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Fragile Resonance describes the paths carers take as they make meaning of their experiences and find a sense of moral purpose to sustain them and guide their decisions. When a parent or partner becomes frail or disabled, often a family member assumes responsibility for their care. But family care is a physically and emotionally exhausting undertaking. Carers experience moments of profound connection as well as pain and grief. Carers ask themselves questions about the meaning of family, their entitlement to support, and their capacity to understand and sympathize with another person's pain. Based on his research gathering stories of family carers in Japan and England, Jason Danely traces how care transforms individual sensibilities and the roles of cultural narratives and imagination in shaping these transformations, which persist even after the care recipient has died. Throughout Fragile Resonance, Danely examines the implications of unpaid carer's experiences for challenging and enhancing social policies and institutions, highlighting innovative alternatives grounded in the practical ethics of care.
Certain philosophers of Antiquity compared the world to a large animal; but if the world were an animal, it would have a skin similar to the skin that envelops each living being and gives it unity. The world is neither an animal nor a machine but an interminable jumble whose destination is nothing other than the maelstrom in which the very idea of the world slips away. The world has no skin other than the turbulence that makes histories, customs, moments of grandeur and decadence. Because it is not a skin, this extension of space-time is much more fragile than the skins that are already always fragile, because everything here touches its extremities. The world is everything that passes between us – ourselves and everything that happens to us, everything that becomes of our contacts, our gazes, our movements; and through referrals from skin to skin, from the fleeting to the immemorial, you reach, without even knowing it, the entire actuality of the world: the act of its existence. This act is made up of works and disasters, splendours, horrors, and catastrophes. As long as it is ours, it is the act of an infinite emergence that is all the sense there is: a sense that incessantly goes from skin to skin and is itself never enveloped by anything. The texts in this volume are all oriented by the concern for what is currently happening to us – we, late humanoids – when we arrive at an extremity of our history, whether this extremity should turn out to be a stage, a rupture, or quite simply a last breath.
X-Linked Genetic Diseases: Advances in Research and Treatment: 2011 Edition is a ScholarlyPaper™ that delivers timely, authoritative, and intensively focused information about X-Linked Genetic Diseases in a compact format. The editors have built X-Linked Genetic Diseases: Advances in Research and Treatment: 2011 Edition on the vast information databases of ScholarlyNews.™ You can expect the information about X-Linked Genetic Diseases in this eBook to be deeper than what you can access anywhere else, as well as consistently reliable, authoritative, informed, and relevant. The content of X-Linked Genetic Diseases: Advances in Research and Treatment: 2011 Edition has been produced by the world’s leading scientists, engineers, analysts, research institutions, and companies. All of the content is from peer-reviewed sources, and all of it is written, assembled, and edited by the editors at ScholarlyEditions™ and available exclusively from us. You now have a source you can cite with authority, confidence, and credibility. More information is available at http://www.ScholarlyEditions.com/.
Art today is an increasingly multifaceted phenomenon,encompassing transgressive works that intervene in war and ecological disasters, in inequalities and revolutionary changes in technology.Carnal Aesthetics is a fascinating new examination of this aspect of contemporary visual culture. Employing recent theories of transgressive body imagery,trauma, affect and sensation,it provides a fresh look at the meeting point between the politics of representation and the politics of perception through the prismatic lens of feminist theory. Acclaimed scholars analyse a wide range of seminal case studies coming from different media:digital photography,painting,video,film and multimedia art. They explore here a number of transgressive movements that significantly reconfigure the relationship between the body and the image. Unlike other books on the complex relationship between politics and aesthetics,Carnal Aesthetics seeks to provide a novel approach to art and culture by challenging the primacy of vision and by injecting an intersectional perspective into the fields of visual studies,film and media studies,as well as trauma studies. It is a significant contribution across these dynamic fields of exploration for scholars who deal with the socio-political nature of contemporary visual culture in their work.
