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Fox World, based on true events, takes the reader under the canopy of an urban forest on the outskirts of Washington, D.C. for a year-long walk with a weary sales executive and his muse, a wild red fox. Aged, ill and injured, both fox and man seek healing in their journey, not only for themselves, but for the ecologically stressed forest which is under siege. They are joined on their five-hundred-mile walkabout by the fox’s forest friends – owl, buck deer, hawk, blue heron, and raccoon, and each animal’s story illustrates why this small forest is so soothing and majestic in its allure. Starting in brutally cold winter, followed by the wettest summer on record, fox and man face daunting life challenges on their walks, from heart arrhythmia which ends the executive’s career to a coyote attack and critical illnesses faced by the elderly fox. And through these traumatic events, the two bond for survival, and the fox’s wild perspective teaches his human friend unforgettable lessons about healing, coping, serenity, wonderment, mindfulness, and simple treasures (e.g., the sun setting atop the great oaks, an owl serenade under moon beams, a shared cup of bison bone broth on an icy day). Drawn in by the plight of the fox’s forest as destruction looms, the man decides to take a stand and help the fox and his animal friends. Richly graced with gorgeous nature photos and infused with insights that can only be imparted by those who have come to genuinely appreciate life, Fox World is an exhilarating walk in the woods that you’ll never forget.
Discover the hidden world of the fox, as beautifully revealed by an acclaimed ecologist who has studied foxes for two decades across four continents “An ode to this familiar yet mysterious creature. … The sight of foxes can lift Brand's prose into poetry. ... By turns lyrical, salty, funny and scholarly.” —New York Times Book Review The fox. For thousands of years myth and folklore have celebrated its cunning intelligence. Today the red fox is the nature’s most populous carnivore, its dancing orange tail a common sight in backyards. Yet who is this wild neighbor, truly? How do we negotiate this uneasy new chapter of an ancient relationship? Join British ecologist Adele Brand on a journey to discover the surprising secrets of the fabled fox, the familiar yet enigmatic creature that has adapted to the human world with astonishing—some say, unsettling—success. Brand has studied foxes for twenty years across four continents—from the Yucatán rainforest to India’s remote Thar Desert, from subarctic Canada to metropolitan London. Her observations have convinced her that the fox is arguably the most modern of all wildlife, uniquely suited to survival in the rapidly expanding urban/wild interface. Blending cutting-edge science, cultural anthropology, and intimate personal storytelling drawn from her own remarkable fieldwork, The Hidden World of the Fox is Brand’s rich and revelatory portrait of the extraordinary animal she has devoted her life to understanding.
'Extraordinary. An intellectual feast as well as a visual one' Edmund de Waal, author of The Hare with Amber Eyes The world comes to us in colour. But colour lives as much in our imaginations as it does in our surroundings, as this scintillating book reveals. Each chapter immerses the reader in a single colour, drawing together stories from the histories of art and humanity to illuminate the meanings it has been given over the eras and around the globe. Showing how artists, scientists, writers, philosophers, explorers and inventors have both shaped and been shaped by these wonderfully myriad meanings, James Fox reveals how, through colour, we can better understand their cultures, as well as our own. Each colour offers a fresh perspective on a different epoch, and together they form a vivid, exhilarating history of the world. 'We have projected our hopes, anxieties and obsessions onto colour for thousands of years,' Fox writes. 'The history of colour, therefore, is also a history of humanity.'
Foxes are among the most resourceful animals, with quick intelligence, amazing adaptability, and expert hunting skill. Now in a trade paperback edition, this study combines words and images in an unforgettable portrait of a magical creature. Preeminent wildlife photographers offer intimate views of these resilient animals in their native habitats. 57 color photos. 5 maps.
Overturning decades of scholarly orthodoxies, James Fox makes a bold new argument about the First World War's cultural consequences.
"The fox knows many things, but the hedgehog knows one big thing." This ancient Greek aphorism, preserved in a fragment from the poet Archilochus, describes the central thesis of Isaiah Berlin's masterly essay on Leo Tolstoy and the philosophy of history, the subject of the epilogue to War and Peace. Although there have been many interpretations of the adage, Berlin uses it to mark a fundamental distinction between human beings who are fascinated by the infinite variety of things and those who relate everything to a central, all-embracing system. Applied to Tolstoy, the saying illuminates a paradox that helps explain his philosophy of history: Tolstoy was a fox, but believed in being a hedgehog. One of Berlin's most celebrated works, this extraordinary essay offers profound insights about Tolstoy, historical understanding, and human psychology. This new edition features a revised text that supplants all previous versions, English translations of the many passages in foreign languages, a new foreword in which Berlin biographer Michael Ignatieff explains the enduring appeal of Berlin's essay, and a new appendix that provides rich context, including excerpts from reviews and Berlin's letters, as well as a startling new interpretation of Archilochus's epigram.
“Not only can Fox see, she can hear, she can feel.”—Zadie Smith, Harper’s This gathering of Paula Fox’s short work spans her illustrious career, from 1965 to the present including perfectly turned stories; pointed, engaging essays; and raw yet eloquent memoir.
Recent technological developments in biology, computation, cybernetics, engineering, industrial design, materials, and robotics allow architecture to evolve beyond static functionality and become an active participant—with the capacity to perceive, react to, and connect—with humans and the natural world. The first process-based guide by Michael Fox and Miles Kemp introduced interactive architecture in 2009, and the past few years have seen its prototypical potential unleashed, manifest in the eighteen inventive projects featured in this follow-up, the latest in our Architecture Briefs series. Interactive Architecture: Adaptive World illustrates how structures can process information, make observations, and utilize tools to translate natural systems and create seamlessly integrated environments, from data-driven light installations, responsive sculptures, and performative materials, to smart highways, dynamic spaces, kinetic facades, and adaptive buildings. Ambitious projects from around the world, including Abu Dhabi, Indianapolis, Los Angeles, New York City, San Francisco, Frankfurt, London, Paris, Sochi, and Zurich, are illuminated by photographs, diagrams, and renderings.
Three Worlds of Relief examines the role of race and immigration in the development of the American social welfare system by comparing how blacks, Mexicans, and European immigrants were treated by welfare policies during the Progressive Era and the New Deal. Taking readers from the turn of the twentieth century to the dark days of the Depression, Cybelle Fox finds that, despite rampant nativism, European immigrants received generous access to social welfare programs. The communities in which they lived invested heavily in relief. Social workers protected them from snooping immigration agents, and ensured that noncitizenship and illegal status did not prevent them from receiving the assistance they needed. But that same helping hand was not extended to Mexicans and blacks. Fox reveals, for example, how blacks were relegated to racist and degrading public assistance programs, while Mexicans who asked for assistance were deported with the help of the very social workers they turned to for aid. Drawing on a wealth of archival evidence, Fox paints a riveting portrait of how race, labor, and politics combined to create three starkly different worlds of relief. She debunks the myth that white America's immigrant ancestors pulled themselves up by their bootstraps, unlike immigrants and minorities today. Three Worlds of Relief challenges us to reconsider not only the historical record but also the implications of our past on contemporary debates about race, immigration, and the American welfare state.