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The growing interest in fragmentalism is one of the most exciting trends in philosophy of time and is gradually reshaping the contemporary debate. Providing an extensive interpretation of this view, Samuele Iaquinto and Giuliano Torrengo articulate a novel theory of the passage of time and argue that it is the most effective in vindicating the inherent dynamism of reality. Iaquinto and Torrengo offer the first full-range application of fragmentalism to a number of metaphysical topics, including the open future, causation, the A-theoretic interpretation of special relativity and time travel. The resulting picture, they argue, conveys the potential of a radically new understanding of time.
In a major challenge to African philosophy, this book demonstrates the importance of the universalisation question for every committed African philosopher. Rooted in Africa’s colonial legacy, the universalisation question challenges the African thinker to show how authentically African philosophical concepts and phenomena can be universally applicable in a globalising world. In this highly original book, the author inserts the philosophy of consolationism into African philosophical discourse, constructing a unique philosophical system that is at once African and universally relevant. The book engages major African and Western philosophers of diverse ideological leanings in a compelling dialogue that announces the future of world philosophy as one of interculturality, in which a common philosophical horizon is forged out of the cultural diversities of the world for the edification of humanity in a continually changing world. This book will be an important read for researchers in the fields of African Studies, intercultural philosophy, philosophy of mind, and existentialism.
"If one takes a panoramic view of Hegel's entire philosophical endeavor—the endeavor to come to grips with and to be committed to reality in the concrete—one is struck by one inescapable idea: The Hegelian enterprise is an extraordinarily unified and grandiose attempt to elaborate one concept, which Hegel sees as the root of all intelligibility—the concept of God, whatever that term is going to turn out to mean... "...The question with which we are faced ... is neither whether Hegel is correct in what he says nor whether his interpreters are justified in what they say of him. Rather the question is one of finding out just what Hegel does say and of determining what impact that can have on our own thinking... "...Why, then, the 'Concept of God'? The answer is to be found in the culmination of the entire Hegelian system, 'The Philosophy of Absolute Spirit.' Only in the light of 'absolute Spirit' is anything Hegel says intelligible ... in Hegel's view, 'absolute Spirit' is in fact to be identified with God and that, therefore, only if Hegel's 'Concept of God' is intelligible, will anything Hegel says be intelligible." — from the Introduction
This book defends a relational theory of the passage of time. The realist view of passage developed in this book differs from the robust, substantivalist position. According to relationism, passage is nothing over and above the succession of events, one thing coming after another. Causally related events are temporally arranged as they happen one after another along observers’ worldlines. There is no unique global passage but a multiplicity of local passages of time. After setting out this positive argument for relationism, the author deals with five common objections to it: (a) triviality of deflationary passage, (b) a-directionality of passage, (c) the impossibility of experiencing passage, (d) fictionalism about passage, and (e) the incompatibility of passage with perduring objects. Relational Passage of Time will appeal to scholars and advanced students working in philosophy of time, metaphysics, and philosophy of physics.
With reference to India.
European Film Theory explores the ‘Europeanness’ of European film theory, its philosophical origins, the ‘culture wars’ between ‘Continental’ and ‘Analytical’ film theory and philosophy, the major discursive and epistemological shifts in the history of Continental film theory, the relationship between Continental philosophy of art and philosophy of history and European film theory. Writing from a range of disciplines and perspectives, the contributors to this new volume in the AFI FILM READERS series offer fresh interpretations of European film theorists and illuminate the political potential of European film theory.
At a time when people are increasingly considering themselves "spiritual but not religious," Wading in Water speaks of spirituality as an individual's connection to a greater whole. Hence, the process of coming to know what we call God is also the process of knowing oneself. Thinking comprehensively, spirituality involves what is, what can be, and what ought to be. When activity, rationality, and morality are infused with creativity and imagination, meaning that when body, mind, and soul are inspirited or harmonious with Spirit, spirituality is authentic, healthy, and vital. Healthy spirituality is integrative, both individually and corporately, in that it emerges from wholeness and yearns for wholeness. How do we know if we are on a path to increased wholeness? When we experience not only individual well-being, but help generate the same well-being toward others. In other words, wholesome self-love leads to greater love for others and for all of life. While Wading may be seen as a text on spirituality, its uniqueness is its connection of spirituality with creative arts such as poetry, literary allegory, film, music, theatre, drama, and dance. Wading is not a comprehensive study, for the purpose is to promote the enrichment of life through beauty, creativity, diversity, risk-taking, newness, serendipity, and synchronicity, joint features of spirituality and the arts. Like its companion text, Walking on Water, this volume is useful for individual or group study. Each chapter concludes with questions suitable for discussion or reflection.
The growing interest in fragmentalism is one of the most exciting trends in philosophy of time and is gradually reshaping the contemporary debate. Providing an extensive interpretation of this view, Samuele Iaquinto and Giuliano Torrengo articulate a novel theory of the passage of time and argue that it is the most effective in vindicating the inherent dynamism of reality. Iaquinto and Torrengo offer the first full-range application of fragmentalism to a number of metaphysical topics, including the open future, causation, the A-theoretic interpretation of special relativity and time travel. The resulting picture, they argue, conveys the potential of a radically new understanding of time.
In the mid-2010s, a passionate community of Los Angeles-based storytellers, media artists, and tech innovators formed around virtual reality (VR), believing that it could remedy society’s ills. Lisa Messeri offers an ethnographic exploration of this community, which conceptualized VR as an “empathy machine” that could provide glimpses into diverse social realities. She outlines how, in the aftermath of #MeToo, the backlash against Silicon Valley, and the turmoil of the Trump administration, it was imagined that VR—if led by women and other marginalized voices—could bring about a better world. Messeri delves into the fantasies that allowed this vision to flourish, exposing the paradox of attempting to use a singular VR experience to mend a fractured reality full of multiple, conflicting social truths. She theorizes this dynamic as unreal, noting how dreams of empathy collide with reality’s irreducibility to a “common” good. With In the Land of the Unreal, Messeri navigates the intersection of place, technology, and social change to show that technology alone cannot upend systemic forces attached to gender and race.
This English translation of Giorgio Buccellati’s ambitious work offers readers an insightful discussion of ancient Mesopotamian religion and spirituality in its relationship to the biblical ethos. Our understanding of ancient Mesopotamian religion, while shaped by a wealth of archaeological, artistic, and epigraphic evidence, remains limited with regard to a proper hermeneutic approach. In this volume, Buccellati sheds light on the spirituality of Mesopotamian polytheism by drawing comparisons with that of biblical monotheism. These comparisons are used to better understand the divine-human relationship in the Mesopotamian context, as both individuals and members of a wider community. In addition, Buccellati provides detailed discussions on divination and the central role of fate in ancient Mesopotamia. Buccellati’s understanding of Mesopotamian religion and spirituality as illuminated by biblical texts, now available to an Anglophone audience, offers much food for thought on this challenging subject. "When on High the Heavens...": Mesopotamian Religion and Spirituality with Reference to the Biblical World provides a wide-ranging and thorough exploration of Mesopotamian religion for students, scholars, and researchers in Near Eastern archaeology and history, biblical studies, and the history of religion and spirituality.