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Recreate the wild beauty and thriving ecology of meadows, prairies, woodlands, and streamsides in your own garden. In New Naturalism, horticulturist and modern plantsman Kelly D. Norris shares his inspiring, ecologically sound vision for home gardens created with stylish yet naturalistic plantings that mimic the wild spaces we covet—far from the contrived, formal, high-maintenance plantings of the past. Through a basic introduction to plant biology and ecology, you’ll learn how to design and grow a lush, thriving home garden by harnessing the power of plant layers and palettes defined by nature, not humans. The next generation of home landscapes don’t consist of plants in a row, pruned to perfection and reliant on pesticides, fertilizers, and herbicides to survive. Instead, today’s stunning landscapes convey nature’s inherent beauty. These gardens are imbued with romance and emotion, yet they have so much more to offer than their gorgeous aesthetics. Naturalistic garden designs, such as those featured in this groundbreaking new book, contribute to positive environmental change by increasing biodiversity, providing a refuge for wildlife, and reconnecting humans to nature. In the pages of New Naturalism you’ll find: Planting recipes for building meadows, prairies, and other grassland-inspired open plantings even in compact, urban settings Nature-inspired ways to upgrade existing foundation plantings, shrub beds, and flower borders to a wilder aesthetic while still managing the space Inspiration for taking sidewalk and driveway plantings and turning them into visually soft, welcoming spaces for humans and wildlife alike Ideas for turning shady landscapes into canopied retreats that celebrate nature Creative ways to make an ecologically vibrant garden in even the smallest of spaces New Naturalism approaches the planting beds around our homes as ecological systems. If properly designed and planted, these areas can support positive environmental change, increase plant and animal diversity, and create a more resilient space that’s less reliant on artificial inputs. And they do it all while looking beautiful and improving property values.
Stephen William Hawking, often hailed as one of the greatest scientific minds of the 20th and 21st centuries, profoundly influenced how we understand the universe. His groundbreaking work on black holes, the nature of time, and the origins of the universe not only revolutionized the field of theoretical physics but also ignited public curiosity about the cosmos. His distinctive approach to science, driven by curiosity and deep philosophical insight, allowed him to communicate complex ideas in a way that resonated with both academic communities and the general public. This book, Ideas of Stephen William Hawking: A Comprehensive Analysis, delves into his most significant contributions to science and his impact on our understanding of reality. Hawking's journey was as remarkable as his scientific achievements. Diagnosed with amyotrophic lateral sclerosis (ALS) at the age of 21, doctors gave him only a few years to live. Despite the physical limitations imposed by his condition, Hawking defied these expectations, living for more than five decades after his diagnosis. Through the assistance of technology and the support of his family and colleagues, Hawking continued his work and remained a leader in his field. His life became an embodiment of resilience and intellectual tenacity, inspiring millions around the globe. One of Hawking's most compelling philosophical ideas was Model Dependent Realism, which questioned the nature of reality itself. In his view, there is no single objective reality; rather, reality depends on the model we use to interpret it. This notion has profound implications for science and how we construct and interpret scientific theories. It suggests that our understanding of the universe will always be model-dependent, with no one model providing the definitive answer. This concept serves as a foundation for many of Hawking's explorations into black holes, quantum cosmology, and the nature of the universe.
In this book, Rojas explores comparatively the representations of deviant and criminal women in the late nineteenth and early twentieth centuries from Transatlantic perspectives in literary productions of the first-wave feminist writers of the New Woman movement and writers of Radical Naturalism. This work addresses how the writers' sex is relevant in depictions of social constructions of female characters and how they established a dialogue based on gender through the themes of 'femme fatale', marginal spaces, eugenics, and social Darwinism in the novels of Emilia Pardo Bazán's 'La piedra angular' (1891), 'La gota de sangre' (1911), and "Tio Terrones" (1920); Refugio Barragán de Toscano's 'La hija del bandido o los subterráneos del nevado' (1887); Federico Gamboa's 'Santa' (1903); Kate Chopin's (Katherine O'Flaherty) 'The Awakening' (1899); Thomas Hardy's 'Tess of the D'Urbervilles' (1891); and 'Grand's Ideala' (1888). There is a good volume of research on different aspects of these novels, but this book addresses issues of the social constructions of deviant and criminal women from an interdisciplinary and metatheoretical perspective often missed from established criticism. This work is not only reachable for the non-expertise reader, graduate, or undergraduate students but also it is sufficiently elaborated for the expert reader in different fields. It provides a detailed analysis of the social, historical, philosophical, and scientific background that shows how the treatment of the female characters converges and diverges from male and female writers of the New Woman and Radical Naturalism points of view. It can be a good contribution for references or classes in Hispanic studies, gender studies, women's studies, sexuality studies, nineteenth-century studies, and in other fields.
