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BLUE BEARD THE SLEEPING BEAUTY IN THE WOOD MASTER CAT; OR, PUSS IN BOOTS CINDERELLA; OR, THE LITTLE GLASS SLIPPER RIQUET WITH THE TUFT LITTLE THUMBLING PERFECT LOVE ANGUILLETTE YOUNG AND HANDSOME THE PALACE OF REVENGE THE PRINCE OF LEAVES THE FORTUNATE PUNISHMENT FAIRER THAN A FAIRY THE GOOD WOMAN THE STORY OF BEAUTY AND THE BEAST PRINCESS MINUTE AND KING FLORIDOR THE IMPOSSIBLE ENCHANTMENT BLEUETTE AND COQUELICOT PRINCESS CAMION PRINCESS LIONETTE AND PRINCE COQUERICO PRINCE DÉSIR PRINCE CHÉRI THE WIDOW AND HER TWO DAUGHTERS PRINCE FATAL AND PRINCE FORTUNÉ
The following book is a collection of fairy tales, which, as the title suggests, consists of 24 stories. It features works primarily of European origin, and includes titles such as the following: 'Sleeping Beauty', 'Blue Beard', and 'Puss in the Boots'.
Four and Twenty Fairy Tales is a collection of stories, selected from the writings of Perrault, Leprince de Beaumont, Madame de Villeneuve among other important French fairy tale writers, and translated by J. R. Planché (1796 – 1880). The text is accompanied by the beautiful illustrations of James Godwin, Edward Corbould and William Harvey. Perrault (1628 – 1703) was among the first writers to bring magical children’s stories into the literary mainstream, proving to their original seventeenth century readers that such works were important, enjoyable, as well as thought-provoking. The stories of Four and Twenty Fairy Tales encompass favourites such as ‘Blue Beard’, ‘Sleeping Beauty’, ‘Puss in Boots’, 'Beauty and the Beast' and ‘Cinderella’ as well as other, near-forgotten tales such as ‘Fairer than a Fairy’, ‘The Impossible Enchantment’ and ‘The Widow and her Two Daughters.’ Planché himself was a British dramatist and antiquary, chiefly responsible for introducing historically accurate costume into nineteenth century British theatre. His interest in folklore stemmed from such endeavours – and his passion for the tales as well as mastery of the French language is apparent in this text. The book contains a selection of black-and-white illustrations by Edward Corbould, James Godwin, William Harvey and others, all engraved by the famous Dalziel Brothers which further serve to refine and enhance the tales. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s literature – a period of unparalleled excellence in book illustration from the 1880s to the 1930s. Our collection showcases classic fairy tales, children’s stories, and the work of some of the most celebrated artists, illustrators and authors.
Encyclopedic in its coverage, this one-of-a-kind reference is ideal for students, scholars, and others who need reliable, up-to-date information on folk and fairy tales, past and present. Folktales and fairy tales have long played an important role in cultures around the world. They pass customs and lore from generation to generation, provide insights into the peoples who created them, and offer inspiration to creative artists working in media that now include television, film, manga, photography, and computer games. This second, expanded edition of an award-winning reference will help students and teachers as well as storytellers, writers, and creative artists delve into this enchanting world and keep pace with its past and its many new facets. Alphabetically organized and global in scope, the work is the only multivolume reference in English to offer encyclopedic coverage of this subject matter. The four-volume collection covers national, cultural, regional, and linguistic traditions from around the world as well as motifs, themes, characters, and tale types. Writers and illustrators are included as are filmmakers and composers—and, of course, the tales themselves. The expert entries within volumes 1 through 3 are based on the latest research and developments while the contents of volume 4 comprises tales and texts. While most books either present readers with tales from certain countries or cultures or with thematic entries, this encyclopedia stands alone in that it does both, making it a truly unique, one-stop resource.
From the bestselling author of the Heralds of Valdemar series comes an enchanting novel. In the land of the Five Hundred Kingdoms, if you can't carry out your legendary role, life is no fairy tale.… Elena Klovis was supposed to be her kingdom's Cinderella—until fate left her with a completely inappropriate prince! So she set out to make a new life for herself. But breaking with "The Tradition" was no easy matter—until she got a little help from her own fairy godmother. Who promptly offered Elena a most unexpected job.… Now, instead of sleeping in the chimney, she has to deal with arrogant, stuffed-shirt princes who keep trying to rise above their place in the tale. And there's one in particular who needs to be dealt with…. Sometimes a fairy godmother's work is never done….
