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This companion to the Classical Quarterly contains reviews of new work dealing with the literatures and civilizations of ancient Greece and Rome. Over 300 books are reviewed each year.
Although there are many works dealing with Pompeii and Herculaneum, none of them try to encompass the entire spectrum of material related to its reception in popular imagination. Pompeii’s Ashes surveys a broad variety of such works, ranging from travelogues between ca. 1740 and 2010 to 250 years of fiction, including stage works, music, and films. The first two chapters provide an in-depth analysis of the excavation history and an overview of the reflections of travelers. The six remaining chapters discuss several clearly-defined genres: historical novels with pagan tendencies, and those with Christians and Jews as protagonists, contemporary adventures, time traveling, mock manuscripts, and works dedicated to Vesuvius. “Pompeii’s Ashes” demonstrates how the eternal fascination with the oldest still-running archaeological projects in the world began, developed, and continue until now.
Themistius' treatment of Books 5-8 of Aristotle's Physics shows this commentator's capacity to identify, isolate and discuss the core ideas in Aristotle's account of change, his theory of the continuum, and his doctrine of the unmoved mover. His paraphrase offered his ancient students, as they will now offer his modern readers, an opportunity to encounter central features of Aristotle's physical theory, synthesized and epitomized in a manner that has always marked Aristotelian exegesis but was raised to a new level by the innovative method of paraphrase pioneered by Themistius. Taking selective but telling accounts of the earlier Peripatetic tradition (notably Theophrastus and Alexander of Aphrodisias), this commentator creates a framework that can still be profitably used by Aristotelian scholars today.
This edition of On Poems by Philodemus (c. 110-35 BC) reconstitutes the original sequence of the 200 existing fragments, according to a new method, while exploiting previously unknown manuscript sources and new techniques for reading the extant pieces. In thus restoring this important aesthetic treatise from antiquity, it makes a major addition to the corpus of classical literature.