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The Inside Man is the culmination of more than seventeen years of groundbreaking, meticulous, and exhaustive research into the life of this least known or understood of the "Big Five" who built the western end of the first transcontinental railroad. Drawn from original sources most of which have hitherto been inaccessible or ignored by previous chroniclers-thousands of pages of handwritten letters, telegrams, accounts from scores of newspapers archived around the country, including biographical and historical works-are brought to bear in this monumental account. More than the biography of one individual, this masterful account weaves within the narrative the many forces and competing issues faced by Mark Hopkins and his associates as well as the culture and mores of late nineteenth century California, and their very personal struggles and conflicts.
Winner • National Book Critics Circle Award (Biography) Winner • Edgar Award (Critical/Biographical) Winner • Bram Stoker Award (Nonfiction) A New York Times Notable Book A Washington Post Notable Nonfiction Pick of the Year Named one of the Best Books of the Year by Entertainment Weekly, NPR, TIME, Boston Globe, NYLON, San Francisco Chronicle, Seattle Times, Kirkus Reviews, and Booklist In this “thoughtful and persuasive” biography, award-winning biographer Ruth Franklin establishes Shirley Jackson as a “serious and accomplished literary artist” (Charles McGrath, New York Times Book Review). Instantly heralded for its “masterful” and “thrilling” portrayal (Boston Globe), Shirley Jackson reveals the tumultuous life and inner darkness of the literary genius behind such classics as “The Lottery” and The Haunting of Hill House. In this “remarkable act of reclamation” (Neil Gaiman), Ruth Franklin envisions Jackson as “belonging to the great tradition of Hawthorne, Poe and James” (New York Times Book Review) and demonstrates how her unique contribution to the canon “so uncannily channeled women’s nightmares and contradictions that it is ‘nothing less than the secret history of American women of her era’ ” (Washington Post). Franklin investigates the “interplay between the life, the work, and the times with real skill and insight, making this fine book a real contribution not only to biography, but to mid-20th-century women’s history” (Chicago Tribune). “Wisely rescu[ing] Shirley Jackson from any semblance of obscurity” (Lena Dunham), Franklin’s invigorating portrait stands as the definitive biography of a generational avatar and an American literary genius.
Through the example of Central Pacific Railroad executives, Manufacturing the Modern Patron in Victorian California redirects attention from the usual art historical protagonists - artistic producers - and rewrites narratives of American art from the unfamiliar vantage of patrons and collectors. Neither denouncing, nor lionizing, nor dismissing its subjects, it demonstrates the benefits of taking art consumers seriously as active contributors to the cultural meanings of artwork. It explores the critical role of art patronage in the articulation of a new and distinctly modern elite class identity for newly ascendant corporate executives and financiers. These economic elites also sought to legitimate trends in industrial capitalism, such as mechanization, incorporation, and proletarianization, through their consumption of a diverse array of elite culture, including regional landscapes, panoramic and stop-motion photography, history paintings of the California Gold Rush, the architecture of Stanford University, and the design of domestic galleries. This book addresses not only readers in the art history and visual and material cultures of the United States, but also scholars of patronage studies, American Studies, and the sociology of culture. It tells a story still relevant to this new Gilded Age of the early 21st century, in which wealthy collectors dramatically shape contemporary art markets and institutions.
An Architectural Guidebook to San Francisco and the Bay Area is the definitive guide to the history and architecture of the nine San Francisco Bay Area counties. This compendium has been written and photographed by Susan Cerny and twelve Bay Area experts and provides a historic record of how the area developed to became what it is today, and discusses transportation systems, city and suburban landscape plans, public parkland, California history, and economic, social, and political influences. Included are San Francisco Victorians, civic buildings, churches, parks, grand Period Revivals, and rustic Arts and Crafts homes, as well as significant vernacular buildings in less publicized neighborhoods and towns. Features include: Buildings by all major San Francisco Bay Area architects from the 1860s to the present. More than 2,000 entries. Architectural landmarks in every Bay Area county, arranged by chapter: San Francisco, San Mateo, Santa Clara, Alameda, Contra Costa, Solano, Napa, Sonoma, and Marin. More than 100 cities, towns, and neighborhoods. A history of architectural styles popular in the Bay Area. More than 20,000 copies sold of our previous architecture guide to the Bay Area.
