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Mohawks is a novel by Mary Elizabeth Braddon. It has 3 volumes. This volume has 12 chapters. example: CHAPTER I. "ONE THAT DOTH WEAR HIMSELF AWAY IN LONENESS." "Nothing?" asked the farmer, standing upon a heathery knoll, with his gun under his arm, and his two clever spaniels, Nell and Beauty, crouched dutifully at his feet. "Nothing but this," answered the farmer's man, holding up a bundle of papers—pamphlets and manuscripts—dirty, crumpled, worn as if with much carrying to and fro over the face of the earth. They were tied up in a ragged old cotton handkerchief, and they had been carried in the breast-pocket of yonder wayfarer who lay stark and stiff, with his dead face staring up at the bright blue sky of early morning. A little child, a mere baby, lay asleep beside him, nestling against the arm that would never again shelter or defend her.
An “emotion-packed” New York Times–bestselling saga by the author of Cashelmara, set on a Welsh family estate in the early twentieth century (San Francisco Chronicle). Tucked in the hills of South Wales is Oxmoon, the ancestral estate of the Godwin family. In the summers before 1914, music streams through the family home as the Godwins, at the height of their prosperity, dance in the ballroom with their guests. But despite the remarkable talents of heir-apparent Robert Godwin, the fates have a rough, tough ride planned for him and those he loves. Fortunes shift during two world wars, disastrous love affairs leave the family battered, and finally jealousy threatens to destroy Oxmoon and all it symbolizes. Based on a true story that has been updated to modern times, The Wheel of Fortune is a timeless tale of love, hatred, revenge, redemption, and forgiveness. This ebook features an illustrated biography of Susan Howatch including rare photos and never-before-seen documents from the author’s personal collection.
This volume explores the ways that Charles Dickens appropriated and made central to his novels the dominant symbol of his age. The author argues that Dickens' contribution to the iconographic and narrative traditions was to fuse the classical image of the wheel - fortune - with the industrial one.
In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. For the third edition of this volume a number of changes have been made. The Old English material has been substantially revised and expanded, including new translations by Roy Liuzza of “Deor,” “Wulf and Eadwacer,” and “The Battle of Brunanburh.” A selection from Adrienne Williams Boyarin’s new translation of “The Miracles of the Virgin” will be included, along with Sian Echard’s translation of selections from Y Gododdin. Matthieu Boyd’s translation of the first two branches of the Mabinogi is also new to this edition, together with several Early Irish lyrics. The “Love and Marriage” Contexts section has been expanded to include additional material by Christine de Pizan and excerpts from Holy Maidenhood, and the “Religious and Spiritual Life” Contexts section now includes excerpts from Wycliffite writings. The selection of material by Sir Thomas Malory has also been substantially revised and expanded. In addition, the online component of the anthology includes several new selections, including “The Gifts of Men,” “The Fortunes of Men,” “The Feast of Bricriu,” material by Robert Henryson, and a broader selection of medieval drama.
In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. In the revised third edition of this volume, the term “Anglo-Saxon” has been removed from our editorial apparatus—a change made in response to recent scholarly work that has drawn attention to the term’s historical and current usage by white supremacists. We have also taken the opportunity to implement a small number of additional improvements. We have also taken the opportunity to implement a small number of additional improvements; the pagination, however, remains the same.
A brutal, action-packed account of the sea battles of the Napoleonic War by the author of the bestselling Nelson’s Trafalgar and co-author of the forthcoming Gibraltar: The Greatest Siege in British History (March 2018) As he did with his much lauded Nelson’s Trafalgar, Roy Adkins (now writing with wife Lesley) again thrusts readers into the perils and thrills of early-nineteenth-century warfare. From its very first page, this is an adventure story--a superb account of the naval war that lasted from Napoleon’s seizure of power in 1798 to the War of 1812 with the United States. Providing a ringside seat to the decisive battles, as well as detailed and vivid portraits of sailors and commanders, press-gangs, prostitutes, and spies, The War for All the Oceans is “a rollicking, patriotic account of the Napoleonic wars that will go down well with Master and Commander fans” (The Telegraph).
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The Learning Self This new book from the award-winning author of Psychology and Adult Learning puts the spotlight on the kind of learning that brings about significant personal change. Tennant explores the techniques, processes, and practices educators can use to promote learning that leads to change and examines assumptions about self and identity, how we are formed, and our capacity for change. The Learning Self addresses the different concepts of self and how they frame our understanding of personal transformation. The book opens with an exploration of the key concepts of self, identity, and subjectivity. The remaining chapters fall into two distinct groups. The first comprises chapters dealing with different versions of the self: The Authentic or Real Self, The Autonomous Self, The Repressed Self, The Socially Constructed Self, and The Storied Self. Tennant's aim in each case is to analyze the issues that each conception of the self presents and to comment on the implications for learning for personal change. The second group of chapters—Knowing Oneself, Controlling Oneself, Caring for Oneself, and (Re)creating Oneself—analyze general interventions to change the self. Although the focus in these chapters is on techniques and methods, the author highlights the versions of the self being promoted in their use. Throughout the book, Tennant posits that individuals can be agents in their own self-formation and change by understanding and acting on the circumstances and forces that surround and shape them.Educators, he argues, must be open to different theoretical ideas and practices while simultaneously valuing these practices and viewing them with a critical eye.
Volume 2 of massive work by a leading Shakespeare scholar and lexicographer, a standard in the field, provides full definitions, locations, and shades of meaning in every word in Shakespeare's plays and poems.