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"The dissertation focuses on one of the most debated prophecies of Blake, The Four Zoas. The approach is basically psychological and, before the main thesis is elaborated, a brief survey is given about the most frequently studied parallels, such as Freud and Jung. The dissertation then proceeds to examine a new aspect: a parallel is drawn between the hypotheses of Lipot Szondi, disciple to Freud, and Blake's visionary universe. Szondi's System of Drives helps illuminate several questionable passages of Blake's dream vision, furthermore, as the parallel points out, an interesting change is discernible in Blake's concepts about Enlightenment and Rationalism, whereby the previously rejected ideas become integrated into a fourfold world of wholeness and intellectual sanity."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
In this book, Professor Simuț shows how Christian theology started to be understood as a Gnostic philosophy of religion in the thought of the 19th-century scholar F. C. Baur. Although Baur was seen traditionally as a theologian and biblical exegete, Simuț argues that he was in fact a philosopher of religion, and it was his philosophical reading of Christian theology that informed his biblical preoccupations. Specifically, Baur’s perspective on Christian theology was heavily influenced by Jakob Böhme’s esoteric theosophy and Hegel’s religious philosophy in some key issues such as creation, Lucifer, dualism and the connection between spirit and matter coupled with that between philosophy and religion.
The focus of this book is on Lytton Strachey's literary critical essays and his major biographies. By placing his work in the broader context of the Modernist canon, it aims to offer a complete yet far from definitive picture of the writer who wrote ' the first book of the twenties'
Human interaction breeds conflicts. Unresolved problems provide food for social sciences in general, and especially for political science a melting pot of different branches of social sciences, including philosophy, economics, sociology, psychology, etc. Political science tries to use all of these branches of the social sciences when examining how people, as a collective, try to resolve their conflicts. The theory of collective action a particular field of research in political science is concerned with the question of how people behave and act in groups when pursuing their common goals and how collective action for a collective good can, or cannot, take place. The author of this book tried to find a field of social life where collective action problems occur frequently and do not cease easily. Thus, the author selected Hungarian residential condominiums, where people have both their private properties and share common properties and facilities. The overall management of the cond
In the nineteenth century the great cities underwent the most conspicuous transformation. The beauties and the dark side of urban existence soon came to be one of the central issues in contemporary literature and art. In The Reality of the Unreal, the works of four great English writers of the time are analyzed, with the focus on their representation of the city. Through the concrete image of London and Paris around the turn of the century as well as through the metaphorical role of the city as a concept, this booka new volume in the Philosophiae Doctores seriesprovides differing views about the age, as seen by H. G. Wells, George Gissing, Joseph Conrad, and Henry James. The books analysis arrives at the complex image of civilization at the end of the nineteenth century.
Angela Esterhammer, a student of Frye's in the 1980s, has provided annotation and an introduction that demonstrates the poets' importance for Frye's literary and cultural criticism and provides a twenty-first-century perspective on the legacy of his work.
First published in 1927 (this edition in 1967), this book is about Blake, his symbols, and their meanings. As Ward says in his forward, the volume goes beyond Blake, becoming universal and timeless, and is about Religion. Plowman’s book presents itself, not as a critical text, but an interpretative one, and the study therefore illuminates the work of the author, as well as that of William Blake.