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Catalogue of the Fourth Australian Sculpture Triennial, which was mounted in conjunction with the 1990 Melbourne International Festival of the Arts. Exhibitions from five Victorian venues are covered by essays, biographical and catalogue information, as well as quality black and white and colour photographs.
Artists featured are: Arthur Ashby, Rodney Broad, Peter D. Cole, Brigid Cole-Adams, Michael Esson, Jutta Feddersen, John Gardner, Marea Gazzard, Garry Greenwood, Anton Hasell, Joy Henderson, Greg Johns, Ted Jonsson, Inge King, Maria Kuczynska, Polly MacCallum, Alexis McKean, Michael Nicholls, Roger Noakes, Leslie Oliver, Robert Parr, Lyn Plummer, Emanuel Raft, Peter Randall, Ann-Maree Reaney, Colin Reaney, James Rogers, Mona Ryder, Manne Schulze, Stephen Skillitzi, Mary Stimson, Alick Sweet, Peter Tilley, Tony Trembath, Stephen Trethewey, George Turcu, John Turier, Hossein Valamanesh, Trevor Weekes, Liz Williams, Dan Wollmering.
The late David Smith is regarded worldwide as one of the most important American sculptors. Through the photographs of Uga Mulas, "David Smith in Italy" documents the exhibition of his work as it was displayed at in Milan's dramatic PradaMilanoArte. The exhibition was comprised of works that were loaned by the most prestigious private and institutional collections in the United States, and was curated by Smith's daughter. It included 13 large sculptures, 24 mixed-media works, watercolors and several original photographs by Mulas. Smith's artistic relationship with Mulas (and indeed with Italy) dates back to 1962, when Smith created an exhibition for the Spoleto Two Worlds Festival and was photographed by Mulas.