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Framing Identityexamines how Canadian women used photography as a social practice to establish identity. Specifically, Close studies the photographic practice of four, turn-of-the-twentieth-century women photographers: Mattie Gunterman (1872-1945), Geraldine Moodie (1854-1945), Ruby Gordon Peterkin (1887-1961), and Etta Sparks (1879-1917). From a revisionist point of view, it argues that photography is a social practice used by women professionals and amateurs as a vehicle to explore and establish identity. Framing Identitydefines photography as social practice and examines how women moved beyond making pictorial images to using photography as a form of speech to represent social issues. Key concepts and practices drawn from cultural analysis and issues related to identity, gender, post-colonialism, tourism and travel are mapped out. Close considers Gunterman’s photographs as a form of visual narrative within the context of the family album and the practice of amateur, women photographers. Moodie’s portraits of the Inuit are examined in terms of professional photographic practice and discourse on the representation of the Other. The book also analyzes the photographic albums of two Canadian army nurses, Peterkin and Sparks, who were stationed overseas during World War I. Close concludes her study with an overview of the history of women in photography in Canada and investigates various aspects of womens’ interaction with the medium.
This book analyzes top-down and bottom-up strategies of framing the nation and collective identities through commemorative practices relating to events from the Second World War and the 1990s "Homeland War" in Croatia. With attention to media representations of commemorative events and opinion poll data, it draws on interviews and participant observation at commemorative events to focus on the speeches of political elites, together with the speeches of opposition politicians and other social actors (such as the Catholic Church, anti-fascist organizations and war veterans’ and victims’ organizations) who challenge official narratives. Offering innovative approaches to researching and analyzing commemorative practices in post-conflict societies, this examination of a nation’s transition from a Yugoslav republic to an independent state – and now the newest member of the European Union – constitutes a unique case study for scholars of cultural memory and identity politics interested in the production and representation of national identities in official narratives.
Majismo, a cultural phenomenon that embodied the popular aesthetic in Spain from the second half of the eighteenth century, served as a vehicle to “regain” Spanish heritage. As expressed in visual representations of popular types participating in traditional customs and wearing garments viewed as historically Spanish, majismo conferred on Spanish “citizens” the pictorial ideal of a shared national character. In Framing Majismo, Tara Zanardi explores nobles’ fascination with and appropriation of the practices and types associated with majismo, as well as how this connection cultivated the formation of an elite Spanish identity in the late 1700s and aided the Bourbons’ objective to fashion themselves as the legitimate rulers of Spain. In particular, the book considers artistic and literary representations of the majo and the maja, purportedly native types who embodied and performed uniquely Spanish characteristics. Such visual examples of majismo emerge as critical and contentious sites for navigating eighteenth-century conceptions of gender, national character, and noble identity. Zanardi also examines how these bodies were contrasted with those regarded as “foreign,” finding that “foreign” and “national” bodies were frequently described and depicted in similar ways. She isolates and uncovers the nuances of bodily representation, ultimately showing how the body and the emergent nation were mutually constructed at a critical historical moment for both.
This pioneering study explores early medieval Frankish identity as a window into the formation of a distinct Western conception of ethnicity. Focusing on the turbulent and varied history of Frankish identity in Merovingian and Carolingian historiography, it offers a new basis for comparing the history of collective and ethnic identity in the Christian West with other contexts, especially the Islamic and Byzantine worlds. The tremendous political success of the Frankish kingdoms provided the medieval West with fundamental political, religious and social structures, including a change from the Roman perspective on ethnicity as the quality of the 'Other' to the Carolingian perception that a variety of Christian peoples were chosen by God to reign over the former Roman provinces. Interpreting identity as an open-ended process, Helmut Reimitz explores the role of Frankish identity in the multiple efforts through which societies tried to find order in the rapidly changing post-Roman world.
Buddhism is often portrayed as a universalising religion that transcends the local and directs attention toward a transcendent dharma. Yet, wherever Buddhism spreads, it also sparks local identity discourses that, directly or indirectly, root the dharma in native soil and history, and, in doing so, frame ‘the local’ in Buddhist discourse. Occasionally, notably in Japanese Shinto and Tibetan Bön, this localising variety of ‘framing of discourse’—here tentatively termed ‘nativism’—leads to the establishment of independent traditions that break free from Buddhism; yet, in other contexts, localising trends remain firmly embedded within Buddhism. In Challenging Paradigms: Buddhism and Nativism Teeuwen and Blezer offer a comparative study of localising responses to Buddhism in different Buddhist environments in Japan, Korea, Tibet, India and Bali.
How have new social media altered how individuals present themselves? What dilemmas have they introduced? In the age of Facebook, Twitter and other forms of instant communication, individuals are losing (or relinquishing) control over their personal information! Trottier provides a trenchant analysis of the paradoxes of privacy and the presentation of self in the early 21st century. This book is ideal for courses in Sociology, Media Studies and Communication.
This book analyses how national independence movements’ rhetoric can inflame or dampen ethnic violence. It examines the extent to the power of words matters when a region tries to break away to become a nation state. Using discourse analysis, this book examines how the process of secession affects internal ethnic relations and analyses how politicians interpret events and present arguments with the intention to mobilize their constituencies for independence. With in-depth case studies on the Slovenian, the Croatian and the Montenegrin independence movements, and by looking at cases from Indonesia and Spain, the author investigates how rhetoric affect internal ethnic relations during secession and how events and debate shape each other. The author demonstrates how in some cases of self-determination elites push for a higher level of sovereignty in the name of economic advancement, whereas in other cases, self-determination movements refer to ethnic identity and human rights issues. Explaining how and why certain discourses dominate some independence movements and not others, Secessionist Movements and Ethnic Conflict will be of interest to students and scholars of politics, history, nationalism, ethnic conflict and discourse analysis.
The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.