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The setting is Sicily, the island where the gods once spent their holidays. The principals are a newlywed couple in their forties, who hope to meld the children of their previous marriages into a brave, new, postnuclear family. But in John Guare's vastly original and eerily beautiful new play, any family may be reconstructed as a tragic pantheon, enacting passion as ancient as the strata of an archaeological dig and as catastrophic as an earthquake.
In the stunningly inventive new play by the author of Six Degrees of Separation, the island of Sicily becomes the setting for a drama enacting passions as ancient as a buried civilization and as catastrophic as an earthquake. This volume also contains seven short plays, including Muzeeka, The Talking Dog, and New York Actor.
THE STORY: Eros, the god of love, narrates the action of the play in haunting passages akin to the Greek choruses of ancient tragedies. We meet Penny and Philip, newlyweds who have abandoned unhappy marriages to work together on Philip's archeologi
The extraordinary tragicomedy of race, class and manners. Copyright © Libri GmbH. All rights reserved.
A comprehensive study of an award-winning playwright known for unconventional blending of genres John Guare, one of the most innovative and influential contemporary American playwrights of the last sixty years, is best known for such works as House of Blue Leaves, winner of an Obie Award, the New York Drama Critics Circle Award for Best American Play, and four Tony Awards, and Six Degrees of Separation, recipient of the New York Drama Critics Circle Award for Best American Play and the Olivier Best Play Award and a finalist for the Pulitzer Prize in Drama. In Understanding John Guare, William W. Demastes provides a concise biography and analyzes the playwright's career from his earliest works produced off-off Broadway in the 1960s to his most recent Broadway play, A Free Man of Color, a finalist for the 2011 Pulitzer Prize in Drama. Often compared to his contemporaries Sam Shepard and David Mamet, who have distinctive voices tied to their mastery of realistic, idiomatic American English, Guare has a style that is perhaps more varied, Demastes speculates, the result of his formal training in theater. After earning a bachelor's degree from Georgetown University, Guare earned an M.F.A. from the Yale School of Drama. He then polished his theater craft in New York City during the exciting and turbulent 1960s, breaking from realist conventions and creating an unlikely blend of comedy, burlesque, stand-up comedy, and absurdly incongruous plotlines. The result has been a theater of surprise that is rich in stage action and experimentally invigorating. Demastes examines Guare's tools and techniques such as mixing serious with comic, creating characters who break into song and dance, inserting stand-up comedy routines, and drawing from the most absurd incongruities of everyday life. In doing so, Guare has created plays about the best and worst of humanity, about lost souls, and about delusional ideals.
Best known for his plays Six Degrees of Separation and The House of Blue Leaves, John Guare is a major figure in the contemporary American theater. Other notable works by Guare include Bosoms and Neglect, Landscape of the Body, and the Lydie Breeze series. His career began with off-off-Broadway experimentation in the sixties and continues through the present. In that time Guare has created many imaginative, eccentric plays that reflect the chaos, violence, and loneliness of life in our time. He frequently combines outrageous farce with painfully serious subject matter. This sourcebook is both a convenient reference and a resource for further investigation of Guare's works. The volume chronicles his achievements with a chronology and biographical essay. It also includes summaries of his published and unpublished plays, overviews of the critical reception of each work, production credits, a primary bibliography of dramatic and nondramatic writings, and extensive annotated bibliographies of reviews and other secondary material.
This book, the first full-length study of Guare's theater, will make his plays more accessible through an examination of the often unnerving type of black comedy that makes his plays work.".
From the 1960s to the present day, John Guare’s plays have ranged from one-act to cyclic, realistic to surrealistic, naturalistic to experimental, and tragic to comic dramas. This study’s approach to the cornucopia the playwright himself provided when in an interview he gave a fundamental aesthetic principle of his craft. Like a person—and Guare’s plays develop the personal as well as the artistic self—a play must be grounded in reality; only then can it soar. The ground is traditional theatre with characters, no matter how larger than life they can be, and plot, no matter how illogical it can be. The soaring is in interrupting the action with monological narratives and musical interludes, bringing characters back from the dead, and having the action take hairpin turns into a mixture of genres and styles, modes and tones. In verbal and visual images, the flight invokes works by authors as varied as Aeschylus and Whitman, Dante and Feydeau, Verdi and Romberg. Soaring from ground to new ground, the theatre creates the transmission of the American heritage in Lake Hollywood, an idealism corrupted by a fraudulent American Dream in Lydie Breeze, and the recovery of the past in A Few Stout Individuals. As Guare said about his plays: they “interconnect.”
Winner of the George Devine Award in 1993, Babies premiered at the Royal Court theatre, London in September 1994 Liverpudlian Joe Casey is twenty-four, gay and a form tutor at a south-east London comprehensive. Joe's life is spliced between the drug-using excesses of his lover Woodie and the advances of his female pupils (and their mothers). A warm and funny comedy by the author of the 1993 hit Beautiful Thing.
THE STORY: One of the world's oldest living promising young playwrights, Bing Ringling is finally about to be produced--with play number 844. But, unfortunately, his lady producer, having had a series of successes, now yearns for a flop--so she can