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In times of war and in peace, from the earliest days of the Roman Empire to our own, Westerners have journeyed to the lands of the middle east, bringing back accounts of their adventures and impressions. Yet it was never a one way exchange. From the first Arab embassy to the Vikings in the 9th century to the internet musings of the Taliban, A Middle East Mosaic collects a rich, boisterous literature of cultural exchange. We see the American Revolution through the eyes of a Moroccan Ambassador and the French Revolution through a series of Imperial Ottoman proclamations. We find surprising portraits of Napoleon ("a brigand chief"), TE Lawrence and Ataturk. We learn what George Washington and Machiavelli through t of Turkish politics and hear Flaubert and Thackeray rail against eastern crime and punishment. We peer into Voltaire's business correspondence and follow the footsteps of Mark Twain, Richard Burton, Gertrude Bell and Ibn Battutta, the Marco Polo of the east. Great discoveries are recorded - an Egyptian Ambassador is introduced to electricity and dismisses the spectacle as "frankish trickery;" another pronounces the invention of a secure mail system most useful for assignations. We enter the harem with a 16th century organ maker and emerge with Ottoman reform. It was not until the sixteenth century that the first middle eastern rulers entered into diplomatic relations with European rulers, but trade often precede diplomatic relations. Business men from the days of the crusades against Saladin to the oil prospecting of Samuel Cox and his descendents have seen great possibilities in the markets of the middle east. And throughout the centuries we have been united by war. We witness the outbreak of the Crimean war with Karl Marx and enter Egypt with Napoleon. We observe Arab customs with George Patton and visit Baghdad and Cairo with George F. Kennan in the second world war. When Usama bin Ladin rails against "Jews and crusaders" occupying the holy land, he is rehearsing a grievance with a long history. This symphony of voices, full of wit and wisdom, spite and wonder, suspicion, befuddlement and occasional insight, is ordered and explained by our foremost living historian of the middle east. The fruit of a lifetime of scholarship and erudition, A Middle East Mosaic is a dazzling capstone to a brilliant career. In a spirited reappraisal of western views of the east and eastern views of the west over the last two thousand years, Bernard Lewis gives us a brilliant over-view of 2,000 years of commerce, diplomacy, war and exploration. This book is a delight, a treasury of stories drawn from letters, diaries and histories, but also from unpublished archives and previously untranslated accounts. Diplomats and interpreters, slaves, soldiers, pilgrims and missionaries, princes and spies, businessmen, doctors and priests all pour forth their stories of the people and events that shaped history. A Middle East Mosaic cannot fail to appeal to anyone with an appetite for history and a curiosity about the vagaries of cultural exchange.
"Fragments to Mosaic" is a book for everyone interested in education especially math education. The principles described and explained are transferable to other subjects. Many people suffer from fragmented understanding. They often fail to clearly see the big picture. Here, students, teachers, parents, and school administrators can find hope, encouragement and direction. Many thought provoking cartoon illustrations make the message more appealing and understandable than the average book on pedagogy. The book provides the Why, What, and How of a method of teaching that begins with student perceptions, emphasizes conceptual connections, and develops holistic understanding while fostering critical thinking and problem solving skills. Care has been given to point out key differences between this method and more common methods of teaching. Readers will discover how more can be learned better in less time when teachers study, learn, and practice this "art."
A collection of ideas and inspirations using the Reticula and Fragments concept of creating Zentangle art.
4. Way out west: Contested identities.
Not a step-by-step guide or a how-to book, but merely a collection of photographs, documenting the work of 42 international mosaic artists, designed to inspire. There are a wide range of projects including commercial, home decor and outlets for creative impulses.
Among the subjects covered here are prayer, the Eucharist, discipleship, the priesthood, remembrance and taking time to be with God.
“Of greatest use to beginners. The dozen projects will introduce first-time mosaicists to the art without...frustration.”—Booklist “You’ll never look at a shard of glass in the same way again.”—Glass Craftsman Innovative techniques, in tandem with striking and original designs, will make you revel in the creative pleasure of fashioning beautiful mosaics. An overview covers four basic mosaic methods: pique assiette, which uses fragments from plates, mugs, and pictures; direct (just lay it down and glue); indirect, where the work is done on a temporary surface before being cemented; and three dimensional applications. Magically transform everyday objects into art by replacing a standard kitchen counter with one covered in fragments of stone, glass, and pottery, or turning a simple lamp into a finely crafted sculpture. For additional inspiration, 50 artists provide invaluable hints and tricks of the trade.
From the acclaimed author of the Anderson & Costello series, a compelling standalone psychological thriller. Megan Melvick has returned home after a three-year absence to visit her dying sister, Melissa, for the last time. As she approaches the grand Scottish country estate where she grew up, the memories come flooding back. Just what did happen on the night of Melissa’s wedding five years before? Where has Megan and Melissa’s mother disappeared to? And why does Melissa whisper that solitary word before she finally slips away: Sorry. In order to overcome her demons, Megan must confront her painful recollections of that terrible night, the night of Melissa’s wedding. The night somebody died. But can she really trust her memories? And who is it who’s determined that she should forget ...?
More than 30 historic mosaics feature works by Gaudí from Barcelona's Park Güell plus ancient Roman and Islamic art. Sources include synagogues, Christian basilicas, and mosques in Tunis, Ravenna, Venice, and Jerusalem.