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A culture that demands only freedom from politics, while rejecting and shunning politics itself, remains inadequate, lifeless, and is ultimately doomed. In its turn, politics that rejects the spiritual oversight of culture inevitably degenerates into tyranny or anarchy, into corruption and mediocrity. Inside this deceptively modest volume will be found a remarkably prescient collection of broadcasts, that are perhaps even more pertinent to the contemporary culture and politics of Russia than they were to the audience within the Soviet Union to whom they were originally addressed. Schmemann presents the complex history of Russia and analyzes trends and tendencies within its culture concisely and simply: showing them to be frequently contradictory and even mutually exclusive. He clarifies the multilayered meaning of "foundations"— its underlying building blocks, the spiritual, the political, the historical, as well as the cultural assets in literature, art, science, and philosophy. In these elements he shows what Russia is grappling with in its struggle to find a synthesis that draws both from its own unique elements and its historical and ongoing interconnectedness with the "West" and the "East."
ENGLISH TRANSLATION The book is a Russian textbook on geopolitics. It systematically and detailed the basics of geopolitics as a science, its theory, history. Covering a wide range of geopolitical schools and beliefs and actual problems. The first time a Russian geopolitical doctrine. An indispensable guide for all those who make decisions in the most important spheres of Russian political life - for politicians, entrepreneurs, economists, bankers, diplomats, analysts, political scientists, and so on. D.
This collection of "Stitesiana" includes 29 essays on Russian culture, representing the bulk of 20 years of scholarship, in addition to well-known monographs and diverse pieces in popular magazines.
In recent years, Western experts have generally portrayed the Kremlin’s actions as either strategic or tactical. Yet this proposition raises a very important question: how closely does the West’s interpretation of Russian strategy reflect the country’s own definitions? While many military historians have sought to interpret Russian strategy, Strategiya takes a different approach. It brings together, in English, the classic works of the Russian art of strategy, which were rediscovered after the collapse of the Soviet Union. Instead of explaining his analysis of Russia’s contemporary strategy, Ofer Fridman offers his translation of and commentary upon the founding texts of Russia’s own Clausewitzes, Baron Jominis and Liddell Harts, who have been inspiring Russian strategic thinking—both its conceptualisation and its implementation—from the moment Moscow rejected the exclusive role of Marxism-Leninism in strategic affairs. Russian contemporary strategists draw their inspiration from three main schools of thought. While works by Soviet military thinkers have already been translated into English, those by both Imperial strategists and military thinkers in exile have remained almost inaccessible to the Western reader. Filling this lacuna, Strategiya offers a fascinating glimpse inside the foundations of Russian strategic thought and practice.
A Stanford University Press classic.
"Joanna Hubbs has found the trace of Baba Yaga and the rusalki and Moist Mother Earth and other fascinating feminine myths in Russian culture, and has added richly to the growing interest in popular culture." -- New York Times Book Review "... brave... fascinating... immensely enjoyable... " -- Times Higher Education Supplement "... a stimulating and original study... vivid and readable." -- Russian Review "An immensely stimulating, beautifully written work of scholarship." -- Francine du Plessix Gray "Joanna Hubbs has provided scholars... with a wealth of significant interpretive material to inform if not reform views of both Russian and women's cultures." -- Journal of American Folklore A ground-breaking interpretation of Russian culture from prehistory to the present, dealing with the feminine myth as a central cultural force.
Though current events have brought Russia into the spotlight of late, many Americans still have only the haziest notion of Russian culture. This wide-ranging reference introduces the peoples, languages, and religions of Russia and also delves into such facets of Russian culture as sports, the media, holidays, traditional foods, and education. Chapters devoted to architecture, the visual arts, literature, and the performing arts highlight the best of Russia's cultural heritage, including the novels of Leo Tolstoy and Fyodor Dostoyevsky, the films of Sergey Eisenstein, the music of Tchaikovsky and Sergey Prokofiev, and the churches of Pskov. Readers will find this volume to be a fascinating introduction to a rich, complex culture.
From the 18th century to the 20th, this book gives a panorama of Russian painting not equalled anywhere else. Russian culture developed in contact with the wider European influence, but retained strong native intonations. It is a culture between East and West, and both influences in together. The book begins with Icons, and it is precisely Icon-painting which gave Russian artist their peculiar preoccupation with ethical questions and a certain kind of palette. It goes on the expound the duality of their art, and point out the originality of their contribution to world art. The illustrations cover all genres and styles of painting in astonishing variety. Such figures as Borovokovsky, Rokotov, Levitsky, Brullov, Fedatov, Repin, Shishkin and Levitan and many more are in these pages.