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This handy guide provides crystal-clear help with writing correctly and appropriately in everyday situations. Arranged alphabetically, the book contains concise entries with guidance on individual words and phrases, and longer entries on broader topics such as overused words, bullet points, and avoiding sexist language.
Painstakingly researched with copious citations from books, newspapers, and news magazines, this new edition has become the classic reference work praised by professional copy editors.
Fowler's Concise Dictionary of Modern English Usage is an invaluable quick-reference work, providing clear, practical and up-to-date guidance on questions of grammar, spelling, style, and word choice. Jeremy Butterfield has judiciously revised the text to reflect the English usage practices and concerns of the 21st century.
"Style" is considered one of the greatest guides to writing well. Legendary among writers and critics, but lost for almost 40 years, "Style" is now back in a beautiful new edition, and remains as entertaining and informative as ever.
"In this book, Jeremy Butterfield mines the Oxford Corpus, a vast collection of electronically-held texts used for compiling Oxford's world-famous dictionaries. He uncovers a wealth of fascinating facts and figures across the whole spectrum of English - from vocabulary size and word origins to spelling and meaning, from word groupings and idiomatic phrases to grammar and usage." "Whether you are happy to give the language free rein (free reign?), or whether you are more straight-laced (strait-laced?) when it comes to change, you will be amazed at what is revealed when the English language goes buck naked. (Or should that be butt naked?)"--BOOK JACKET.
The authoritative guide to using the English language effectively, from “the greatest writer on grammar and usage that this country has ever produced” (David Yerkes, Columbia University). The author of The Chicago Manual of Style’s popular “Grammar and Usage” chapter, Bryan A. Garner is renowned for explaining the vagaries of English with absolute precision and utmost clarity. With The Chicago Guide to Grammar, Usage, and Punctuation, he has written the definitive guide for writers who want their prose to be both memorable and correct. Garner describes standard literary English—the forms that mark writers and speakers as educated users of the language. He also offers historical context for understanding the development of these forms. The section on grammar explains how the canonical parts of speech came to be identified, while the section on syntax covers the nuances of sentence patterns as well as both traditional sentence diagramming and transformational grammar. The usage section provides an unprecedented trove of empirical evidence in the form of Google Ngrams, diagrams that illustrate the changing prevalence of specific terms over decades and even centuries of English literature. Garner also treats punctuation and word formation, and concludes the book with an exhaustive glossary of grammatical terms and a bibliography of suggested further reading and references. The Chicago Guide to Grammar, Usage, and Punctuation is a magisterial work, the culmination of Garner’s lifelong study of the English language. The result is a landmark resource that will offer clear guidelines to students, writers, and editors alike. “[A manual] for those of us laboring to produce expository prose: nonfiction books, journalistic articles, memorandums, business letters. The conservatism of his advice pushes you to consider audience and occasion, so that you will understand when to follow convention and when you can safely break it.”—John E. McIntyre, Baltimore Sun
“We think of English as a fortress to be defended, but a better analogy is to think of English as a child. We love and nurture it into being, and once it gains gross motor skills, it starts going exactly where we don’t want it to go: it heads right for the goddamned electrical sockets.” With wit and irreverence, lexicographer Kory Stamper cracks open the obsessive world of dictionary writing, from the agonizing decisions about what to define and how to do it to the knotty questions of ever-changing word usage. Filled with fun facts—for example, the first documented usage of “OMG” was in a letter to Winston Churchill—and Stamper’s own stories from the linguistic front lines (including how she became America’s foremost “irregardless” apologist, despite loathing the word), Word by Word is an endlessly entertaining look at the wonderful complexities and eccentricities of the English language.
Who is the greatest living essayist writing in English? Joseph Epstein would surely be at the top of anybody's list. Epstein is penetrating. He is witty. He has a magic touch with words, that hard to define but immediately recognizable quality called style. Above all, he is impossible to put down. Joseph Epstein's Gallimaufry: A Collection of Essays, Reviews, Bits is the fifth such volume from Axios Press and contains 58 essays. Subjects range from domestic life to current social trends to an appraisal of "contemporary nuttiness." It follows the much-acclaimed Essays in Biography, 2012; A Literary Education and Other Essays, 2014; Wind Sprints: Shorter Essays, 2016; and The Ideal of Culture: Essays, 2018.After reading Epstein, we see life with a fresh eye. We also see ourselves a little more clearly. This is what Plutarch intended: life teaching by example, but with a wry smile and such a sure hand that we hardly notice the instruction. It is just pure pleasure.