Discover one of the world's most unique and fascinating cities through 28 dramatic true stories spanning the colorful history of San Francisco. Author Gael Chandler takes readers through more than 250 years of American history with exciting essays on topics such as the city's origins to the founding of the Presidio of San Francisco and the Mission San Francisco de Asis to its modern role as the progressive and innovative heart of a nation. Along the way you'll meet characters like the city's foremother Juana Briones, Gold Rush entrepreneur Levi Strauss, confectioner Domenico Ghirardelli, gangster Al Capone, the rock legends of Haight-Ashbury, activist politician Harvey Milk, the pioneers of today's techno boom, and many others who changed the face of the city—plus lesser-known tales, like those of the children of Alcatraz and the story of John McLaren, the architect of Golden Gate Park. In addition, guided walking tours of San Francisco's historic neighborhoods by the bay and beyond, illustrated with color photographs and period maps, take readers to the places where history really happened.
"San Francisco has no single landmark by which the world may identify it," according to San Francisco in the 1930s, originally published in 1940. This would surely come as a surprise to the millions who know and love the Golden Gate Bridge or recognize the Transamerica Building’s pyramid. This invaluable Depression-era guide to San Francisco relates the city’s history from the vantage point of the 1930s, describing its culture and highlighting the important tourist attractions of the time. David Kipen’s lively introduction revisits the city’s literary heritage—from Bret Harte to Kenneth Rexroth, Jade Snow Wong, and Allen Ginsberg—as well as its most famous landmarks and historic buildings. This rich and evocative volume, resonant with portraits of neighborhoods and districts, allows us a unique opportunity to travel back in time and savor the City by the Bay as it used to be.
Top25 Must-See Sights Best bets for dining, lodging, sightseeing. Plus a full-color pullout map. Everything you need to experience San Francisco • Top lodging and dining picks for every budget • Quintessential sights, from the Golden Gate Bridge to Alcatraz Island to an 18th-century Spanish mission • The best places for contemporary seasonal cooking, plus Italian trattorias, dim sum restaurants, and Mexican taquerias • Astounding art, from 20th-century masters at SFMOMA to Rodin sculptures at the Palace of the Legion of Honor • Splashy stores in Union Square, independent bookstores, the Ferry Building Farmers’ Market • Kid-friendly attractions for an hour or a day, from cablecar rides to the Exploratorium Insider tips • Expert Advice The author:Mick Sinclair has authored several other guidebooks to San Francisco and California.
“A California classic . . . California, it should be remembered, was very much the wild west, having to wait until 1850 before it could force its way into statehood. so what tamed it? Mr. Starr’s answer is a combination of great men, great ideas and great projects.”—The Economist From the age of exploration to the age of Arnold, the Golden State’s premier historian distills the entire sweep of California’s history into one splendid volume. Kevin Starr covers it all: Spain’s conquest of the native peoples of California in the early sixteenth century and the chain of missions that helped that country exert control over the upper part of the territory; the discovery of gold in January 1848; the incredible wealth of the Big Four railroad tycoons; the devastating San Francisco earthquake of 1906; the emergence of Hollywood as the world’s entertainment capital and of Silicon Valley as the center of high-tech research and development; the role of labor, both organized and migrant, in key industries from agriculture to aerospace. In a rapid-fire epic of discovery, innovation, catastrophe, and triumph, Starr gathers together everything that is most important, most fascinating, and most revealing about our greatest state. Praise for California “[A] fast-paced and wide-ranging history . . . [Starr] accomplishes the feat with skill, grace and verve.”—Los Angeles Times Book Review “Kevin Starr is one of california’s greatest historians, and California is an invaluable contribution to our state’s record and lore.”—MarIa ShrIver, journalist and former First Lady of California “A breeze to read.”—San Francisco
Since the founding of the United States, women have picked up their pens to write and express their ideas, affording them independence and self-sufficiency in days when they had little. By way of their poetry, essays, advice columns, investigative journalism and more, women like Helen Keller, Louisa May Alcott, Charlotte Perkins Gilman and Shirley Jackson wrote not only to entertain and inform, but often to simply keep a roof over their heads. This text offers a unique examination of female New England writers, focusing on their homes. The women wrote in many genres and became literary entrepreneurs, bargaining with editors for higher fees and royalties, participating in marketing campaigns, and seeking advice and help. The homes women bought with their earnings included cottages, suburban houses, farms, and an occasional mansion. Whether modest or luxurious, these houses provided the "room of her own" that Virginia Woolf said every woman needs in order to write. Sometimes that room was an elegant study, and sometimes a corner of the kitchen.