Analyzes the portrayal of German fairy-tale figures in contemporary North American media adaptations. Craving Supernatural Creatures: German Fairy-Tale Figures in American Pop Culture analyzes supernatural creatures in order to demonstrate how German fairy tales treat difference, alterity, and Otherness with terror, distance, and negativity, whereas contemporary North American popular culture adaptations navigate diversity by humanizing and redeeming such figures. This trend of transformation reflects a greater tolerance of other marginalized groups (in regard to race, ethnicity, ability, age, gender, sexual orientation, social class, religion, etc.) and acceptance of diversity in society today. The fairy-tale adaptations examined here are more than just twists on old stories—they serve as the looking glasses of significant cultural trends, customs, and social challenges. Whereas the fairy-tale adaptations that Claudia Schwabe analyzes suggest that Otherness can and should be fully embraced, they also highlight the gap that still exists between the representation and the reality of embracing diversity wholeheartedly in twenty-first-century America. The book's four chapters are structured around different supernatural creatures, beginning in chapter 1 with Schwabe's examination of the automaton, the golem, and the doppelganger, which emerged as popular figures in Germany in the early nineteenth century, and how media, such as Edward Scissorhands and Sleepy Hollow, dramatize, humanize, and infantilize these "uncanny" characters in multifaceted ways. Chapter 2 foregrounds the popular figures of the evil queen and witch in contemporary retellings of the Grimms' fairy tale "Snow White." Chapter 3 deconstructs the concept of the monstrous Other in fairy tales by scrutinizing the figure of the Big Bad Wolf in popular culture, including Once Upon a Timeand the Fables comic book series. In chapter 4, Schwabe explores the fairy-tale dwarf, claiming that adaptations today emphasize the diversity of dwarves' personalities and celebrate the potency of their physicality. Craving Supernatural Creaturesis a unique contribution to the field of fairy-tale studies and is essential reading for students, scholars, and pop-culture aficionados alike.
The American Heritage Dictionary defines the term "fairy tale" as a fictitious, highly fanciful story or explanation. Can such a narrative furnish pragmatic advice on important topics like sound thinking, overcoming indecisiveness, stress reduction, emotional self-management, and getting along better with others? This book, Practical Fairy Tales for Everyday Living, shows that it can. Practical Fairy Tales for Everyday Living provides twenty-five highly fanciful stories featuring characters who successfully battle a variety of personal problems and mishaps through the formulations of general semantics, a science-based "self-help" system designed to assist individuals to better evaluate and understand everyday difficulties. (Steve Allen, polymath and author of numerous books, including Dumbth: 81 Ways to Make Americans Smarter, lists as Idea Number 81: Learn general semantics.) While the stories are not true in the literal sense of that word, the British pundit G.K. Chesterton observed that "Fairy tales are more than true-not because they tell us dragons exist, but because they tell us dragons can be beaten." Some of the stories you will find here contain plot elements from familiar literary classics and children's fairy tales. Other yarns offer completely original scenarios. All the stories have in common a desire to inform and entertain with a bit of humor. That was my purpose in writing these tales, and I hope that is your experience in reading them.
Three mini-plays by the German wunderkind and asylum-dweller. Fairy Tales gathers the unconventional verse dramolettes of the Swiss writer Robert Walser. Narrated in Walser's inimitable, playful language, these theatrical pieces overturn traditional notions of the fairy tale, transforming the Brothers Grimm into metatheater, even metareflections. Snow White forgives the evil queen for trying to kill her, Cinderella doubts her prince and enjoys being hated by her evil stepsisters; the Fairy Tale itself is a character who encourages her to stay within the confines of the story. Sleeping Beauty, the royal family, and its retainers are not happy about being woken from their sleep by an absurd, unpretentious, Walser-like hero. Mary and Joseph are taken aback by what lies in store for their baby Jesus.