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With the rise and rise of social media, today’s communication practices are significantly different from those of even the recent past. A key change has been a shift to very small units, exemplified by Twitter and its strict 280-character limit on individual posts. Consequently, highly fragmented communication has become the norm in many contexts. Fragmented Narrative sets out to explore the production and reception of fragmentary stories, analysing the Twitter-based narrative practices of Donald Trump, the Spanish political movement Podemos, and Egyptian activists writing in the context of the 2013 military intervention in Egypt. Sadler draws on narrative theory and hermeneutics to argue that narrative remains a vital means for understanding, allowing fragmentary content to be grasped together as part of significant wholes. Using Heideggerian ontology, he proposes that our capacity to do this is grounded in the centrality of narrative to human existence itself. The book strives to provide a new way of thinking about the interpretation of fragmentary information, applicable both to social media and beyond. Contributing to the emerging literature in existential media studies, this timely volume will interest students, scholars and researchers of narrative, new media and language and communication studies.
Chase the bears, spot the numbers and learn to count in this crazy caper. Math has never been so fun!
A landmark book, “brilliant, thoughtful” (The Atlantic) and “raw and gorgeous” (LA Times), that fast-forwards the discussion of the central artistic issues of our time, from the bestselling author of The Thing About Life Is That One Day You'll Be Dead. Who owns ideas? How clear is the distinction between fiction and nonfiction? Has the velocity of digital culture rendered traditional modes obsolete? Exploring these and related questions, Shields orchestrates a chorus of voices, past and present, to reframe debates about the veracity of memoir and the relevance of the novel. He argues that our culture is obsessed with “reality,” precisely because we experience hardly any, and urgently calls for new forms that embody and convey the fractured nature of contemporary experience.
Suppose I were to begin by saying that I had fallen in love with a color . . . A lyrical, philosophical, and often explicit exploration of personal suffering and the limitations of vision and love, as refracted through the color blue. With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists. Maggie Nelson is the author of numerous books of poetry and nonfiction, including Something Bright, Then Holes (Soft Skull Press, 2007) and Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007). She lives in Los Angeles and teaches at the California Institute of the Arts.
A beautifully crafted and inviting account of one woman’s life, Safekeeping offers a sublimely different kind of autobiography. Setting aside a straightforward narrative in favor of brief passages of vivid prose, Abigail Thomas revisits the pivotal moments and the tiny incidents that have shaped her life: pregnancy at 18; single motherhood (of three!) by the age of 26; the joys and frustrations of three marriages; and the death of her second husband, who was her best friend. The stories made of these incidents are startling in their clarity and reassuring in their wisdom. This is a book in which silence speaks as eloquently as what is revealed. Openhearted and effortlessly funny, these brilliantly selected glimpses of the arc of a life are, in an age of excessive confession and recrimination, a welcome tonic.
"Verónica Gerber writes with a luminous intimacy; her novel is clever, vibrant, moving, profoundly original. Reading it made me feel as if the world had been rebuilt." —Francisco Goldman "From the very beginning, Verónica Gerber set out to write a novel that would end up at a loss for words. She alone could achieve this feat: because she's a visual artist who takes everything she reads in as concentric circles threaded with color, and because she writes essays on painters who write across canvasses and writers who paint plots from the realities of life. . . . She alone could bring the necessary silence to a novel so perfect it ended up leaving me speechless as well." —Jorge F. Hernández How do you draw an affair? A family? Can a Venn diagram show the ways overlaps turn into absences, tree rings tell us what happens when mothers leave? Can we fall in love according to the hop skip of an acrostic? Empty Set is a novel of patterns, its young narrator's attempt at making sense of inevitable loss, tracing her way forward in loops, triangles, and broken lines. Verónica Gerber Bicecci is a visual artist who writes. In 2013 she was awarded the third Aura Estrada prize for literature. She is an editor with Tumbona Ediciones, a publishing cooperative with a catalogue that explores the intersections between literature and art.
A deep dive into the world of online and multimedia longform storytelling, this book charts the renaissance in deep reading, viewing and listening associated with the literary mind, and the resulting implications of its rise in popularity. David O. Dowling argues that although developments in media technology have enabled the ascendance of nonfictional storytelling to new heights through new forms, it has done so at the peril of these intensely persuasive designs becoming deployed for commercial and political purposes. He shows how traditional boundaries separating genres and dividing editorial from advertising content have fallen with the rise of media hybridity, drawing attention to how the principle of an independent press can be reformulated for the digital ecosystem. Immersive Longform Storytelling is a compelling examination of storytelling, covering multimedia features, on-demand documentary television, branded digital documentaries, interactive online documentaries, and podcasting. This book’s focus on both form and effect makes it a fascinating read for scholars and academics interested in storytelling and the rise of new media.
From the award-winning, bestselling author of Addition and Nine Days, a superbly crafted and captivating literary mystery about a lost book and a secret love.
"Hypnotic . . . a profoundly rewarding read." Kurt Vonnegut
The book is concerned with narrative in digital media that changes according to user input—Interactive Digital Narrative (IDN). It provides a broad overview of current issues and future directions in this multi-disciplinary field that includes humanities-based and computational perspectives. It assembles the voices of leading researchers and practitioners like Janet Murray, Marie-Laure Ryan, Scott Rettberg and Martin Rieser. In three sections, it covers history, theoretical perspectives and varieties of practice including narrative game design, with a special focus on changes in the power relationship between audience and author enabled by interactivity. After discussing the historical development of diverse forms, the book presents theoretical standpoints including a semiotic perspective, a proposal for a specific theoretical framework and an inquiry into the role of artificial intelligence. Finally, it analyses varieties of current practice from digital poetry to location-based applications, artistic experiments and expanded remakes of older narrative game titles.