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Jon Fosse has been called 'the Beckett of the 21st century' (Le Monde), and the Royal Court production of Nightsongs was dubbed 'Waiting for Godot without the gags'. Just as Beckett's plays - and those of all great playwrights - grew out of their time, and influenced the current styles of drama, and were part of what brought their times forward, so do Fosse's plays now. Fosse: Plays Six marks the culmination of this Norwegian playwright's body of work for the stage to be published in the English language. The volume includes the plays Rambuku, Freedom, Over There, These Eyes, Girl in Yellow Raincoat, Christmas Tree Song and Sea. Rambuku: Two people. One finds it difficult to speak. The other attempts to understand. But what is Rambuku? Or who is Rambuku? Freedom: There is a sense of otherness in Fosse's work that challenges our notions of a concept such as 'freedom'. This play questions if freedom, as we often understand it, is perhaps a prison. Over There: A woman follows a man to his death. But do they see the same images on the way to the top of the mountain? These Eyes: A snapshot of the dreamlike state of life. The characters exist in an in-between space which becomes their reality. Girl in Yellow Raincoat: An examination of our collective weakness, and the fragility of children. It asks questions about notions surrounding fear. Christmas Tree Song: A man celebrates Christmas alone (and reflects in a somewhat ironic way) on his life as he attempts to put up a Christmas tree. Sea: A group of people gathered in a kind of limbo, on a ship, disappearing into something unknown.
The authoritative and endlessly revealing biography of renowned dancer, choreographer, screenwriter, and director Bob Fosse, written by a bestselling pop culture historian.
A new volume of plays from one of the leading Norwegian writers.
Winner of the Nobel Prize in Literature for 2023 Trilogy is Jon Fosse’s critically acclaimed, luminous love story about Asle and Alida, two lovers trying to find their place in this world. Homeless and sleepless, they wander around Bergen in the rain, trying to make a life for themselves and the child they expect. Through a rich web of historical, cultural, and theological allusions, Fosse constructs a modern parable of injustice, resistance, crime, and redemption. Consisting of three novellas (Wakefulness, Olav’s Dreams, and Weariness), Trilogy is a haunting, mysterious, and poignant evocation of love, for which Fosse received The Nordic Council’s Prize for Literature in 2015.
A haunting collection from one of Norway's most celebrated writers.
The wind gathers, rising up suddenly. Two men on a fragile boat, a trip to sea – a few drinks, a bite to eat – when one of them decides to push on to the open ocean. Suddenly there they are: among the distant islands, the threatening fog and gathering swell of the sea, bound together on an odyssey into the unknown. Jon Fosse’s work includes novels, poetry, essays and books for children. He is one of the most produced playwrights in Europe and his plays have been translated into forty languages. Oberon Books publishes Nightsongs and The Girl on the Sofa, and his other plays in the following collections: Plays One, Plays Two, Plays Three, Plays Four and Plays Five. Plays Six is forthcoming in 2012. Oberon Books also publishes The Luminous Darkness: The Theatre of Jon Fosse by Leif Zern (translated by Ann Henning-Jocelyn).
Bob Fosse (1927-1987) is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway musical. He also became the only star director of musicals of his era--a group that included Jerome Robbins, Gower Champion, Michael Kidd, and Harold Prince--to equal his Broadway success in films. Following his unprecedented triple crown of show business awards in 1973 (an Oscar for Cabaret, Emmy for Liza with a Z, and Tony for Pippin), Fosse assumed complete control of virtually every element of his projects. But when at last he had achieved complete autonomy, his final efforts, the film Star 80 and the musical Big Deal, written and directed by Fosse, were rejected by audiences and critics. A fascinating look at the evolution of Fosse as choreographer and director, Big Deal: Bob Fosse and Dance in the American Musical considers Fosse's career in the context of changes in the Broadway musical theater over four decades. It traces his early dance years and the importance of mentors George Abbott and Jerome Robbins on his work. It examines how each of the important women in his adult life--all dancers--impacted his career and influenced his dance aesthetic. Finally, the book investigates how his evolution as both artist and individual mirrored the social and political climate of his era and allowed him to comfortably ride a wave of cultural changes.
