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In recent years, Civil War veterans have emerged from historical obscurity. Inspired by recent interest in memory studies and energized by the ongoing neorevisionist turn, a vibrant new literature has given the lie to the once-obligatory lament that the postbellum lives of Civil War soldiers were irretrievable. Despite this flood of historical scholarship, fundamental questions about the essential character of Civil War veteranhood remain unanswered. Moreover, because work on veterans has often proceeded from a preoccupation with cultural memory, the Civil War’s ex-soldiers have typically been analyzed as either symbols or producers of texts. In The War Went On: Reconsidering the Lives of Civil War Veterans, fifteen of the field’s top scholars provide a more nuanced and intimate look at the lives and experiences of these former soldiers. Essays in this collection approach Civil War veterans from oblique angles, including theater, political, and disability history, as well as borderlands and memory studies. Contributors examine the lives of Union and Confederate veterans, African American veterans, former prisoners of war, amputees, and ex-guerrilla fighters. They also consider postwar political elections, veterans’ business dealings, and even literary contests between onetime enemies and among former comrades.
"The name Andersonville has come to be synonymous with "American death camp." Its horrors have been portrayed in histories, art, television, and movies. The trial of its most famous figure, Captain Henry Wirz, still raises questions about American justice. This work unlocks the secret history of America's deadliest prison camp in ways that will spur debate for many years to come."--BOOK JACKET.
Chronicles the Civil War experiences of four brothers from New York’s Hudson Valley.
This book is the trade edition of Volume VII of A History of the South, a ten-volume series designed to present a thoroughly balanced history of all the complex aspects of the South's culture from 1607 to the present. Like its companion volumes, The Confederate States of America is written by an outstanding student of Southern history, E. Merton Coulter, who is also one of the editors of the series and the author of Volume VIII.The drama of war has led most historians to deal with the years 1861 to 1865 in terms of campaigns and generals. In this volume, however, Mr. Coulter treats the war in its perspective as an aspect of the life of a people.The attempt to build a nation strong enough to win independence naturally drew Southerners' attention to such problems as morale, money, bonds, taxes, diplomacy, manufacturing, transportation, communication, publishing, armaments, religion, labor, prices, profits, race problems, and political policy. Mr. Coulter balances these phases of the struggle in their relation to war itself, and the whole is dealt with as a period in the history of a people.And finally, Mr. Coulter deals with the ever-recurring questions: Did secession necessarily mean war? Was the South from the very beginning engaged in a hopeless struggle? And, if not, why did it lose?
The practice of selling one's tale of woe to make a buck has long been a part of American culture. The Unvarnished Truth: Personal Narratives in Nineteenth-Century America is a powerful cultural history of how ordinary Americans crafted and sold their stories of hardship and calamity during the nineteenth century. Ann Fabian examines the tales of beggars, convicts, ex-slaves, prisoners of the Confederacy, and others to explore cultural authority, truth-telling, and the nature of print media as the country was shifting to a market economy. This well-crafted book describes the fascinating controversies surrounding these little-read tales and returns them to the social worlds where they were produced. Drawing on an enormous number of personal narratives—accounts of mostly poor, suffering, and often uneducated Americans—The Unvarnished Truth analyzes a long-ignored tradition in popular literature. Historians have treated the spread of literacy and the growth of print culture as a chapter in the democratization of refinement, but these tales suggest that this was not always the case. Producing stories that purported to be the plain, unvarnished truth, poor men and women edged their way onto the cultural stage, using storytelling strategies far older than those relying on a Renaissance sense of refinement and polish. This book introduces a unique collection of tales to explore the nature of truth, authenticity, and representation.
In this carefully researched and compelling revisionist account, William Marvel provides a comprehensive history of Andersonville Prison and conditions within it.
In antebellum America, both North and South emerged as modernizing, capitalist societies. Work bells, clock towers, and personal timepieces increasingly instilled discipline on one’s day, which already was ordered by religious custom and nature’s rhythms. The Civil War changed that, argues Cheryl A. Wells. Overriding antebellum schedules, war played havoc with people’s perception and use of time. For those closest to the fighting, the war’s effect on time included disrupted patterns of sleep, extended hours of work, conflated hours of leisure, indefinite prison sentences, challenges to the gender order, and desecration of the Sabbath. Wells calls this phenomenon “battle time.” To create a modern war machine military officers tried to graft the antebellum authority of the clock onto the actual and mental terrain of the Civil War. However, as Wells’s coverage of the Manassas and Gettysburg battles shows, military engagements followed their own logic, often without regard for the discipline imposed by clocks. Wells also looks at how battle time’s effects spilled over into periods of inaction, and she covers not only the experiences of soldiers but also those of nurses, prisoners of war, slaves, and civilians. After the war, women returned, essentially, to an antebellum temporal world, says Wells. Elsewhere, however, postwar temporalities were complicated as freedmen and planters, and workers and industrialists renegotiated terms of labor within parameters set by the clock and nature. A crucial juncture on America’s path to an ordered relationship to time, the Civil War had an acute effect on the nation’s progress toward a modernity marked by multiple, interpenetrating times largely based on the clock.