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Fitted with ample introductions, notes, and glosses, this volume will make an excellent text for a class of any level on Middle English romance. This excellent edition includes King Horn, Havelok the Dane, Bevis of Hampton, and Athelston. These romances all deal with the Matter of Britain-that is, they celebrate action and adventure tales taking place in England. Featuring all the hallmarks of a good romance, these works include disinherited nobles, thrilling battles, love stories, dragons, and all sorts of marvels and adventures. Spanning the mid thirteenth to the late fourteenth century, these works provide an excellent cross section of the wonderful world of Middle English romances featuring the escapades of their fantastical countrymen.
Sir Isumbras, Octavian, Sir Eglamour of Artois, and Sir Tryamour are important works in a major literary development of the fourteenth century: the flourishing of Middle English popular romance. These four narratives were among the most popular; all survive in multiple manuscripts and continued to circulate in prints through the sixteenth century. All were composed in the northeast Midlands in the fifty years between 1325 and 1375, and they appear together in several manuscripts. The tale the romances tell-of exiled queens, orphaned children, and penitent fathers-was one of the most prevalent medieval stories. Sometimes called the Constance/Eustace legend (after two well-known pious versions), its influence can be seen in numerous romances.
Sir Isumbras, Octavian, Sir Eglamour of Artois, and Sir Tryamour are important works in a major literary development of the fourteenth century: the flourishing of Middle English popular romance. These four narratives were among the most popular; all survive in multiple manuscripts and continued to circulate in prints through the sixteenth century. All were composed in the northeast Midlands in the fifty years between 1325 and 1375, and they appear together in several manuscripts. The tale the romances tell-of exiled queens, orphaned children, and penitent fathers-was one of the most prevalent medieval stories. Sometimes called the Constance/Eustace legend (after two well-known pious versions), its influence can be seen in numerous romances.
Our current ecological crises compel us not only to understand how contemporary media shapes our conceptions of human relationships with the environment, but also to examine the historical genealogies of such perspectives. Written during the onset of the Little Ice Age in Britain, Middle English romances provide a fascinating window into the worldviews of popular vernacular literature (and its audiences) at the close of the Middle Ages. Andrew M. Richmond shows how literary conventions of romances shaped and were in turn influenced by contemporary perspectives on the natural world. These popular texts also reveal widespread concern regarding the damaging effects of human actions and climate change. The natural world was a constant presence in the writing, thoughts, and lives of the audiences and authors of medieval English romance – and these close readings reveal that our environmental concerns go back further in our history and culture than we think.
This volume is the first to make the Middle English Breton lays available to teachers and students of the Middle Ages. Breton lays were produced by or after the fashion of Marie de France in the twelfth century and claim to be "literary versions of lays sung by ancient Bretons to the accompaniment of the harp." The poems edited in this volume are considered distinctly "English" Breton lays because of their focus on the family values of late medieval England. With the volume's helpful glosses, notes, introductions, and appendices, the door is opened for students to study Middle English poetry and the medieval family alike.
Analyzes the feelings and problems involved in different types of human love, including familial affection, friendship, passion, and charity.
The Encyclopedia of Medieval Literature in Britain vereint erstmals wissenschaftliche Erkenntnisse zu Multilingualität und Interkulturalität im mittelalterlichen Britannien und bietet mehr als 600 fundierte Einträge zu Schlüsselpersonen, Zusammenhängen und Einflüssen in der Literatur vom fünften bis sechzehnten Jahrhundert. - Einzigartiger multilingualer, interkultureller Ansatz und die neuesten wissenschaftlichen Erkenntnisse. Das gesamte Mittelalter und die Bandbreite literarischer Sprachen werden abgedeckt. - Über 600 fundierte, verständliche Einträge zu Schlüsselpersonen, Texten, kritischen Debatten, Methoden, kulturellen Zusammenhängen sowie verwandte Terminologie. - Repräsentiert die gesamte Literatur der Britischen Inseln, einschließlich Alt- und Mittelenglisch, das frühe Schottland, die Anglonormannen, Nordisch, Latein und Französisch in Britannien, die keltische Literatur in Wales, Irland, Schottland und Cornwall. - Beeindruckende chronologische Darstellung, von der Invasion der Sachsen bis zum 5. Jahrhundert und weiter bis zum Übergang zur frühen Moderne im 16. Jahrhundert. - Beleuchtet die Überbleibsel mittelalterlicher britischer Literatur, darunter auch Manuskripte und frühe Drucke, literarische Stätten und Zusammenhänge in puncto Herstellung, Leistung und Rezeption sowie erzählerische Transformation und intertextuelle Verbindungen in dieser Zeit.
The great story motifs of romance were transmitted directly from the Middle Ages to the age of print in an abundance of editions. Spenser and Shakespeare assumed a familiarity with them and therefore exploited it, with new texts aimed at both elite and popular audiences