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Explore the elements and popular practice of using found objects in mixed media and textile art with Cas Holmes. When applied both for decoration and meaning, found objects can add texture and special accents to your art pieces. Let textile artist Cas Holmes, renowned for her use of "the found" and her many-layered, atmospheric pieces, show you a wealth of tips and ideas for this technique. Inside you'll discover: Where to search for found objects and how to recycle previously used materials. Techniques to conceive and build a piece around a found object. The range of found objects--from natural materials such as driftwood to manufactured pieces of machinery to even mundane objects like CD cases. How found objects can be used to create stunning pieces and lend deep meaning to a work. The Found Object in Textile Art showcases how to combine mixed-media and fiber-arts techniques to create art with personal, narrative qualities.
Harness the beauty of the natural world to create unique textile art pieces. Learn how to create beautiful textile art inspired by details in nature in this practical and inspirational guide. Acclaimed textile artist Marian Jazmik shows how to use unusual recycled and repurposed materials combined with traditional fabric and thread. Marian reveals the secrets of her lushly textured and sculptural embroidered pieces, from initial photograph to finished object. Exploring nature as a constant source of inspiration, she shows how to turn a chance spotting of lichen on a tree trunk or a scattering of autumn leaves into glorious textile or mixed-media art. Marian goes on to explore the myriad of techniques she uses in her work, including: How to begin with photography, homing in on details in nature. How to manipulate images to create microscopic and surprising detail. How to translate the images into 3-D work, using an eclectic mix of natural and man-made textiles, as well as unusual recycled materials otherwise be destined for landfill (packaging, plastics and household DIY products). Hand and machine embroidery. Dyeing, printing and painting. Using heat gun and soldering iron to create heavily textured surfaces. Packed with practical tips, inspiration and illustrated throughout with glorious examples of Marian’s work, this book will provide you with endless imaginative ideas for distilling the wonders of nature into your own textile art.
Essays by John W. Smith, Mario Kramer and Matt Wrbican. Introduction by Thomas Sokolowski and Udo Kittelmann.
A practical and inspirational guide to help embroiderers and textile artists make the most of sketchbooks to inform their creative work. The artist’s sketchbook offers an exciting platform to explore a host of mixed media techniques. Using a combination of paper, textiles, found objects, pencil, ink and paint, Shelley Rhodes shows how a sketchbook can act as an illustrated diary, a visual catalogue of a journey or experience or as a starting point for more developed work. Whether out on location or in the studio, Rhodes explores every stage of the creative process, from initial inspiration to overcoming the fear of a blank page, manipulating paper and images and incorporating ‘found’ objects to build a sketchbook that is both beautiful and inspiring. Sketchbook Explorations is the ideal companion for everyone from the beginner to the more experienced artist looking for exciting techniques to expand their repertoire in mixed media. The book explores: Why work in sketchbooks? The importance and joy of working in a sketchbook. Ways of recording and investigating ideas that inspire. Techniques in mixed media from found objects and layers to three-dimensional sketching. Creating on location. Using electronic devices to develop ideas.
Textile artists have always used found objects, both for decoration and to imbue their work with meaning. Cas Holmes is renowned for her use of ‘the found’, and her many-layered, atmospheric pieces have been shown around the world. The practice differs from recycling in that the objects often remain ‘themselves’ when they are incorporated into the work, rather than being transformed into something else and their original appearance being obliterated. The work is often conceived and built around the found object. The definition ‘found object’ can include a wide range of objects, from natural materials such as driftwood and leaves to old bits of machinery and vintage fabrics. Mundane objects such as CD cases can be used to create stunning pieces of art, or more sentimental items such as old jewellery can lend deep meaning to a work. The book covers: •How to find objects: for example in the home, walking the streets, travel souvenirs •Types of found object: including natural objects, man-made items, printed ephemera •Using found objects: using little jewels to decorate work, making unusual frames, creating work within boxes •Creating surfaces with found objects: printing, layering, fusing, cutting and stitch This book contains a wealth of techniques and inspiration for incorporating found objects into your textile work.
Discusses working collaboratively in textile art and offers advice on setting up collaborations, devising working methods, and staging the exhibitions.
Transform your ideas on creative fabric embellishment for textile art that's full meaning and astounding texture, in this inspiring book by award-winning textile art tutor and artist Jan Dowson. Whether it's a landscape, a garden, an animal or a powerful memory of a place or object, Jan shows you how she develops them all into beautifully stitched representations that exude awe-inspiring detail, colour and expression. Discover Jan's unique sketchbook process, where she stores and collects natural items, and explores different patterns, textures, media and markings to cultivate her final design. See her simple yet effective methods for transforming her fabric for stitching, including dyeing, embellishing and stamping. Then, watch her transform an unassuming square of fabric into a contemporary piece of art brimming with colour, texture and extraordinary stitched markings - all made through the combination of traditional sewing techniques and other media. Following a fascinating, illustrated step-by step chapter on Jan's key techniques, join her as she takes you through the stages of three types of work for which she is most renowned - the stitched landscape, the memory cloth and the bird sculpture. Each project also includes a break down of the materials, tools and techniques used, so that can understand as well as see the development of her astounding, mixed-media creations. Throughout the book, a gallery of Jan's work complements her techniques and projects, showing how to truly push the limits on your stitcheries. These are stunning pieces that will open your eyes and turn your own creative concepts into original, personal work.
An essential book for any textile artist looking to expand their repertoire into two- and three-dimensional work. Leading textile artist, teacher and examiner Jean Draper takes you through the entire process from designing through construction to embellishment with mixed media. This beautiful and very practical book includes diagrams, detailed drawings and stitch information to guide the reader through the techniques, which include hand and machine embroidery. It covers: Design, including recording information for translation into stitch (with lots of drawing tips); Choice of Threads, including some unusual threads and customizing them; Constructing with Thread, everything from knotted forms, with decorative threads, grids and stacks, and coiled structures; Stitches in Thin Air, constructing with stitch alone using moulds and soluble fabric; Using Mixed Media in Stitched Structures, such as paper, sticks, wire and plastics; Adding Structure to an Existing Fabric; Three-Dimensional Fabric Structures. Working in two and three-dimensions is a growing genre of textile art and this incorporates a fresh approach and great design advice.
This volume presents the results of a 2017 workshop at the Centre for Textile Research (CTR), University of Copenhagen, an event within the framework of the MONTEX project-including support from a Marie Sk
More and more textile artists are using natural processes in their work, from dyeing with rust to working with found and scavenged items, and this book is the first to bring these increasingly popular techniques together. It promotes a way of working creatively with what is close at hand, whether gathered on walks by the seashore or collected in your garden, and working in tune with natural processes, bringing the rhythms and unpredictability of nature into your work. Examples of this type of working include rust dyeing embroidered fabric to give it a natural patina, dyeing with garden fruits or seaweed, weaving with pieces of beachcombed fibre and printing with found objects. In all of this work nature is directly harnessed to make its mark. The book is illustrated with the finest examples of contemporary embroidery and textile-art work using nature, by artists whose practice is tied up with their experience of and respect for the natural environment, often capturing a very strong sense of place and a feeling of calmness and contemplation.