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The first novel in Isaac Asimov’s classic science-fiction masterpiece, the Foundation series THE EPIC SAGA THAT INSPIRED THE APPLE TV+ SERIES FOUNDATION • Nominated as one of America’s best-loved novels by PBS’s The Great American Read For twelve thousand years the Galactic Empire has ruled supreme. Now it is dying. But only Hari Seldon, creator of the revolutionary science of psychohistory, can see into the future—to a dark age of ignorance, barbarism, and warfare that will last thirty thousand years. To preserve knowledge and save humankind, Seldon gathers the best minds in the Empire—both scientists and scholars—and brings them to a bleak planet at the edge of the galaxy to serve as a beacon of hope for future generations. He calls his sanctuary the Foundation. The Foundation novels of Isaac Asimov are among the most influential in the history of science fiction, celebrated for their unique blend of breathtaking action, daring ideas, and extensive worldbuilding. In Foundation, Asimov has written a timely and timeless novel of the best—and worst—that lies in humanity, and the power of even a few courageous souls to shine a light in a universe of darkness.
An examination of the science-fiction novels and short stories of Isaac Asimov analyzes his treatment of the effects on humans of advances in technology
This book presents the ontological and logical foundation of a new form of thinking, the beginning of an “absolute phenomenology.” It does so in the context of the history of thought in Europe and America. It explores the ramifications of a categorically new logic. Thinkers dealt with include Plato, Galileo, Hegel, Kierkegaard, Marx, Nietzsche, Husserl, Heidegger, Peirce, James, Dewey, Derrida, McDermott, and Altizer.
The classic sci-fi saga continues in this “intriguing and engrossing” first installment of a new trilogy that “extends and embellishes Asimov’s vision” (Kirkus). Isaac Asimov's Foundation Trilogy is one of the high-water marks of science fiction. It is the monumental story of a Galactic Empire in decline, and the secret society of scientists who seek to shorten the inevitable Dark Age with the science of psychohistory. Now, with the permission—and blessing—of the Asimov estate, the epic saga continues. Fate—and a cruel Emperor's arbitrary power—have thrust Hari Seldon into the First Ministership of the Empire against his will. As the story opens, Hari is about to leave his quiet professorship and take on the nearly impossible task of administering 25 million inhabited worlds from the all-steel planet of Trantor. With the help of his beautiful bio-engineered "wife" Dors and his alien companion Yugo, Seldon is still developing the science that will transform history, never dreaming that it will ultimately pit him against future history's most awesome threat.
The first of two prequel novels in Isaac Asimov’s classic science-fiction masterpiece, the Foundation series THE EPIC SAGA THAT INSPIRED THE APPLE TV+ SERIES FOUNDATION It is the year 12,020 G.E. and Emperor Cleon I sits uneasily on the Imperial throne of Trantor. Here in the great multidomed capital of the Galactic Empire, forty billion people have created a civilization of unimaginable technological and cultural complexity. Yet Cleon knows there are those who would see him fall—those whom he would destroy if only he could read the future. Hari Seldon has come to Trantor to deliver his paper on psychohistory, his remarkable theory of prediction. Little does the young Outworld mathematician know that he has already sealed his fate and the fate of humanity. For Hari possesses the prophetic power that makes him the most wanted man in the Empire . . . the man who holds the key to the future—an apocalyptic power to be known forever after as the Foundation.
Contains 55 essays on science fiction.
The Foundation is established after the Old Empire gives way to barbarism, a mighty struggle for power occurs, and a mutant strain gone wild poses a threat following the First Empire's defeat
The Second Foundation Trilogy ends with “a satisfying and clever finale . . . An impressive, thought-provoking addition to Isaac Asimov’s formidable legacy” (Science Fiction Weekly). Isaac Asimov’s Foundation Trilogy is one of the highwater marks of science fiction. The monumental story of a Galactic Empire in decline and a secret society of scientists who seek to shorten the coming Dark Age with tools of Psychohistory, Foundation pioneered many themes of modern science fiction. Now, with the approval of the Asimov estate, three of today’s most acclaimed authors have completed the epic the Grand Master left unfinished. The Second Foundation Trilogy begins with Gregory Benford’s Foundation’s Fear, telling the origins of Hari Seldon, the Foundation’s creator. Greg Bear’s Foundation and Chaos relates the epic tale of Seldon’s downfall and the first stirrings of robotic rebellion. Now, in David Brin’s Foundation’s Triumph, Seldon is about to escape exile and risk everything for one final quest—a search for knowledge and the power it bestows. The outcome of this final journey may secure humankind’s future—or witness its final downfall . . . Praise for The Second Foundation Trilogy “The three new Foundation novels . . . are far more than just new pieces of the same story. They add up to a deeply affectionate work of literary deconstruction.” —The New Yorker “Brings out the complexities of a galactic empire that Asimov never filled out.” —The Denver Post “In the Second Foundation Trilogy, Gregory Benford, Greg Bear and now David Brin have conducted a lively exploration of the logical and ethical implications of Asimov’s sprawling future history.” —Science Fiction Weekly
“[The] successful writer for TV, movies, and comics makes his debut as a memoirist with a stunning chronicle of survival”—introduction by Neil Gaiman (Kirkus). Joseph Michael Straczynski is the legendary writer behind Babylon 5, Sense8, Clint Eastwood’s Changeling and Marvel’s Thor, among many other beloved movies, TV shows and comics. In Becoming Superman, he reveals how the power of creativity and imagination enabled him to overcome the horrors of his youth and a dysfunctional family haunted by madness, murder, and a terrible secret. Joe’s early life nearly defies belief. Raised by damaged adults—a con-man grandfather and a manipulative grandmother, a violent, drunken father and a mother who was repeatedly institutionalized—Joe grew up in abject poverty, living in slums and projects when not on the road, crisscrossing the country in his father’s desperate attempts to escape the consequences of his past. Joe found refuge in comic books and his own dreams—imaginary worlds where superheroes used their amazing powers to overcome any adversity. The deeper he read, the more he came to realize that he, too, had a superpower: the ability to tell stories. But even as he found success, Joe could not escape a shocking family secret involving mass murder that he uncovered over the course of decades. Becoming Superman is the startling true story of a little boy who became the hero of his own life.
Isaac Asimov and Frank Herbert remain two of the most popular and influential science fiction writers of the 20th century. Each is a master structuralist whose works succeed in large part through the careful mirroring of concepts at every narrative level. While the fiction of Herbert and Asimov has attracted scholarly attention, science itself is a crucial element that is almost completely ignored in critical assessments of science fiction as literature. Because the works of Asimov and Herbert are grounded in scientific premises, an appreciation of their literary structure depends on an understanding of the scientific concepts informing them. This book examines Herbert's Dune series and Asimov's Foundation trilogy and robot stories from the perspective of chaos theory to elucidate the structure of their works. Chaos theory is the study of orderly patterns in turbulent, dynamic, or erratic systems. The order of these systems stems from the interdependence of numerous interlocking events or components. These may take the form of fractal structures, in which similar but not necessarily identical structures are replicated across the same scale and increasingly smaller scales. This book argues that in drawing upon apparently chaotic natural and scientific systems, Herbert and Asimov created fractal narrative structures in their works.