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Accompanying CD-ROM contains: digital reproduction of Fra Mauro's world map with the ability to navigate within the map and extract information from it.
In sixteenth-century Venice, in an island monastery, a cloistered monk experiences the adventure of a lifetime—all within the confines of his cell. Part historical fiction, part philosophical mystery, A Mapmaker's Dream tells the story of Fra Mauro and his struggle to realize his life's work: to make a perfect map—one that represents the full breadth of Creation. News of Mauro's projects attracts explorers, pilgrims, travelers, and merchants, all eager to contribute their accounts of faraway people and places. As he listens to the tales of the strange and fantastic things they've seen, Mauro comes to regard the world as much more than continents and kingdoms: that it is also made up of a vast and equally real interior landscape of beliefs, aspirations, and dreams. Mauro's map grows and takes shape, becoming both more complete and incomprehensible. In the process, the boundaries of Mauro's world are pushed to the extreme, raising questions about the relationship between representation, imagination, and the nature of reality itself.
A history of the development of world maps during the later medieval period in the centuries leading up to Columbus’s journey. In the two centuries before Columbus, mapmaking was transformed. The World Map, 1300–1492 investigates this important, transitional period of mapmaking. Beginning with a 1436 atlas of ten maps produced by Venetian Andrea Bianco, Evelyn Edson uses maps of the fourteenth and fifteenth centuries to examine how the discoveries of missionaries and merchants affected the content and configuration of world maps. She finds that both the makers and users of maps struggled with changes brought about by technological innovation?the compass, quadrant, and astrolabe?rediscovery of classical mapmaking approaches, and increased travel. To reconcile the tensions between the conservative and progressive worldviews, mapmakers used a careful blend of the old and the new to depict a world that was changing?and growing?before their eyes. This engaging and informative study reveals how the ingenuity, creativity, and adaptability of these craftsmen helped pave the way for an age of discovery. “A comprehensive and complex picture of the changing face of medieval geography. With the mastery of a formidable palette of historiographic knowledge and well-reasoned discussions of the sources, The World Map, 1300–1492 will certainly remain an important work to consult for both medieval and early modern scholars for many years to come.” —Ian J. Aebel, Terrae Incognitae
Published on the occasion of the exhibition at the British Library, London, April 30-Sept. 19, 2010.
Cartography between Christian Europe and the Arabic-Islamic World offers a timely assessment of interaction between medieval Christian European and Arabic-Islamic geographical thought, making the case for significant but limited cultural transfer across a range of map genres.
The cover image, World Map by Fra Mauro c. 1450, is one of the most important and famous maps of all time. This monumental map of the world was created by the monk Fra Mauro in his monastery on the island of San Michele in the Venetian lagoon. Now the centrepiece of the Biblioteca Nazionale Marciana in St Marc’s Square in Venice, the map in its nearly 600-year history has never left Venice – until now. Renowned for its sheer size - over 2.3 metres square - and stunning colours, the map was made at a time of transition between the medieval world view and new knowledge uncovered by the great voyages of discovery. Brilliantly painted and illuminated on sheets of oxhide, the sphere of the Earth is surrounded by the sphere of the Ocean in the ancient way. Yet Fra Mauro included the latest information on exploration by Portuguese and Arab navigators. Commissioned by King Afonso V of Portugal, it is the last of the great medieval world maps to inspire navigators in the Age of Discovery to explore beyond the Indian Ocean.
The Hereford Map, a depiction of the inhabited world drawn around 1300, is among the largest surviving examples of medieval mappamundi. It measures 1.59 meters by ca. 1.30 meters (52 1/2 inches by c. 52 inches). On it appear some 1,091 inscriptions, or legends; most of these are placed adjacent to a painted figure of what they identify. They range from simple place-names to long descriptions containing historical, ethnographical, theological and zoological information. The book's introduction offers essential background on the Map's history, sources, and scholarship. Particularly important is an explanation of its close relationship to a text recently discovered - Expositio mappe mundi - a work most composed a century before the Map was made. Right-facing pages contain, for each legend: (1) an exact line-for-line transcription, (2) an edited version of this transcription, and (3) an English translation. Left-facing pages offer commentary on each legend, giving information about its literary and cartographical source, the item it identifies, and textual problems. Included in the book is a colour illustration of the entire Map (approximately 40% of its actual size), as well as detail photographs, taken in January 2001 under special conditions, enabling readers to see each legend precisely, as well as to locate all transcribed and translated text. Because of its thorough examination of all aspects of the Map, this book is a tribute to the richest, most complicated surviving example of medieval cartography, as well as an essential tool about medieval culture.
A FINANCIAL TIMES BOOK OF THE YEAR 2020 SHORTLISTED FOR THE ESTWA AWARD FOR ILLUSTRATED TRAVEL BOOK OF THE YEAR 2022 One of the least-known places on the planet, the only continent on earth with no indigenous population, Antarctica is a world apart. From a leading cartographer with the British Antarctic Survey, this new collection of maps and data reveals Antarctica as we have never seen it before. This is not just a book of traditional maps. It measures everything from the thickness of ice beneath our feet to the direction of ice flows. It maps volcanic lakes, mountain ranges the size of the Alps and gorges longer than the Grand Canyon, all hidden beneath the ice. It shows us how air bubbles trapped in ice tell us what the earth's atmosphere was like 750,000 years ago, proving the effects of greenhouse gases. Colonies of emperor penguins abound around the coastline, and the journeys of individual seals around the continent and down to the sea bed in search of food have been intricately tracked and mapped. Twenty-nine nations have research stations in Antarctica and their unique architecture is laid out here, along with the challenges of surviving in Antarctica'sunforgiving environment. Antarctica is also the frontier of our fight against climate change. If its ice melts, it will swamp almost every coastal city in the world. Antarctic Atlas illustrates the harsh beauty and magic of this mysterious continent, and shows how, far from being abstract, it has direct relevance to us all.