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Hegemann and Peets' classic work on urban planning is an encyclopedic compilation of over twelve hundred illustrations, photographs, and diagrams. Their work was first published in 1922 and presented for the first time a comprehensive survey of what we would consider modern urban planning or urban design principles. Their work, often referred to simply as 'Civic Art, ' remained out of print for a number of years. This compact edition, part of the 'Fundamentals in Urban Planning' series, presents the full text and graphics of the original edition in an affordable and portable version. CONTENTS: I. The Modern Revival of Civic Art II. Plaza and Court Design in Europe III. The Grouping of Buildings in America IV. Architectural Street Design V. Garden Art as Civic Art VI. City Plans as Unified Designs VII. The Plan of Washington
"Werner Hegemann (1881-1936), a German-born multidisciplinary critic of the built environment, was well known in Europe and the United States in his lifetime. A critic rather than a designer, he did not fit easily into any school or category. To those seeking to promote modernism, Hegemann was something of an awkward figure - influential and undoubtedly authoritative but unorthodox. Today, however, when studies of modernism have largely shed their proselytizing role, he is of great relevance. Our interest now is less in those who proposed the answers than in those who asked the questions - and particularly the way in which those questions were framed. For this Hegemann is a key figure." "Based on documentation largely unavailable in English - including Hegemann's published and unpublished writings, his correspondence, his diaries, the author's interviews, archival materials lent to her by Hegemann's widow, and the author's own substantial collection - this is the first comprehensive study of Hegemann for historians, architects, and urbanists."--BOOK JACKET.
In an effort to make neighborhoods compatible with 21st century ideals, Talen has produced a singular resource for understanding what is meant by neighborhood--a multi-dimensional, comprehensive view of what neighborhoods signify, how they're idealized and measured, and what their historical progression has been.
"American Vitruvius: an Architects' Handbook of Civic Art. At the end of the second decade of this [the twentieth] century, Werner Hegemann, a German-born urban planning theorist and practitioner, and Elbert Peets, a young American recently graduated from Harvard University's School of Landscape Architecture, joined together in Wisconsin in a professional partnership. The association of these two students of American urbanism culminated in 1922 with The American Vitruvius: an Architects' Handbook of Civic Art, a critical text that played an essential role in the definition and promotion of modern American city planning. American Vitruvius offers the reader an atlas of design solutions and advocates a humanistic, as well as rational, development of the urban environment. Princeton Architectural Press has reprinted the entire original text including the book's 1203 plates. These illustrations consist of plans, elevations, and perspective views of both European and American cities, spanning in date from the Renaissance to the twentieth century. The republication of this volume suggests the relevance of Hegemann and Peets' approach for contemporary city planning. Today, in the midst of an era responding to the de-humanization of the city, American Vitruvius offers a reconciliation of artistic aspects of civic art with scientific theory of city planning -- the authors insist upon a city that allows its residents both pleasure and freedom of expression"--Front flap.
These essays, from leading names in the field, weave together the parallels and differences between the past and present of civic art. Offering prospects for the first decades of the twenty-first century, the authors open up a broad international dialogue on civic art, which relates historical practice to the contemporary meaning of civic art and its application to community building within today’s multi-cultural modern cities. The volume brings together the rich perspectives on the thought, practice and influence of leading figures from the great era of civic art that began in the nineteenth century and blossomed in the early twentieth century as documented in the works of Werner Hegemann and his contemporaries and considered fundamental to contemporary practice.
This book, part of a series of four, offers a detailed analysis of urban design, covering the streets, squares and buildings that make up the public face of towns and cities. It outlines the theory of the principal features of urban design from which method is developed and provides a better understanding of the main elements of urban design. This includes the arrangement, design and details of the streets and squares, and the roles they play in city planning. This third edition includes chapters on "Sustainable Urban Design" and "Visual Analysis", introducing the latest theories and influences in the field and bringing greater practical significance to the book. Cliff Moughtin explores the street and square in terms of function, structure and symbolism and examines fine examples in their historical context. These are set against the background of the laws of urban design composition, culled from Renaissance and modern writers.
This powerful reference features one hundred famous urban plans all drawn to the same scale, each accompanied by a one-page summary of the site discussing its history, design and lessons for future urban design.
This text analyses urban design, covering the streets, squares and buildings that make up the public face of towns and cities. It includes the arrangement, design and details of these elements and the roles they play in city planning.
This atlas of architectural design advocates rational as well as humanistic principles in the development of the urban environment. Drawing upon the ideals that inspired the great Roman architect, it promotes the Vitruvian maxims of longevity, beauty, and commodity. It also defines the thinking behind modern American city planning. First published in 1922, The American Vitruvius arose from a collaboration between two students of American urbanism. Werner Hegemann, an urban planner, and Elbert Peets, a graduate of Harvard's School of Landscape Architecture, selected more than 1,200 plans, elevations, and perspective views. Their choices depict a tremendous variety of European and American structures dating from the Renaissance to the early twentieth century. Ranging from Rome's vast Piazza San Pietro to modest German and English garden suburbs, this volume explores all manner of urban design, including American college campuses, parks, and cemeteries; L'Enfant's plan of Washington, DC; and other civic centers. Design Book Review hailed this classic as "the most complete single-volume survey of canonical cases of urbanism," offering "a scintillating collection of uncommon and forgotten designs." An essential reference for every architect and student of architecture, this affordable edition is of particular value in light of the current New Urbanism trend.