy and society, and offer a critical assessment of various narrative constructions of American life, society, and culture"--Provided by publisher.
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