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The word grotesque was first coined at the end of the fifteenth century in Italy to describe a style of painting found in Ancient Roman ruins in which foliage intertwines and merges with human and animal forms. The re-discovery of these ruins was deeply influential to artists and designers. Through drawings and prints, grotesque motifs were disseminated as patterns for decoration in architecture, metalwork, textiles and ceramics. The fantastic nature of the grotesque enabled artists to incorporate imagery that pushed the boundaries of the known world. Within the confines of ornamental designs, artists turned elements from nature into otherworldly beings. Creatures, fearsome or playful, graceful or rigid, take their place in dense and sinuous designs for locks, ewers, rings, tapestries, stained glass and more. These intimately scaled works, often measuring just a few inches, are at times erotically charged and at others moralizing. Centuries later, these drawings and prints open a window to the imagination of artists and designers as the Age of Exploration unfolded around them.
Growing up in hard-scrabble coal country with a drunk father and a runaway mother hasn't been easy for teen brothers Kyle and Klint. And when their dad smashes his truck and dies after a few too many beers, the boys are shocked that their often-absent mother plans to take them back to her new home out West. After all, their mom hasn't cared for Kyle and Klint for years. She still doesn't. Their mom quickly hands the boys over to 75-year-old Candace Jack, a curmudgeon with an acidic tongue who surprises herself in agreeing to take the boys. Living together isn't easy, but the boys discover that Candace has a tragic, passionate past and the three discarded souls help each other to heal. With Tawni O'Dell's trademark tenderness, vivid sense of place, and complex characters, Fragile Beasts is a beautifully crafted novel told from two very different points of view: a fourteen-year-old boy's and a seventy-five-year-old woman's. It's a wonderfully touching novel with two fascinating narrators who will wholly capture readers' hearts.
Fans of adult coloring books will love the intricate, imaginative illustrations of mythological creatures including dragons, unicorns, griffins, and more in this extreme coloring and search challenge book—the perfect gift for coloring addicts. The awesomely detailed style fans have come to know and love through Kerby Rosanes' New York Times bestselling coloring books—Animorphia, Imagimorphia, Fantomorphia, and Geomorphia—comes to vivid life in this coloring book featuring mythical creatures that morph and explode into astounding detail. Bring each imagination-bending image alive with color and find the objects hidden throughout the pages of this fantastical coloring book.
Open these pages and wander through the Minotaur's labyrinth and open Pandora's box to discover a world of heroes, goddesses, nymphs, dragons and more just waiting to be colored to life in this visually stunning new coloring book for all ages. Through intricate pen and ink illustrations, colorists are invited to explore this mythological landscape and the fantastical imaged creatures of Greek myths and world folklore, where you encounter seductive sirens and delicate fairies, menacing hydras and playful satyrs. Let your imagination run wild with the heroes of Olympus and one hundred vivid illustrations that invite your unique creative touch.
Add your own color to Tolkien fantasies with these illustrations from renowned artists. This beautiful coloring book—suitable for Tolkien fans of all ages—presents more than 100 pages of famous scenes from Middle-earth. It includes the Trees of the Valar and Mount Doom, and characters as beloved as Gandalf the wizard or as feared as Smaug the dragon. Line art by renowned artists illustrates the fantastical world of Middle-earth and is ready to be colored. This work is unofficial and is not authorized by the Tolkien Estate or HarperCollins Publishers.
Sixteen full-page plates of Celtic motifs on translucent paper. Mythical beasts, Celtic crosses, saints, and more. Color and hang near a light source for exciting stained glass effects.
Sixteen lovely illustrations: "Adam Naming the Beasts," "Sleeping Apostles," "Angel and Woman," adaptations of wallpaper and textile designs, and much more. Color and place near a source of bright light for stained glass effects.
When their hard-drinking, but loving, father dies in a car accident, teenage brothers Kyle and Klint Hayes face a bleak prospect: leaving their Pennsylvania hometown for an uncertain life in Arizona with the mother who ran out on them years ago. But in a strange twist of fate, their town’s matriarch, an eccentric, wealthy old woman whose family once owned the county coal mines, hears the boys’ story. Candace Jack doesn’t have an ounce of maternal instinct, yet for reasons she does not even understand herself, she is compelled to offer them a home. Suddenly, the two boys go from living in a small, run-down house on a gravel road to a stately mansion filled with sumptuous furnishings and beautiful artwork—artwork that’s predominantly centered, oddly, on bullfighting. And then there’s Miss Jack’s real-life bull: Ventisco—a regal, hulking, jet-black beast who roams the land she owns with fiery impudence. Kyle adjusts more easily to the transition. A budding artist, he finds a kindred spirit in Miss Jack. But local baseball hero Klint refuses to warm up to his new benefactress and instead throws himself into his game with a fierceness that troubles his little brother. Klint is not just grieving his father’s death; he’s carrying a terrible secret that he has never revealed to anyone. Unbeknownst to the world, Candace Jack has a secret too—a tragic, passionate past in Spain that the boys’ presence threatens to reveal as she finds herself caring more for them than she ever believed possible. From the muted, bruised hills of Pennsylvania coal country to the colorful, flamboyant bull rings of southern Spain, Tawni O’Dell takes us on a riveting journey not only between two completely different lands, but also between seemingly incompatible souls, casting us under her narrative spell in which characters and places are rendered with fragile tenderness.
Ashley Poston, acclaimed author of Heart of Iron, returns with a dark, lush fairy tale–inspired fantasy for fans of Sara Raasch and Susan Dennard. Cerys is safe in the Kingdom of Aloriya. Here there are no droughts, disease, or famine, and peace is everlasting. It has been this way for hundreds of years, since the first king made a bargain with the Lady who ruled the forest that borders the kingdom. But as Aloriya prospered, the woods grew dark, cursed, and forbidden. Cerys knows this all too well: When she was young, she barely escaped as the woods killed her friends and her mother. Now Cerys carries a small bit of the curse—the magic—in her blood, a reminder of the day she lost everything. As a new queen is crowned, however, things long hidden in the woods descend on the kingdom itself. Cerys is forced on the run, her only companions a small and irritating fox from the royal garden and the magic in her veins. It’s up to her to find the legendary Lady of the Wilds and beg for a way to save her home. But the road is darker and more dangerous than she knows, and as secrets from the past are uncovered amid the teeth and roots of the forest, it’s going to take everything she has just to survive.
A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.