The Oxford Mid-Century Studies series publishes monographs in several disciplinary and creative areas in order to create a thick description of culture in the thirty-year period around the Second World War. With a focus on the 1930s through the 1960s, the series concentrates on fiction, poetry, film, photography, theatre, as well as art, architecture, design, and other media. The mid-century is an age of shifting groups and movements, from existentialism through abstract expressionism to confessional, serial, electronic, and pop art styles. The series charts such intellectual movements, even as it aids and abets the very best scholarly thinking about the power of art in a world under new techno-political compulsions, whether nuclear-apocalyptic, Cold War-propagandized, transnational, neo-imperial, super-powered, or postcolonial. The Wireless Past chronicles the emergence of the British Broadcasting Corporation (BBC) as a significant promotional platform and aesthetic influence for Irish modernism from the 1930s to the 1960s. This is the first book-length study of Irish literary broadcasting on the BBC and situates the works of W. B. Yeats, Elizabeth Bowen, Louis MacNeice, and Samuel Beckett in the context of the media environments that shaped their works. Drawing upon unpublished radio archives, this book shows that radio broadcasting, rather than prompting a break with literary history and traditional literary forms, in fact served as an important means for reinterpreting the legacies of oral and print traditions. In the years surrounding World War II, radio came to be seen as a catalyst for literary revivals and, simultaneously, a force for experimentation. This double valence of radio—the conjoining of revivalism and experimentation—create a distinctive radiogenic aesthetics in mid-century modernism.
More than 40 years after the official recognition of infantile autism in DSM-III, advances continue to be made in our understanding of the possible causes, assessment and evaluation, and treatment of autism spectrum disorder (ASD). With contributions by dozens of experts in the field, this second edition of the Textbook of Autism Spectrum Disorders has been updated to reflect the latest research in ASD. Unrivaled in its thoroughness, this volume discusses issues of assessment and evaluation; examines the etiology of ASD and its recognized associations with other medical conditions; analyzes standard and experimental treatments; and delves into social policy issues pertinent to individuals with ASD and those who treat them. With summary points in each chapter and copious lists of recommended readings, this is an indispensable resource for psychiatrists, psychologists, neurologists, social workers, speech therapists, educators, and all others in the continuum of care.
For readers of Oliver Sacks and Being Mortal by Atul Gawande comes “a luminous ode to the ‘mysterious ways music... moves’ patients with such conditions as dementia and autism… Assured and lyrical, this impresses."—Publishers Weekly, STARRED Review A celebrated art therapist plays the cello for her patients—and offers a moving reflection on the extraordinary power of music to enrich our lives, all the way to the very end. When Claire Oppert plays the cello, miracles happen. Children with profound autism, patients in extreme pain and distress, even people on the threshold of death smile, cry, laugh, sing and dance. “When you play, I’m not sick anymore,” one man tells her. “I feel happy, I feel alive.” In The Schubert Treatment, Oppert recounts her remarkable story of healing suffering through music, alongside portraits of the many people she has helped. Born into a family of doctors and artists, Oppert trained as a classical cellist and began playing at a center for autistic youth, where she witnessed how music could connect with even the most difficult-to-reach patients. Later, she began working as an art therapist with people with neurodegenerative diseases and palliative care patients, eventually conducting clinical trials that proved the effect of her “Schubert treatment”: using music as a counter-stimulation to reduce pain and anxiety during stressful procedures. Oppert’s crystalline, lyrical vignettes of the patients whose lives she has touched are punctuated with anecdotes from her own life as a musician, as well as reflections on the meaning of art and the human need for connection and creativity. Compassionate, uplifting, and deeply humane, The Schubert Treatment is a testament to the incredible power of music to heal our bodies, minds, and souls.
Every summer, young Andrei visits his grandmother, Charlotte Lemmonier, whom he loves dearly. In a dusty village overlooking the vast Russian steppes, she captivates her grandson and the other children of the village with wondrous tales—watching Proust play tennis in Neuilly, Tsar Nicholas II’s visit to Paris, French president Felix Faure dying in the arms of his mistress. But from his mysterious grandmother, Andrei also learns of a Russia he has never known: a country of famine and misery, brutal injustice, and the hopeless chaos of war. Enthralled, he weaves her stories into his own secret universe of memory and dream. She creates for him a vivid portrait of the France of her childhood, a distant Atlantis far more elegant, carefree, and stimulating than Russia in the 1970s and ‘80s. Her warm, artful memories of her homeland and of books captivate Andrei. Absorbed in this vision, he becomes an outsider in his own country, and eventually a restless traveler around Europe. Dreams of My Russian Summers is an epic full of passion and tenderness, pain and heartbreak, mesmerizing in every way.
Young Professor Crosby planned to spend the summer abroad. Having missed his boat to Europe, he gets on a train and meets a young lady he had met once earlier at a party. While on the train, they discover they are attracted to each other but don't admit it. On the way, there's an accident, leaving the girl a bit shaken. He offers to take her to her house, where he is invited to spend the night as it is already late. But the mystery starts when he is asked to leave without reason. Why was he asked to leave suddenly? What secret does the household seem to be hiding?