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The armed conflict in the east of Ukraine brought about an emergence of a distinctive trend in contemporary Ukrainian poetry: the poetry of war. Directly and indirectly, the poems collected in this volume engage with the events and experiences of war, reflecting on the themes of alienation, loss, dislocation, and disability; as well as justice, heroism, courage, resilience, generosity, and forgiveness. In addressing these themes, the poems also raise questions about art, politics, citizenship, and moral responsibility. The anthology brings together some of the most compelling poetic voices from different regions of Ukraine. Young and old, female and male, somber and ironic, tragic and playful, filled with extraordinary terror and ordinary human delights, the voices recreate the human sounds of war in its tragic complexity.
A selection of Ukrainian poetry in both their original language and translated into English. Also included are a number of quotations and proverbs from famous Ukrainian writers. This book of charming and beautiful poems is a must for anyone interested in or an immigrant from the Ukraine. Anyone interested in original and novel poetry should also add this book to their library.
In 1993, tragic turbulence takes over Ukraine in the post-communist spin-off. As if in somnambulism, Soviet war veterans and upstart businessmen listen to an American preacher of whose type there were plenty at the time in the post-Soviet territory. In Kharkiv, the young communist headquarters is now an advertising agency, and a youth radio station brings Western music, with Depeche Mode in the lead, into homes of ordinary people. In the middle of this craze three friends, an anti-Semitic Jew Dogg Pavlov, an unfortunate entrepreneur Vasia the Communist and the narrator Zhadan, nineteen years of age and unemployed, seek to find their old pal Sasha Carburetor to tell him that his step-father shot himself dead. Characters confront elements of their reality, and, tainted with traumatic survival fever, embark on a sad, dramatic and a bit grotesque adventure.
Although their subjects, styles, and techniques often differ, in total these poems make clear the distinctions between the nature of poetry in Eastern Europe and that in the West. While several of the languages represented here are limited to a small number of speakers, each has a commitment to the central role of poetry in the history of its people and as a source of their unity.
This anthology reflects a search of the Ukrainian nation for its identity, the roots of which lie deep inside Ukrainian-language poetry. Some of the included poets are well-known locally and internationally; among them are Serhiy Zhadan, Halyna Kruk, Ostap Slyvynsky, Marianna Kijanowska, Oleh Kotsarev, Anna Bagriana and, of course, the living legend of Ukrainian poetry, Vasyl Holoborodko. The next Ukrainian poetic generation also features prominently in the collection. Such poets as Les Beley, Olena Herasymyuk, Myroslav Laiuk, Hanna Malihon, Taras Malkovych, Julia Musakovska, Julia Stakhivska and Lyuba Yakimchuk are the ones Ukrainians like to read today, and each of them already has an excellent reputation abroad due to festival appearances and translations to European languages. The work collected here documents poetry in Ukraine responding to challenges of the time by forging a radical new poetic, reconsidering writing techniques and language itself. Edited and translated from the Ukrainian by Anatoly Kudryavitsky.
In her Four Essays on World War II, Olena Stiazhkina inscribes the Ukrainian history of World War II into a wider European and world context. Among other aspects, she analyzes the mobilization measures on the eve of the war, and reconsiders Soviet narratives on them. Scrutinizing social and political processes initiated by the Bolshevik leadership in the 1920s and 1930s, she outlines how mobilization and militarization became integral parts of Soviet politics. Today, the Kremlin uses Soviet and post-Soviet Russian narratives of World War II to justify its aggressive policies towards a number of democratic countries. Russia is engaged in falsification of the past to underpin claims of a so-called “Russian World” and its ongoing war against Ukraine. Against this background, Stiazhkina offers a new understanding of what happened in Ukraine before, during, and after World War II.
Over thirty years in the making, the most comprehensive work in English on Ukraine is now complete: its history, people, geography, economy, and cultural heritage, both in Ukraine and in the diaspora.