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The fourth and final volume of Michel Leiris’s renowned autobiography, now available in English for the first time, translated by Richard Sieburth Ex-surrealist and maverick anthropologist Michel Leiris (1901–1990) crafted his multivolume autobiography over the course of thirty-five years, profoundly influencing generations of French writers, from Sartre and Beauvoir to Modiano and Ernaux. In this fourth and final volume, Richard Sieburth completes the project of bringing Leiris’s monumental experiment in self-portraiture into English. With wit and playfulness, Leiris assembled a scrapbook of fragments—journal extracts, travel notes, transcriptions of dreams, poems—to document the vagaries of a life committed to the difficult marriage of poetry and revolutionary politics, which he witnessed firsthand in Mao’s China, Castro’s Cuba, and on the Paris streets in May ’68. Frail Riffs is a jazz improvisation on the twilight of a life, at once a painstaking self-examination and a chronicle of a century. As Leiris wrote, it is “neither a private diary nor a formal work, neither an autobiographical narrative nor a work of the imagination, neither prose nor poetry, but all this at the same time. . . . A perpetual work in progress.&rdquo
From the author of Bough Down, a found, collaged and lovingly amended inquiry into how women disappear Artist and writer Karen Green's second book originated in a search for a woman who had vanished: her Aunt Constance whom Green knew only from a few family photos and keepsakes. In her absence, Green has constructed an elliptical arrangement of artifacts from an untold life. In this rescued history, Green imagines for her aunt a childhood in which she is bold, reckless, perspicacious, mischievous; an adolescence ripe with desire and scarred by violation and loss; and an adulthood in which she strives to sing above the incessant din of violence. Constance--one half of a sister duo put to work performing as musical prodigies in the dirt-poor town of Oil City, Pennsylvania. during the Great Depression--escapes as a teenager to the USO and tours a ravaged Italy during World War II. Soon after she returns to an unsparing life in New York City, she disappears. Green traces her dissolution in a deftly composed trove of letters Constance writes to her beloved sister and those she receives from dozens of men smitten by her stage persona, along with her drawings, collages and altered photographs. Though told mostly from Constance's point of view, Frail Sister is also haunted by the voices of the transient, the absent and the dead. The letters (a few real, many invented) expose not only the quotidian reality of war but also the ubiquitous brutality it throws into relief. Nimble, darkly funny and poignant, Frail Sister is possessed by the disappeared, giving voice to the voiceless, bringing into a focus a life disintegrating at every edge.
The Routledge Companion to Popular Music Analysis: Expanding Approaches widens the scope of analytical approaches for popular music by incorporating methods developed for analyzing contemporary art music. This study endeavors to create a new analytical paradigm for examining popular music from the perspective of developments in contemporary art music. "Expanded approaches" for popular music analysis is broadly defined as as exploring the pitch-class structures, form, timbre, rhythm, or aesthetics of various forms of popular music in a conceptual space not limited to the domain of common practice tonality but broadened to include any applicable compositional, analytical, or theoretical concept that illuminates the music. The essays in this collection investigate a variety of analytical, theoretical, historical, and aesthetic commonalities popular music shares with 20th and 21st century art music. From rock and pop to hip hop and rap, dance and electronica, from the 1930s to present day, this companion explores these connections in five parts: Establishing and Expanding Analytical Frameworks Technology and Timbre Rhythm, Pitch, and Harmony Form and Structure Critical Frameworks: Analytical, Formal, Structural, and Political With contributions by established scholars and promising emerging scholars in music theory and historical musicology from North America, Europe, and Australia, The Routledge Companion to Popular Music Analysis: Expanding Approaches offers nuanced and detailed perspectives that address the relationships between concert and popular music.
Angus Young, the co-founder and the last surviving original member of AC/DC, has for more than 40 years been the face, sound and sometimes the exposed backside of the trailblazing rock band. In his trademark schoolboy outfit, guitar in hand, Angus has given his signature sound to songs such as ‘A Long Way to the Top’, ‘Highway to Hell’ and ‘Back in Black’, helping AC/DC become the biggest rock band on the planet. High Voltage is the first biography to focus exclusively on Angus. It tells of his remarkable rise from working-class Glasgow and Sydney to the biggest stages in the world. The youngest of eight kids, Angus always seemed destined for a life in music, and it was his passion and determination that saw AC/DC become hard rock’s greatest act. Over the years, Angus has endured the devastating death of iconic vocalist Bon Scott, the forced retirement of his brother in arms, Malcolm Young, and more recently the loss from the band of singer Brian Johnson and drummer Phil Rudd. Yet somehow the little guitar maestro has kept AC/DC not just on the rails, but at the top of the rock pile. ‘High Voltage is a great read, easy to whip through and take in, but it doesn’t leave you feeling short-changed, it simply opens your thoughts up to: what if there were more?’ —Shane Murphy, Daily Review ‘Apter’s lively and highly readable biography . . . is an inspiring story. Angus was the son of Scottish migrants, brother of one of the Easybeats, who gave up a printing apprenticeship to pursue his dream of being a rock star.’ —Daily Telegraph ‘A GRIPPING new book about AC/DC schoolboy guitarist Angus Young charts the carnage around the supergroup from wild groupies, violent fist-fights, tragic fans’ deaths – and even being linked to a serial killer.’ —Scottish Sun
Not since A Separate Peace has the world of prep school and tortured adolescence been portrayed with the sensitivity and authenticity that distinguish this novel by a former headmaster of the prestigious Lawrence-ville School, near Princeton. All loves Excelling is a story of the fierce competition for admission to select colleges, of the equally fierce ambition of parents and school authorities--and how they combine to wreak havoc on one teenager and her family.
Roots rock, Americana, alt country: what are they and why do they matter? Americans have been trying to answer these questions for as long as the music bearing these labels has existed. Music can function as an escape from the outside world or as an explanation of that world. Listeners who identify with the music’s message may shape their social understandings accordingly. Rock critics like Greil Marcus and Peter Guralnick, the titans of rock criticism, tap this fluid dichotomy, considering the personal appeal of roots music alongside national ideals of democracy and selfhood. So too do many other critics, novelists, and fans, explaining to themselves and us how music forms our selves and the communities we seek out and build up. In It’s Just the Normal Noises, Timothy Gray examines a wide array of writing about roots music from the 1960s to the 2000s. In addition to chapters on the genre-defining work of Guralnick and Marcus, he explores the influential writings of Grant Alden and Peter Blackstock, the editors of No Depression magazine, and the writers who contributed to its pages, Bill Friskicks-Warren, Ed Ward, David Cantwell, and Allison Stewart among them. A host of memoirists and novelists, from Patti Smith and Ann Powers to Eleanor Henderson and Dana Spiotta, shed light on the social effects and personal attachments of the music’s many manifestations, from punk to alt country to hardcore. The ambivalent attitudes of rock musicians toward success and failure, the meaning of soul, the formation of alternative communities through magazine readership, and the obsession of Generation X scenes with DIY production values wend through these works. Taking a personal approach to the subject matter, Gray reads criticism and listens to music as though rock ‘n’ roll not only explains American culture, but also shores up his life. This book is for everyone who’s heard in roots rock the sound of an individual and a nation singing themselves into being.
Cover -- Half-title -- Title -- Copyright -- Contents -- Translator's Note -- La Fière, la fière -- I -- II -- III -- IV
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.