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Step-by-step instructions for more than 40 projects.
Once an integral feature of the culture and economy of the St. Francis Abenaki at Odanak, splint basketry has become an activity of the elderly. This volume examines the reasons for this change as indicated by alterations to basketry style and construction between 1880 and the present and the influence of historical events.
In the mid-nineteenth century the indigenous Potter Valley Pomo resided in large sedentary villages in Potter Valley, California, and travelled seasonally throughout an extensive territory in what are now Mendocino and Lake Counties. Beginning in 1890 what would become nearly a half century of ethnographic research among members of this community, homeopathic doctor and amateur anthropologist John W. Hudson witnessed the aftermath of their dislocation and dispersal from the valley following the arrival of non-indigenous settlers. Although never published, his fieldnotes contained an unparalleled dataset on plant use by a single local indigenous community in California. In this richly illustrated monograph the author presents and interprets this historical ethnobotanical information in order to provide new insights into Potter Valley Pomo society and its relationship to the Northern California landscape.
The work of nine preeminent contemporary Mi’kmaw artists Mi’kmaw artists are creating a wide range of imaginative and beautiful work using the skills and traditions of basketry weaving given to them by their elders and ancestors. In this book, nine artists present their work and their stories in their own words. Their unique artistic practices reflect their relationships to the natural world around them and their abilities to create unique and beautiful objects using a mix of traditional and contemporary materials and forms. Each artist's account of their background and practice is introduced by editor shalan joudry. Their words stand alongside examples of their art, photographed in their studios by Holly Brown Bear. Award-winning filmmaker and activist Catherine Anne Martin's introduction to the book offers a history of the art form and its cultural importance. This book is a milestone in creating awareness of and celebrating a group of important contemporary artists working today in Mi’kma'ki, the traditional territory which embraces Nova Scotia, New Brunswick, Prince Edward Island and portions of Quebec. Featured artists: Peter J. Clair, Elsipogtog First Nation, New Brunswick. Virick Francis, Eskasoni First Nation, Nova Scotia. Stephen Jerome, Gesgapegiag, Quebec. Della Maguire, Glooscap First Nation, Nova Scotia. Frank Meuse, L'sitkuk First Nation (Bear River), Nova Scotia. Margaret Pelletier, We'koqma'q First Nation, Nova Scotia. Sandra Racine, Elsipogtog First Nation, New Brunswick. Nora Richard, Lennox Island, Prince Edward Island. Ashley Sanipass, Indian Island, New Brunswick.
Describes 30 easy-to-make decorative projects.