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A history and tour of this exceptionally beautiful designed landscape in North Yorkshire.
An engaging study of Yorkshire's famous Fountains Abbeys.
'In a tale that more than matches its predecessors for pace and atmosphere, Hawkins is forced into confrontation with a psychopathic killer...hugely enjoyable' The Sunday Times 'You will burn.' Late spring, 1728. Fresh from his escape from the gallows, Thomas Hawkins has arrived in Yorkshire with his ward, Sam Fleet. But death still has a hand upon his shoulder, even in such idyllic surroundings. John Aislabie, Tom's reluctant host, is being tormented by anonymous letters threatening murder. A disgraced politician, Aislabie certainly has plenty of enemies. But, trapped in a house haunted by old tragedies, Tom begins to suspect that the danger lies much closer to home. Someone is playing a subtle and deadly game of revenge, years in the planning. And now Tom is standing in their way...
This captivating book, fully revised and updated and featuring more NT houses than ever before, is a guide to some of the greatest architectural treasures of Britain, encompassing both interior and exterior design. This new edition is fully revised and updated and includes entries for new properties including: Acorn Bank, Claife Viewing Station, Cushendun, Cwmdu, Fen Cottage, The Firs (birthplace of Edward Elgar), Hawker's Hut, Lizard Wireless Station, Totternhoe Knolls and Trelissick. The houses covered include spectacular mansions such as Petworth House and Waddesdon Manor, and more lowly dwellings such as the Birmingham Back to Backs and estate villages like Blaise Hamlet, near Bristol. In addition to houses, the book also covers fascinating buildings as diverse as churches, windmills, dovecotes, castles, follies, barns and even pubs. The book also acts as an overview of the country's architectural history, with every period covered, from the medieval stronghold of Bodiam Castle to the clean-lined Modernism of The Homewood. Teeming with stories of the people who lived and worked in these buildings: wealthy collectors (Charles Wade at Snowshill), captains of industry (William Armstrong at Cragside), prime ministers (Winston Churchill at Chartwell) and pop stars (John Lennon at Mendips). Written in evocative, imaginative prose and illustrated with glorious images from the National Trust's photographic library, this book is an essential guide to the built heritage of England, Wales and Northern Ireland.
Although the integration of sculpture in gardens is part of a long tradition dating back at least to antiquity, the sculptures themselves are often overlooked, both in the history of art and in the history of the garden. This collection of essays considers the changing relationship between sculpture and gardens over the last three centuries, focusing on four British archetypes: the Georgian landscape garden, the Victorian urban park, the outdoor spaces of twentieth-century modernism and the late-twentieth-century sculpture park. Through a series of case studies exploring the contemporaneous audiences of gardens, the book uncovers the social, political and gendered messages revealed by sculpture's placement and suggests that the garden can itself be read as a sculptural landscape.
Covering the northern half of Yorkshire, this volume is full of contrasts, from urbanized Leeds to the tight-knit mill towns and villages pushing into the Pennines.
When Alan and his girlfriend, Sile, come across a primitive hut on the Rock, they are shocked to find an old man living there. as the drug Euthuol has made old-age a thing of the past. Sonny is deeply attached to the Rock and entrusts Alan with protecting it when he dies.
A roman a clef--fictional in its detail, but autobiographical in its pathetic trajectory. A girl, Laura, grows up by a ruined abbey in Northumberland; she is sexually assaulted by a man she finds collecting shells on the beach; she tells no one. Later, her father, a gambler, sells his grand house, a move that both liberates and diminishes him (with fatal results for his marriage), and his daughter struggles to fit in at a state school. Quietly, but with a certain gusto, she takes up drugs. On a school trip, she sees a painting by Christopher Kovel, a man of European background who loiters at the fringes of her parents' social set. She writes to him and they become desultory lovers. The affair only peters out once Laura is in prison and Kovel marries his long-term mistress.