In modern baseball history, only one team not named the New York Yankees has ever won three consecutive World Series. That team was the Oakland Athletics, who captured major league baseball’s crown each year from 1972 through 1974. Led by such superstars as future Hall of Famers Reggie Jackson, Catfish Hunter and Rollie Fingers, in the final years before free agency and the movement of playersfrom one team to another forever changed the game, the Athletics were a largely homegrown aggregate of players who joined the organization when the team called Kansas City its home, developed as teammates in the minor leagues, and came of age together in Oakland. But it was the way in which they did it that immortalized those teams. For if the story of the Oakland Athletics’ championships is that of one of baseball’s greatest teams, it’s also the story of enigmatic owner Charles O. Finley and how those players succeeded in spite of Finley’s larger-than-life persona and meddlesome ways. Indeed, before the Yankees’ George Steinbrenner, there was Charles Oscar Finley, of the Athletics. Featuring the contributions of 46 members of the Society for American Baseball Research (SABR), Mustaches and Mayhem: Charlie O’s Three-Time Champions shares the stories of each of the roster players on each of the A’s championship teams, in addition to the managers, coaches, Finley himself, the team’s radio announcer, and even Charlie O, the mule, Finley’s legendary mascot. Summaries of each spring training and World Series, too, will complete the tale of one of baseball’s most colorful and successful teams. Biographies included: Charlie Finley, Charlie O (the Mule), Sal Bando, Vida Blue, Bert Campaneris, Rollie Fingers, Dick Green, Dave Hamilton, Catfish Hunter, Reggie Jackson, Ted Kubiak, Blue Moon Odom, Joe Rudi, Gene Tenace, Jerry Adair (coach), Matty Alou, Brant Alyea, Dwain Anderson, Curt Blefary, Bob Brooks, Larry Brown, Ollie Brown, Orlando Cepeda, Ron Clark, Tim Cullen, Dave Duncan, Mike Epstein, Adrian Garrett, Larry Haney, Mike Hegan, George Hendrick, Ken Holtzman, Joe Horlen, Vern Hoscheit (coach), Mike Kilkenny, Darold Knowles, Allan Lewis, Bob Locker, Angel Mangual, Gonzalo Marques, Marty Martinez, Dal Maxvill, Denny McLain, Bill McNulty, Don Mincher, Irv Noren (coach), Bill Posedel (coach), Jim Roland, Diego Segui, Art Shamsky, Don Shaw, Bill Voss, Gary Waslewski, Dick Williams, Glenn Abbott, Jesus Alou, Mike Andrews, Pat Bourque, Rico Carty, Billy Conigliaro, Vic Davalillo, Chuck Dobson, Ray Fosse, Rob Gardner, Phil Garner, Tim Hosley, Deron Johnson, Jay Johnstone, Paul Lindblad, Rich McKinney, Jose Morales, Bill North, Horacio Pina, Wes Stock (coach), Manny Trillo, Alvin Dark, John Donaldson, Bob Hofman, Jim Holt, Leon Hooten, Bill Parsons, Gaylen Pitts, Champ Summers, Claudell Washington, Herb Washington, Bob Winkles, and Monte Moore (broadcaster).
An insider’s look at baseball’s unwritten rules, explained with examples from the game’s most fascinating characters and wildest historical moments. Everyone knows that baseball is a game of intricate regulations, but it turns out to be even more complicated than we realize. All aspects of baseball—hitting, pitching, and baserunning—are affected by the Code, a set of unwritten rules that governs the Major League game. Some of these rules are openly discussed (don’t steal a base with a big lead late in the game), while others are known only to a minority of players (don’t cross between the catcher and the pitcher on the way to the batter’s box). In The Baseball Codes, old-timers and all-time greats share their insights into the game’s most hallowed—and least known—traditions. For the learned and the casual baseball fan alike, the result is illuminating and thoroughly entertaining. At the heart of this book are incredible and often hilarious stories involving national heroes (like Mickey Mantle and Willie Mays) and notorious headhunters (like Bob Gibson and Don Drysdale) in a century-long series of confrontations over respect, honor, and the soul of the game. With The Baseball Codes, we see for the first time the game as it’s actually played, through the eyes of the players on the field. With rollicking stories from the past and new perspectives on baseball’s informal rulebook, The Baseball Codes is a must for every fan.
When Jon Fosse had his playwright début with And We Shall Never Part at the National Theatre in Bergen in 1994, he was already an established author of several novels, collections of poetry and children’s books. Since his breakthrough in 1996 with the world premiere of Someone Will Arrive at the Norwegian Theatre he has written over twenty more plays and has become the world’s most performed contemporary European playwright. Oberon Books publishes Nightsongs, The Girl on the Sofa and I Am the Wind, together with his other plays in five collections. Fosse was made a Chevalier of the Ordre national du Mérite of France in 2007 and received The International Ibsen Award in 2010. ‘Since the early 1990s, Jon Fosse’s plays have been produced in countless venues internationally, and have been translated into dozens of languages – winning awards, inspiring critical adulation, and intriguing and inspiring theatregoers throughout the world. Strangely, however, his work remains largely unknown to English-speaking audiences – an oversight that Leif Zern’s The Luminous Darkness will do much to redress. In twelve short chapters, the book explores Fosse’s career, offering a lucid and insightful argument that is enriched by Zern’s intimate knowledge of the plays in production. The result is an important and timely study of a playwright who demands and deserves our attention.’ - Patrick Lonergan, National University of Ireland Galway