In New Naturalism, horticulturist and modern plantsman Kelly D. Norris shares his inspiring, ecologically sound vision for home gardens created with stylish yet naturalistic plantings that mimic the wild spaces we covet, such as meadows, prairies, woodlands, and streamsides—far from the contrived, formal, high-maintenance plantings of the past. Through a basic introduction to plant biology and ecology, you’ll learn how to design and grow a lush, thriving home garden by harnessing the power of plant layers and palettes defined by nature, not humans. The next generation of home landscapes don’t consist of plants in a row, pruned to perfection and reliant on pesticides, fertilizers, and herbicides to survive. Instead, today’s stunning landscapes convey nature's inherent beauty. These gardens are imbued with romance and emotion, yet they have so much more to offer than their gorgeous aesthetics. Naturalistic garden designs, such as those featured in this groundbreaking new book, contribute to positive environmental change by increasing biodiversity, providing a refuge for wildlife, and reconnecting humans to nature. In the pages of New Naturalism you’ll find: Planting recipes for building meadows, prairies, and other grassland-inspired open plantings even in compact, urban settings Nature-inspired ways to upgrade existing foundation plantings, shrub beds, and flower borders to a wilder aesthetic while still managing the space Inspiration for taking sidewalk and driveway plantings and turning them into visually soft, welcoming spaces for humans and wildlife alike Ideas for turning shady landscapes into canopied retreats that celebrate nature Creative ways to make an ecologically vibrant garden in even the smallest of spaces New Naturalism approaches the planting beds around our homes as ecological systems. If properly designed and planted, these areas can support positive environmental change, increase plant and animal diversity, and create a more resilient space that's less reliant on artificial inputs. And they do it all while looking beautiful and improving property values.
The Blackwell Companion to Naturalism provides a systematic introduction to philosophical naturalism and its relation to other schools of thought. Features contributions from an international array of established and emerging scholars from across the humanities Explores the historical development of naturalism and its ascension to the dominant orthodoxy in the Western academy Juxtaposes theoretical criticisms with impassioned defenses, encapsulating contemporary debates on naturalism Includes discussions of metaphysics, realism, feminism, science, knowledge, truth, mathematics, free will, and ethics viewed through a naturalist lens
Shortlisted for the STR Theatre Book Prize 2023 A manifesto for the future of playwriting, this book challenges you to be a part of that future in the belief that it is fundamentally important to write plays. Plays help us understand ourselves, others, and the world around us. Reading this book, you will be challenged to learn your craft, explode what you know, prioritise what is important to you, and write in the way that only you can write. Most books on playwriting explain how to create a believable character in a story driven by plot. This book, however, goes even further in its exploration of the playwright's most valuable tool: theatricality. By learning from the past, and the present, the playwrights of tomorrow can create new, vivid, theatrical drama for the future. This manifesto also examines the process of writing, the art of collaboration, and the impact of writing on a playwright's mental health. It identifies the highs and lows, as well as the trials and tribulations, of life as a playwright in today's world. Theatre is a living artform. It is time for playwrights to acknowledge that fact and to celebrate the unique, primal thrill that a live theatre experience offers us. The future of playwriting is in your hands. Do you accept the challenge?
This book makes a case for cultural naturalism as a basis for a philosophy of art education. It argues for a holistic approach that avoids hard boundaries between artistic disciplines in the educational context, applying cultural naturalism to challenges that are topical for the whole art(s) education field, including challenges related to ecology, social justice, and technological transformation of culture. The book is written in the form of a conditional argument that considers the consequences of cultural naturalism for today’s philosophical problem-solving in art(s) education. It contains a systematic and historical analysis of cultural naturalism that support the philosophical reflection of educators and other scholars operative in this field. The result is a late modern reading of Deweyan cultural naturalism that highlights the continuance of key philosophical ideas from the modern to present discourses. The key topics discussed are of particular interest to present-day art(s) educators: ecological sustainability, social justice, and technological transformation of culture. In addition, this book provides an example of pragmatist argumentation, suggesting an alternative to analytical and post-philosophical approaches.
This Companion examines a number of issues related to the terms realism and naturalism. The introduction seeks both to discuss the problems in the use of these two terms in relation to late nineteenth-century fiction and to describe the history of previous efforts to make the terms expressive of American writing of this period. The Companion includes ten essays which fall into four categories: essays on the historical context of realism and naturalism by Louis Budd and Richard Lehan; essays on critical approaches to the movements since the early 1970s by Michael Anesko, essays on the efforts to expand the canon of realism and naturalism by Elizabeth Ammons; and a full-scale discussion of ten major texts, from W. D. Howell's The Rise of Silas Lapham to Jack London's The Call of the Wild, by John W. Crowley, Tom Quirk, J. C. Levenson, Blanche Gelfant, Barbara Hochman, and Jacqueline Tavernier-Courbin.
A compelling contribution to 'science and religion' debates, showing how early modern thinkers reconciled naturalism with a providential world view.